99-) English Literature

99-) English Literature 

Daniel Defoe

Later life and works. of Daniel Defoe

With George I’s accession (1714), the Tories fell. The Whigs in their turn recognized Defoe’s value, and he continued to write for the government of the day and to carry out intelligence work. At about this time, too (perhaps prompted by a severe illness), he wrote the best known and most popular of his many didactic works, The Family Instructor (1715). The writings so far mentioned, however, would not necessarily have procured literary immortality for Defoe; this he achieved when in 1719 he turned his talents to an extended work of prose fiction and (drawing partly on the memoirs of voyagers and castaways such as Alexander Selkirk) produced Robinson Crusoe. A German critic has called it a “world-book,” a label justified not only by the enormous number of translations, imitations, and adaptations that have appeared but by the almost mythic power with which Defoe creates a hero and a situation with which every reader can in some sense identify.

Here (as in his works of the remarkable year 1722, which saw the publication of Moll Flanders, A Journal of the Plague Year, and Colonel Jack) Defoe displays his finest gift as a novelist—his insight into human nature. The men and women he writes about are all, it is true, placed in unusual circumstances; they are all, in one sense or another, solitaries; they all struggle, in their different ways, through a life that is a constant scene of jungle warfare; they all become, to some extent, obsessive. They are also ordinary human beings, however, and Defoe, writing always in the first person, enters into their minds and analyzes their motives. His novels are given verisimilitude by their matter-of-fact style and their vivid concreteness of detail; the latter may seem unselective, but it effectively helps to evoke a particular, circumscribed world. Their main defects are shapelessness, an overinsistent moralizing, occasional gaucheness, and naiveté. Defoe’s range is narrow, but within that range he is a novelist of considerable power, and his plain, direct style, as in almost all of his writing, holds the reader’s interest.

In 1724 he published his last major work of fiction, Roxana, though in the closing years of his life, despite failing health, he remained active and enterprising as a writer.

Late writing

The extent and particulars are widely contested concerning Defoe's writing in the period from the Tory fall in 1714 to the publication of Robinson Crusoe in 1719. Defoe comments on the tendency to attribute tracts of uncertain authorship to him in his apologia Appeal to Honour and Justice (1715), a defence of his part in Harley's Tory ministry (1710–1714). Other works that anticipate his novelistic career include The Family Instructor (1715), a conduct manual on religious duty; Minutes of the Negotiations of Monsr. Mesnager (1717) , in which he impersonates Nicolas Mesnager, the French plenipotentiary who negotiated the Treaty of Utrecht (1713); and A Continuation of the Letters Writ by a Turkish Spy (1718), a satire of European politics and religion, ostensibly written by a Muslim in Paris.

From 1719 to 1724, Defoe published the novels for which he is famous (see below). In the final decade of his life, he also wrote conduct manuals, including Religious Courtship (1722), The Complete English Tradesman (1726) and The New Family Instructor (1727). He published a number of books decrying the breakdown of the social order, such as The Great Law of Subordination Considered (1724) and Everybody's Business is Nobody's Business (1725) and works on the supernatural, like The Political History of the Devil (1726), A System of Magick (1727) and An Essay on the History and Reality of Apparitions (1727). His works on foreign travel and trade include A General History of Discoveries and Improvements (1727) and Atlas Maritimus and Commercialis (1728). Perhaps his most significant work, apart from the novels, is A Tour thro' the Whole Island of Great Britain (1724–1727), which provided a panoramic survey of British trade on the eve of the Industrial Revolution.

The Complete English Tradesman

Published in 1726, The Complete English Tradesman is an example of Defoe's political works. In the work, Defoe discussed the role of the tradesman in England in comparison to tradesmen internationally, arguing that the British system of trade is far superior. Defoe also implied that trade was the backbone of the British economy: "estate's a pond, but trade's a spring." In the work, Defoe praised the practicality of trade not only within the economy but the social stratification as well. Defoe argued that most of the British gentry was at one time or another inextricably linked with the institution of trade, either through personal experience, marriage or genealogy. Oftentimes younger members of noble families entered into trade, and marriages to a tradesman's daughter by a nobleman was also common. Overall, Defoe demonstrated a high respect for tradesmen, being one himself.

Not only did Defoe elevate individual British tradesmen to the level of gentleman, but he praised the entirety of British trade as a superior system to other systems of trade. Trade, Defoe argues, is a much better catalyst for social and economic change than war. Defoe also argued that through the expansion of the British Empire and British mercantile influence, Britain would be able to "increase commerce at home" through job creations and increased consumption. He wrote in the work that increased consumption, by laws of supply and demand, increases production and in turn raises wages for the poor therefore lifting part of British society further out of poverty.

Novels

A Journal of the Plague Year

work by Defoe

A Journal of the Plague Year, published in 1722, can be read both as novel and as nonfiction. It is an account of the Great Plague of London in 1665, which is undersigned by the initials "H. F.", suggesting the author's uncle Henry Foe as its primary source. It is a historical account of the events based on extensive research and written as if by an eyewitness, even though Defoe was only about five years old when it occurred.

A Journal  of the Plague Year, account of the Great Plague of London in 1664–65, written by Daniel Defoe and published in 1722. Narrated by “H.F.,” an inhabitant of London who purportedly was an eyewitness to the devastation that followed the outbreak of bubonic plague, the book was a historical and fictional reconstruction by Defoe.

Robinson Crusoe

Published when Defoe was in his late fifties, Robinson Crusoe relates the story of a man's shipwreck on a desert island for twenty-eight years and his subsequent adventures. Throughout its episodic narrative, Crusoe's struggles with faith are apparent as he bargains with God in times of life-threatening crises, but time and again he turns his back after his deliverances. He is finally content with his lot in life, separated from society, following a more genuine conversion experience.

In the opening pages of The Farther Adventures of Robinson Crusoe, the author describes how Crusoe settled in Bedfordshire, married and produced a family, and that when his wife died, he went off on these further adventures. Bedford is also the place where the brother of "H. F." in A Journal of the Plague Year retired to avoid the danger of the plague, so that by implication, if these works were not fiction, Defoe's family met Crusoe in Bedford, from whence the information in these books was gathered. Defoe went to school Newington Green with a friend named Caruso.

The novel has been assumed to be based in part on the story of the Scottish castaway Alexander Selkirk, who spent four years stranded in the Juan Fernández Islands, but his experience is inconsistent with the details of the narrative. The island Selkirk lived on, Más a Tierra (Closer to Land) was renamed Robinson Crusoe Island in 1966. It has been supposed that Defoe may have also been inspired by a translation of a book by the Andalusian-Arab Muslim polymath Ibn Tufail, who was known as "Abubacer" in Europe. The Latin edition was entitled Philosophus Autodidactus; Simon Ockley published an English translation in 1708, entitled The improvement of human reason, exhibited in the life of Hai ebn Yokdhan.

Robinson Crusoe is a fictional character . Robinson  Crusoe , one of the best-known characters in world literature, a fictional English seaman who is shipwrecked on an island for 28 years. The eponymous hero of Daniel Defoe’s novel Robinson Crusoe (1719–22), he is a self-reliant man who uses his practical intelligence and resourcefulness to survive on the uninhabited island.

Captain Singleton

Defoe's next novel was Captain Singleton (1720), an adventure story whose first half covers a traversal of Africa which anticipated subsequent discoveries by David Livingstone and whose second half taps into the contemporary fascination with piracy. The novel has been commended for its sensitive depiction of the close relationship between the hero and his religious mentor, Quaker William Walters. Its description of the geography of Africa and some of its fauna does not use the language or knowledge of a fiction writer and suggests an eyewitness experience.

Memoirs of a Cavalier

Memoirs of a Cavalier (1720)  is set during the Thirty Years' War and the English Civil War.

Colonel Jack

Colonel Jack (1722) follows an orphaned boy from a life of poverty and crime to prosperity in the colonies, military and marital imbroglios, and religious conversion, driven by a problematic notion of becoming a "gentleman."

Moll Flanders

novel by Defoe

Moll Flanders, picaresque novel by Daniel Defoe, published in 1722. The novel recounts the adventures of a lusty and strong-willed woman who is compelled, from earliest childhood, to make her own way in 17th-century England. The plot is summed up in the novel’s full title: The Fortunes and Misfortunes of the Famous Moll Flanders, &c. Who Was Born in Newgate, and During a Life of Continu’d Variety for Threescore Years, Besides her Childhood, was Twelve Year a Whore, Five Times a Wife (Whereof Once to her Own Brother), Twelve Year a Thief, Eight Year a Transported Felon in Virginia, at Last Grew Rich, Liv’d Honest, and Died a Penitent. Written from Her Own Memorandums.

Moll Flanders  , another first-person picaresque novel of the fall and eventual redemption, both material and spiritual, of a lone woman in 17th-century England. The titular heroine appears as a whore, bigamist and thief, lives in The Mint, commits adultery and incest, and yet manages to retain the reader's sympathy. Her savvy manipulation of both men and wealth earns her a life of trials but ultimately an ending in reward. Although Moll struggles with the morality of some of her actions and decisions, religion seems to be far from her concerns throughout most of her story. However, like Robinson Crusoe, she finally repents. Moll Flanders is an important work in the development of the novel, as it challenged the common perception of femininity and gender roles in 18th-century British society. More recently it has come to be misunderstood as an example of erotica.

Roxana

Defoe's final novel, Roxana: The Fortunate Mistress (1724), which narrates the moral and spiritual decline of a high society courtesan, differs from other Defoe works because the main character does not exhibit a conversion experience, even though she claims to be a penitent later in her life, at the time that she is relating her story.

98-)English Literature

98-) English Literature

Daniel Defoe summary

Daniel Foe, (born 1660, London, Eng.—died April 24, 1731, London), British novelist, pamphleteer, and journalist. A well-educated London merchant, he became an acute economic theorist and began to write eloquent, witty, often audacious tracts on public affairs. A satire he published resulted in his being imprisoned in 1703, and his business collapsed. He traveled as a government secret agent while continuing to write prolifically. In 1704–13 he wrote practically single-handedly the periodical Review, a serious and forceful paper that influenced later essay periodicals such as The Spectator. His Tour Through the Whole Island of Great Britain, 3 vol. (1724–26), followed several trips to Scotland. Late in life he turned to fiction. He achieved literary immortality with the novel Robinson Crusoe (1719), which drew partly on memoirs of voyagers and castaways. He is also remembered for the vivid, picaresque Moll Flanders (1722); the nonfictional Journal of the Plague Year (1722), on the Great Plague in London in 1664–65; and Roxana (1724), a prototype of the modern novel.

Daniel Defoe

Daniel Defoe (/dɪˈfoʊ/; born 1660, London, Eng.—died April 24, 1731, London) the son of a butcher (he began to use “Defoe” more frequently beginning in 1696). Defoe became a merchant but went bankrupt in 1692 and left the world of business in 1703. He was an English novelist , journalist, merchant, pamphleteer and spy. He is most famous for his novel Robinson Crusoe (1719–22), published in 1719, which is claimed to be second only to the Bible in its number of translations and Moll Flanders (1722). He has been seen as one of the earliest proponents of the English novel, and helped to popularise the form in Britain with others such as Aphra Behn and Samuel Richardson. Defoe wrote many political tracts, was often in trouble with the authorities, and spent a period in prison. Intellectuals and political leaders paid attention to his fresh ideas and sometimes consulted him.

Defoe was a prolific and versatile writer, producing more than three hundred works—books, pamphlets, and journals—on diverse topics, including politics, crime, religion, marriage, psychology and the supernatural. He was also a pioneer of business journalism and economic journalism.

Defoe was an acclaimed and prolific pamphleteer and journalist who wrote scabrous attacks on supporters of King William III and Queen Anne, William’s successor. Defoe was often imprisoned for his inflammatory writings. In 1719 he published the novel Robinson Crusoe, considered one of first novels in the English language and still heralded as a masterpiece. Other novels followed: Moll Flanders, Journal of the Plague Year, and Roxana. Early life

Defoe’s father, James Foe, was a hard-working and fairly prosperous tallow chandler (perhaps also, later, a butcher), of Flemish descent. By his middle 30s, Daniel was calling himself “Defoe,” probably reviving a variant of what may have been the original family name. As a Nonconformist, or Dissenter, Foe could not send his son to the University of Oxford or to Cambridge; he sent him instead to the excellent academy at Newington Green kept by the Reverend Charles Morton. There Defoe received an education in many ways better, and certainly broader, than any he would have had at an English university. Morton was an admirable teacher, later becoming first vice president of Harvard College; and the clarity, simplicity, and ease of his style of writing—together with the Bible, the works of John Bunyan, and the pulpit oratory of the day—may have helped to form Defoe’s own literary style.

Although intended for the Presbyterian ministry, Defoe decided against this and by 1683 had set up as a merchant. He called trade his “beloved subject,” and it was one of the abiding interests of his life. He dealt in many commodities, traveled widely at home and abroad, and became an acute and intelligent economic theorist, in many respects ahead of his time; but misfortune, in one form or another, dogged him continually. He wrote of himself:

No man has tasted differing fortunes more,

And thirteen times I have been rich and poor.

It was true enough. In 1692, after prospering for a while, Defoe went bankrupt for £17,000. Opinions differ as to the cause of his collapse: on his own admission, Defoe was apt to indulge in rash speculations and projects; he may not always have been completely scrupulous, and he later characterized himself as one of those tradesmen who had “done things which their own principles condemned, which they are not ashamed to blush for.” But undoubtedly the main reason for his bankruptcy was the loss that he sustained in insuring ships during the war with France—he was one of 19 “merchants insurers” ruined in 1692. In this matter Defoe may have been incautious, but he was not dishonourable, and he dealt fairly with his creditors (some of whom pursued him savagely), paying off all but £5,000 within 10 years. He suffered further severe losses in 1703, when his prosperous brick-and-tile works near Tilbury failed during his imprisonment for political offenses, and he did not actively engage in trade after this time.

Soon after setting up in business, in 1684, Defoe married Mary Tuffley, the daughter of a well-to-do Dissenting merchant. Not much is known about her, and he mentions her little in his writings, but she seems to have been a loyal, capable, and devoted wife. She bore eight children, of whom six lived to maturity, and when Defoe died the couple had been married for 47 years.

Daniel Foe (his original name) was probably born in Fore Street in the parish of St Giles Cripplegate, London. Defoe later added the aristocratic-sounding "De" to his name, and on occasion made the false claim of descent from a family named De Beau Faux. "De" is also a common prefix in Flemish surnames. His birthdate and birthplace are uncertain, and sources offer dates from 1659 to 1662, with the summer or early autumn of 1660 considered the most likely. His father, James Foe, was a prosperous tallow chandler of probable Flemish descent, [a] and a member of the Worshipful Company of Butchers. In Defoe's early childhood, he experienced some of the most unusual occurrences in English history: in 1665, seventy thousand were killed by the Great Plague of London, and the next year, the Great Fire of London left only Defoe's and two other houses standing in his neighbourhood. In 1667, when he was probably about seven, a Dutch fleet sailed up the Medway via the River Thames and attacked the town of Chatham in the raid on the Medway. His mother, Alice, had died by the time he was about ten.

Education

Defoe was educated at the Rev. James Fisher's boarding school in Pixham Lane in Dorking, Surrey. His parents were Presbyterian dissenters, and around the age of 14, he was sent to Charles Morton's dissenting academy at Newington Green, then a village just north of London, where he is believed to have attended the Dissenting church there.[20][21] He lived on Church Street, Stoke Newington, at what is now nos. 95–103.[22] During this period, the English government persecuted those who chose to worship outside the established Church of England.

Business career

Defoe entered the world of business as a general merchant, dealing at different times in hosiery, general woollen goods, and wine. His ambitions were great and he was able to buy a country estate and a ship (as well as civets to make perfume), though he was rarely out of debt. On 1 January 1684, Defoe married Mary Tuffley at St Botolph's Aldgate. She was the daughter of a London merchant, and brought with her a dowry of £3,700—a huge amount by the standards of the day. Given his debts and political difficulties, the marriage may have been troubled, but it lasted 47 years and produced eight children.

In 1685, Defoe joined the ill-fated Monmouth Rebellion but gained a pardon, by which he escaped the Bloody Assizes of Judge George Jeffreys. Queen Mary and her husband William III were jointly crowned in 1689, and Defoe became one of William's close allies and a secret agent. Some of the new policies led to conflict with France, thus damaging prosperous trade relationships for Defoe. In 1692, he was arrested for debts of £700 and, in the face of total debts that may have amounted to £17,000, was forced to declare bankruptcy. He died with little wealth and evidently embroiled in lawsuits with the royal treasury.

Following his release from debtors' prison, he probably travelled in Europe and Scotland, and it may have been at this time that he traded wine to Cadiz, Porto and Lisbon. By 1695, he was back in England, now formally using the name "Defoe" and serving as a "commissioner of the glass duty", responsible for collecting taxes on bottles. In 1696, he ran a tile and brick factory in what is now Tilbury in Essex and lived in the parish of Chadwell St Mary nearby.

Writing

Pamphleteering and prison

Defoe's first notable publication was An Essay Upon Projects, a series of proposals for social and economic improvement, published in 1697. From 1697 to 1698, he defended the right of King William III to a standing army during disarmament, after the Treaty of Ryswick (1697) had ended the Nine Years' War (1688–1697). His most successful poem, The True-Born Englishman (1701), defended William against xenophobic attacks from his political enemies in England, and English anti-immigration sentiments more generally. In 1701, Defoe presented the Legion's Memorial to Robert Harley, then Speaker of the House of Commons—and his subsequent employer—while flanked by a guard of sixteen gentlemen of quality. It demanded the release of the Kentish petitioners, who had asked Parliament to support the king in an imminent war against France.

The death of William III in 1702 once again created a political upheaval, as the king was replaced by Queen Anne who immediately began her offensive against Nonconformists. Defoe was a natural target, and his pamphleteering and political activities resulted in his arrest and placement in a pillory on 31 July 1703, principally on account of his December 1702 pamphlet entitled The Shortest-Way with the Dissenters; Or, Proposals for the Establishment of the Church, purporting to argue for their extermination. In it, he ruthlessly satirised both the high church Tories and those Dissenters who hypocritically practised so-called "occasional conformity", such as his Stoke Newington neighbour Sir Thomas Abney. It was published anonymously, but the true authorship was quickly discovered and Defoe was arrested. He was charged with seditious libel and found guilty in a trial at the Old Bailey in front of the notoriously sadistic judge Salathiel Lovell. Lovell sentenced him to a punitive fine of 200 marks (£336 then, £60,544 in 2024), to public humiliation in a pillory, and to an indeterminate length of imprisonment which would only end upon the discharge of the punitive fine. According to legend, the publication of his poem Hymn to the Pillory caused his audience at the pillory to throw flowers instead of the customary harmful and noxious objects and to drink to his health. The truth of this story is questioned by most scholars, although John Robert Moore later said that "no man in England but Defoe ever stood in the pillory and later rose to eminence among his fellow men".

After his three days in the pillory, Defoe went into Newgate Prison. Robert Harley, 1st Earl of Oxford and Earl Mortimer, brokered his release in exchange for Defoe's cooperation as an intelligence agent for the Tories. In exchange for such cooperation with the rival political side, Harley paid some of Defoe's outstanding debts, improving his financial situation considerably.

Within a week of his release from prison, Defoe witnessed the Great Storm of 1703, which raged through the night of 26/27 November. It caused severe damage to London and Bristol, uprooted millions of trees, and killed more than 8,000 people, mostly at sea. The event became the subject of Defoe's The Storm (1704), which includes a collection of witness accounts of the tempest. Many regard it as one of the world's first examples of modern journalism.

In the same year, he set up his periodical A Review of the Affairs of France, which supported the Harley Ministry, chronicling the events of the War of the Spanish Succession (1702–1714). The Review ran three times a week without interruption until 1713. Defoe was amazed that a man as gifted as Harley left vital state papers lying in the open, and warned that he was almost inviting an unscrupulous clerk to commit treason; his warnings were fully justified by the William Gregg affair.

When Harley was ousted from the ministry in 1708, Defoe continued writing the Review to support Godolphin, then again to support Harley and the Tories in the Tory ministry of 1710–1714. The Tories fell from power with the death of Queen Anne, but Defoe continued doing intelligence work for the Whig government, writing "Tory" pamphlets that undermined the Tory point of view.

Not all of Defoe's pamphlet writing was political. One pamphlet was originally published anonymously, entitled A True Relation of the Apparition of One Mrs. Veal the Next Day after her Death to One Mrs. Bargrave at Canterbury The 8th of September, 1705. It deals with the interaction between the spiritual realm and the physical realm and was most likely written in support of Charles Drelincourt's The Christian Defence against the Fears of Death (1651). It describes Mrs. Bargrave's encounter with her old friend Mrs. Veal after she had died. It is clear from this piece and other writings that the political portion of Defoe's life was by no means his only focus.

Anglo-Scottish Union of 1707

In despair during his imprisonment for the seditious libel case, Defoe wrote to William Paterson, the London Scot and founder of the Bank of England and part instigator of the Darien scheme, who was in the confidence of Robert Harley, 1st Earl of Oxford and Earl Mortimer, leading minister and spymaster in the English government. Harley accepted Defoe's services and released him in 1703. He immediately published The Review, which appeared weekly, then three times a week, written mostly by himself. This was the main mouthpiece of the English Government promoting the Act of Union 1707.

Defoe began his campaign in The Review and other pamphlets aimed at English opinion, claiming that it would end the threat from the north, gaining for the Treasury an "inexhaustible treasury of men", a valuable new market increasing the power of England. By September 1706, Harley ordered Defoe to Edinburgh as a secret agent to do everything possible to help secure acquiescence in the Treaty of Union. He was conscious of the risk to himself. Thanks to books such as The Letters of Daniel Defoe (edited by G. H. Healey, Oxford 1955), far more is known about his activities than is usual with such agents.

His first reports included vivid descriptions of violent demonstrations against the Union. "A Scots rabble is the worst of its kind", he reported. Years later John Clerk of Penicuik, a leading Unionist, wrote in his memoirs that it was not known at the time that Defoe had been sent by Godolphin:

… to give a faithful account to him from time to time how everything past here. He was therefor a spy among us, but not known to be such, otherways the Mob of Edin. had pull him to pieces.

Defoe was a Presbyterian who had suffered in England for his convictions, and as such he was accepted as an adviser to the General Assembly of the Church of Scotland and committees of the Parliament of Scotland. He told Harley that he was "privy to all their folly" but "Perfectly unsuspected as with corresponding with anybody in England". He was then able to influence the proposals that were put to Parliament and reported,

Having had the honour to be always sent for the committee to whom these amendments were referrèd,

I have had the good fortune to break their measures in two particulars via the bounty on Corn and

proportion of the Excise.

For Scotland, he used different arguments, even the opposite of those which he used in England, usually ignoring the English doctrine of the Sovereignty of Parliament, for example, telling the Scots that they could have complete confidence in the guarantees in the Treaty. Some of his pamphlets were purported to be written by Scots, misleading even reputable historians into quoting them as evidence of Scottish opinion of the time. The same is true of a massive history of the Union which Defoe published in 1709 and which some historians still treat as a valuable contemporary source for their own works. Defoe took pains to give his history an air of objectivity by giving some space to arguments against the Union but always having the last word for himself.

He disposed of the main Union opponent, Andrew Fletcher of Saltoun, by ignoring him. Nor does he account for the deviousness of the Duke of Hamilton, the official leader of the various factions opposed to the Union, who seemingly betrayed his former colleagues when he switched to the Unionist/Government side in the decisive final stages of the debate.

Aftermath

In 1709, Defoe authored a rather lengthy book entitled The History of the Union of Great Britain, an Edinburgh publication printed by the Heirs of Anderson. The book cites Defoe twice as being its author, and gives details leading up to the Acts of Union 1707 by means of presenting information that dates all the way back to 6 December 1604 when King James I was presented with a proposal for unification. And so, such a so-called "first draft" for unification took place just a little over 100 years before the signing of the 1707 accord, which, respectively, preceded the commencement of Robinson Crusoe by another ten years.

Defoe made no attempt to explain why the same Parliament of Scotland which was so vehement for its independence from 1703 to 1705 became so supine in 1706. He received very little reward from his paymasters and of course no recognition for his services by the government. He made use of his Scottish experience to write his Tour thro' the whole Island of Great Britain, published in 1726, where he admitted that the increase of trade and population in Scotland which he had predicted as a consequence of the Union was "not the case, but rather the contrary"

Defoe's description of Glasgow (Glaschu) as a "Dear Green Place" has often been misquoted as a Gaelic translation for the town's name. The Gaelic Glas could mean grey or green, while chu means dog or hollow. Glaschu probably means "Green Hollow". The "Dear Green Place", like much of Scotland, was a hotbed of unrest against the Union. The local Tron minister urged his congregation "to up and anent for the City of God".

The "Dear Green Place" and "City of God" required government troops to put down the rioters tearing up copies of the Treaty at almost every mercat cross in Scotland. When Defoe visited in the mid-1720s, he claimed that the hostility towards his party was "because they were English and because of the Union, which they were almost universally exclaimed against".

Mature life and works.

With Defoe’s interest in trade went an interest in politics. The first of many political pamphlets by him appeared in 1683. When the Roman Catholic James II ascended the throne in 1685, Defoe—as a staunch Dissenter and with characteristic impetuosity—joined the ill-fated rebellion of the Duke of Monmouth, managing to escape after the disastrous Battle of Sedgemoor. Three years later James had fled to France, and Defoe rode to welcome the army of William of Orange—“William, the Glorious, Great, and Good, and Kind,” as Defoe was to call him. Throughout William III’s reign, Defoe supported him loyally, becoming his leading pamphleteer. In 1701, in reply to attacks on the “foreign” king, Defoe published his vigorous and witty poem The True-Born Englishman, an enormously popular work that is still very readable and relevant in its exposure of the fallacies of racial prejudice. Defoe was clearly proud of this work, because he sometimes designated himself “Author of ‘The True-Born Englishman’” in later works.

Foreign politics also engaged Defoe’s attention. Since the Treaty of Rijswijk (1697), it had become increasingly probable that what would, in effect, be a European war would break out as soon as the childless king of Spain died. In 1701 five gentlemen of Kent presented a petition, demanding greater defense preparations, to the House of Commons (then Tory-controlled) and were illegally imprisoned. Next morning Defoe, “guarded with about 16 gentlemen of quality,” presented the speaker, Robert Harley, with his famous document “Legion’s Memorial,” which reminded the Commons in outspoken terms that “Englishmen are no more to be slaves to Parliaments than to a King.” It was effective: the Kentishmen were released, and Defoe was feted by the citizens of London. It had been a courageous gesture and one of which Defoe was ever afterward proud, but it undoubtedly branded him in Tory eyes as a dangerous man who must be brought down.

What did bring him down, only a year or so later, and consequently led to a new phase in his career, was a religious question—though it is difficult to separate religion from politics in this period. Both Dissenters and “Low Churchmen” were mainly Whigs, and the “highfliers”—the High-Church Tories—were determined to undermine this working alliance by stopping the practice of “occasional conformity” (by which Dissenters of flexible conscience could qualify for public office by occasionally taking the sacraments according to the established church). Pressure on the Dissenters increased when the Tories came to power, and violent attacks were made on them by such rabble-rousing extremists as Dr. Henry Sacheverell. In reply, Defoe wrote perhaps the most famous and skillful of all his pamphlets, “The Shortest-Way With The Dissenters” (1702), published anonymously. His method was ironic: to discredit the highfliers by writing as if from their viewpoint but reducing their arguments to absurdity. The pamphlet had a huge sale, but the irony blew up in Defoe’s face: Dissenters and High Churchmen alike took it seriously, and—though for different reasons—were furious when the hoax was exposed. Defoe was prosecuted for seditious libel and was arrested in May 1703. The advertisement offering a reward for his capture gives the only extant personal description of Defoe—an unflattering one, which annoyed him considerably: “a middle-size spare man, about 40 years old, of a brown complexion, and dark-brown coloured hair, but wears a wig, a hooked nose, a sharp chin, grey eyes, and a large mole near his mouth.” Defoe was advised to plead guilty and rely on the court’s mercy, but he received harsh treatment, and, in addition to being fined, was sentenced to stand three times in the pillory. It is likely that the prosecution was primarily political, an attempt to force him into betraying certain Whig leaders; but the attempt was evidently unsuccessful. Although miserably apprehensive of his punishment, Defoe had spirit enough, while awaiting his ordeal, to write the audacious “Hymn To The Pillory” (1703); and this helped to turn the occasion into something of a triumph, with the pillory garlanded, the mob drinking his health, and the poem on sale in the streets. In An Appeal to Honour and Justice (1715), he gave his own, self-justifying account of these events and of other controversies in his life as a writer.

Triumph or not, Defoe was led back to Newgate, and there he remained while his Tilbury business collapsed and he became ever more desperately concerned for the welfare of his already numerous family. He appealed to Robert Harley, who, after many delays, finally secured his release—Harley’s part of the bargain being to obtain Defoe’s services as a pamphleteer and intelligence agent.

Defoe certainly served his masters with zeal and energy, traveling extensively, writing reports, minutes of advice, and pamphlets. He paid several visits to Scotland, especially at the time of the Act of Union in 1707, keeping Harley closely in touch with public opinion. Some of Defoe’s letters to Harley from this period have survived. These trips bore fruit in a different way two decades later: in 1724–26 the three volumes of Defoe’s animated and informative Tour Through the Whole Island of Great Britain were published, in preparing which he drew on many of his earlier observations.

Perhaps Defoe’s most remarkable achievement during Queen Anne’s reign, however, was his periodical, the Review. He wrote this serious, forceful, and long-lived paper practically single-handedly from 1704 to 1713. At first a weekly, it became a thrice-weekly publication in 1705, and Defoe continued to produce it even when, for short periods in 1713, his political enemies managed to have him imprisoned again on various pretexts. It was, effectively, the main government organ, its political line corresponding with that of the moderate Tories (though Defoe sometimes took an independent stand); but, in addition to politics as such, Defoe discussed current affairs in general, religion, trade, manners, morals, and so on, and his work undoubtedly had a considerable influence on the development of later essay periodicals (such as Richard Steele and Joseph Addison’s The Tatler and The Spectator) and of the newspaper press.

97-) English Literature

97-) English Literature

Jonathan Swuft 

Works

Swift was a prolific writer. The collection of his prose works (Herbert Davis, ed. Basil Blackwell, 1965–) comprises fourteen volumes. A 1983 edition of his complete poetry (Pat Rodges, ed. Penguin, 1983) is 953 pages long. One edition of his correspondence (David Woolley, ed. P. Lang, 1999) fills three volumes.

The success of Gulliver’s Travels

Swift’s greatest satire, Gulliver’s Travels, was published in 1726. It is uncertain when he began this work, but it appears from his correspondence that he was writing in earnest by 1721 and had finished the whole by August 1725. Its success was immediate, and it stands as his masterpiece. Then, and since, it has succeeded in entertaining (and intriguing) all classes of readers. It was completed at a time when he was close to the poet Alexander Pope and the poet and dramatist John Gay. He had been a fellow member of their Scriblerus Club since 1713, and through their correspondence, Pope continued to be one of his most important connections to England.

Gulliver’s Travels was originally published without its author’s name under the title Travels into Several Remote Nations of the World. This work, which is told in Gulliver’s “own words,” is the most brilliant as well as the most bitter and controversial of his satires. In each of its four books the hero, Lemuel Gulliver, embarks on a voyage; but shipwreck or some other hazard usually casts him up on a strange land. Book I takes him to Lilliput, where he wakes to find himself the giant prisoner of the six-inch-high Lilliputians. Man-Mountain, as Gulliver is called, ingratiates himself with the arrogant, self-important Lilliputians when he wades into the sea and captures an invasion fleet from neighbouring Blefescu; but he falls into disfavour when he puts out a fire in the empress’ palace by urinating on it. Learning of a plot to charge him with treason, he escapes from the island.

Book II takes Gulliver to Brobdingnag, where the inhabitants are giants. He is cared for kindly by a nine-year-old girl, Glumdalclitch, but his tiny size exposes him to dangers and indignities, such as getting his head caught in a squalling baby’s mouth. Also, the giants’ small physical imperfections (such as large pores) are highly visible and disturbing to him. Picked up by an eagle and dropped into the sea, he manages to return home.

In Book III Gulliver visits the floating island of Laputa, whose absent-minded inhabitants are so preoccupied with higher speculations that they are in constant danger of accidental collisions. He visits the Academy of Lagado (a travesty of England’s Royal Society), where he finds its lunatic savants engaged in such impractical studies as reducing human excrement to the original food. In Luggnagg he meets the Struldbruggs, a race of immortals, whose eternal senility is brutally described.

Book IV takes Gulliver to the Utopian land of the Houyhnhnms—grave, rational, and virtuous horses. There is also another race on the island, uneasily tolerated and used for menial services by the Houyhnhnms. These are the vicious and physically disgusting Yahoos. Although Gulliver pretends at first not to recognize them, he is forced at last to admit the Yahoos are human beings. He finds perfect happiness with the Houyhnhnms, but as he is only a more advanced Yahoo, he is rejected by them in general assembly and is returned to England, where he finds himself no longer able to tolerate the society of his fellow human beings.

Gulliver’s Travels’s matter-of-fact style and its air of sober reality confer on it an ironic depth that defeats oversimple explanations. Is it essentially comic, or is it a misanthropic depreciation of humankind? Swift certainly seems to use the various races and societies Gulliver encounters in his travels to satirize many of the errors, follies, and frailties that human beings are prone to. The warlike, disputatious, but essentially trivial Lilliputians in Book I and the deranged, impractical pedants and intellectuals in Book III are shown as imbalanced beings lacking common sense and even decency. The Houyhnhnms, by contrast, are the epitome of reason and virtuous simplicity, but Gulliver’s own proud identification with these horses and his subsequent disdain for his fellow humans indicates that he too has become imbalanced, and that human beings are simply incapable of aspiring to the virtuous rationality that Gulliver has glimpsed.

Major prose works

In 1708, when a cobbler named John Partridge published a popular almanac of astrological predictions, Swift attacked Partridge in Prediction For The Ensuing Year, a parody predicting that Partridge would die on March 29. Swift followed up with a pamphlet issued on March 30 claiming that Partridge had in fact died, which was widely believed despite Partridge's statements to the contrary.

Swift's first major prose work, A Tale of a Tub, demonstrates many of the themes and stylistic techniques he would employ in his later work. It is at once wildly playful and humorous while at the same time pointed and harshly critical of its targets. The Tale recounts the exploits of three sons, representing the main threads of Christianity in England: the Anglican, Catholic, and Nonconformist ("Dissenting") Churches. Each of the sons receives a coat from their fathers as a bequest, with the added instructions to make no alternations to the coats whatsoever. However, the sons soon find that their coats have fallen out of current fashion and begin to look for loopholes in their father's will which will allow them to make the needed alterations. As each finds his own means of getting around their father's admonition, Swift satirizes the various changes (and corruptions) that had consumed all three branches of Christianity in Swift's time. Inserted into this story, in alternating chapters, Swift includes a series of whimsical "discourses" on various subjects.

In 1729, Swift wrote “A Modest Proposal,” supposedly written by an intelligent and objective "political arithmetician" who had carefully studied Ireland before making his proposal. The author calmly suggests one solution for both the problem of overpopulation and the growing numbers of undernourished people: breed those children who would otherwise go hungry or be mistreated and sell them as food for the rich.

Swift's first major prose work, A Tale of a Tub, demonstrates many of the themes and stylistic techniques he would employ in his later work. It is at once wildly playful and funny while being pointed and harshly critical of its targets. In its main thread, the Tale recounts the exploits of three sons, representing the main threads of Christianity, who receive a bequest from their father of a coat each, with the added instructions to make no alterations whatsoever. However, the sons soon find that their coats have fallen out of current fashion, and begin to look for loopholes in their father's will that will let them make the needed alterations. As each finds his own means of getting around their father's admonition, they struggle with each other for power and dominance. Inserted into this story, in alternating chapters, the narrator includes a series of whimsical "digressions" on various subjects.

In 1690, Sir William Temple, Swift's patron, published An Essay upon Ancient and Modern Learning a defence of classical writing (see Quarrel of the Ancients and the Moderns), holding up the Epistles of Phalaris as an example. William Wotton responded to Temple with Reflections upon Ancient and Modern Learning (1694), showing that the Epistles were a later forgery. A response by the supporters of the Ancients was then made by Charles Boyle (later the 4th Earl of Orrery and father of Swift's first biographer). A further retort on the Modern side came from Richard Bentley, one of the pre-eminent scholars of the day, in his essay Dissertation upon the Epistles of Phalaris (1699). The final words on the topic belong to Swift in his Battle of the Books (1697, published 1704) in which he makes a humorous defence on behalf of Temple and the cause of the Ancients.

In 1708, a cobbler named John Partridge published a popular almanac of astrological predictions. Because Partridge falsely determined the deaths of several church officials, Swift attacked Partridge in Predictions for the Ensuing Year by Isaac Bickerstaff, a parody predicting that Partridge would die on 29 March. Swift followed up with a pamphlet issued on 30 March claiming that Partridge had in fact died, which was widely believed despite Partridge's statements to the contrary. According to other sources,[citation needed] Richard Steele used the persona of Isaac Bickerstaff, and was the one who wrote about the "death" of John Partridge and published it in The Spectator, not Jonathan Swift.

The Drapier's Letters (1724) was a series of pamphlets against the monopoly granted by the English government to William Wood to mint copper coinage for Ireland. It was widely believed that Wood would need to flood Ireland with debased coinage in order to make a profit. In these "letters" Swift posed as a shopkeeper—a draper—to criticise the plan. Swift's writing was so effective in undermining opinion in the project that a reward was offered by the government to anyone disclosing the true identity of the author. Though hardly a secret (on returning to Dublin after one of his trips to England, Swift was greeted with a banner, "Welcome Home, Drapier") no one turned Swift in, although there was an unsuccessful attempt to prosecute the publisher John Harding.[46] Thanks to the general outcry against the coinage, Wood's patent was rescinded in September 1725 and the coins were kept out of circulation. In "Verses on the Death of Dr. Swift" (1739) Swift recalled this as one of his best achievements.

Gulliver's Travels, a large portion of which Swift wrote at Woodbrook House in County Laois, was published in 1726. It is regarded as his masterpiece. As with his other writings, the Travels was published under a pseudonym, the fictional Lemuel Gulliver, a ship's surgeon and later a sea captain. Some of the correspondence between printer Benj. Motte and Gulliver's also-fictional cousin negotiating the book's publication has survived. Though it has often been mistakenly thought of and published in bowdlerised form as a children's book, it is a great and sophisticated satire of human nature based on Swift's experience of his times. Gulliver's Travels is an anatomy of human nature, a sardonic looking-glass, often criticised for its apparent misanthropy. It asks its readers to refute it, to deny that it has adequately characterised human nature and society. Each of the four books—recounting four voyages to mostly fictional exotic lands—has a different theme, but all are attempts to deflate human pride. Critics hail the work as a satiric reflection on the shortcomings of Enlightenment thought.

In 1729, Swift's A Modest Proposal for Preventing the Children of Poor People in Ireland Being a Burden on Their Parents or Country, and for Making Them Beneficial to the Publick was published in Dublin by Sarah Harding. It is a satire in which the narrator, with intentionally grotesque arguments, recommends that Ireland's poor escape their poverty by selling their children as food to the rich: "I have been assured by a very knowing American of my acquaintance in London, that a young healthy child well nursed is at a year old a most delicious nourishing and wholesome food ..." Following the satirical form, he introduces the reforms he is actually suggesting by deriding them:

Therefore let no man talk to me of other expedients ... taxing our absentees ... using [nothing] except what is of our own growth and manufacture ... rejecting ... foreign luxury ... introducing a vein of parsimony, prudence and temperance ... learning to love our country ... quitting our animosities and factions ... teaching landlords to have at least one degree of mercy towards their tenants. ... Therefore I repeat, let no man talk to me of these and the like expedients, till he hath at least some glympse of hope, that there will ever be some hearty and sincere attempt to put them into practice.

Jonathan Swift

Gulliver's Travels

Gulliver's Travels (published 1726, amended 1735), officially titled Travels into Several Remote Nations of the World is Swift's masterpiece, both a satire on human nature and a parody of the "travellers' tales" literary sub-genre. It is easily Swift's most celebrated work and one of the indisputable classics of the English language.

The book became tremendously popular as soon as it was published (Alexander Pope quipped that "it is universally read, from the cabinet council to the nursery") and it is likely that it has never been out of print since its original publication. George Orwell went so far as to declare it to be among the six most indispensable books in world literature.

Synopsis

On his first voyage, Gulliver is washed ashore after a shipwreck, awaking to find himself a prisoner of a race of tiny people who stand 15 centimeters high, inhabitants of the neighboring and rival countries of Lilliput and Blefuscu. After giving assurances of his good behavior he is given a residence in Lilliput, becoming a favorite of the court. He assists the Lilliputians in subduing their neighbors, the Blefuscudans, but refuses to reduce Blefuscu to a province of Lilliput, so he is charged with treason and sentenced to be blinded. Fortunately, Gulliver easily overpowers the Lilliputian army and escapes back home.

On his second voyage, while exploring a new country, Gulliver is abandoned by his companions, finding himself in Brobdingnag, a land of giants. He is then bought (as a curiosity) by the queen of Brobdingnag and kept as a favorite at court. On a trip to the seaside, his ship is seized by a giant eagle and dropped into the sea where he is picked up by sailors and returned to England.

On his third voyage, Gulliver's ship is attacked by pirates and he is abandoned on a desolate rocky island. Fortunately he is rescued by the flying island of Laputa, a kingdom devoted to the intellectual arts that is utterly incapable of doing anything practical. While there, he tours the country as the guest of a low-ranking courtier and sees the ruin brought about by blind pursuit of science without practical results. He also encounters the Struldbrugs, an unfortunate race who are cursed to have immortal life without immortal youth. The trip is otherwise reasonably free of incident and Gulliver returns home, determined to stay a homebody for the rest of his days.

Disregarding these intentions at the end of the third part, Gulliver returns to sea where his crew promptly mutinies. He is abandoned ashore, coming first upon a race of hideously deformed creatures to which he conceives a violent antipathy. Shortly thereafter he meets an eloquent, talking horse and comes to understand that the horses (in their language "Houyhnhnm") are the rulers and the deformed creatures ("Yahoos") are in fact human beings. Gulliver becomes a member of the horse's household, treated almost as a favored pet, and comes to both admire and emulate the Houyhnhnms and their lifestyle, rejecting human beings as merely Yahoos endowed with some semblance of reason which they only use to exacerbate and add to the vices Nature gave them. However, an assembly of the Houyhnhnms rules that Gulliver, a Yahoo with some semblance of reason, is a danger to their civilization, so he is expelled. He is then rescued, against his will, by a Portuguese ship that returns him to his home in England. He is, however, unable to reconcile himself to living among Yahoos; he becomes a recluse, remaining in his house, largely avoiding his family, and spending several hours a day speaking with the horses in his stables.

Legacy

Swift’s legacy

Swift’s intellectual roots lay in the rationalism that was characteristic of late 17th-century England. This rationalism, with its strong moral sense, its emphasis on common sense, and its distrust of emotionalism, gave him the standards by which he appraised human conduct. At the same time, however, he provided a unique description of reason’s weakness and of its use by people to delude themselves. His moral principles are scarcely original; his originality lies rather in the quality of his satiric imagination and his literary art. Swift’s literary tone varies from the humorous to the savage, but each of his satiric compositions is marked by concentrated power and directness of impact. His command of a great variety of prose styles is unfailing, as is his power of inventing imaginary episodes and all their accompanying details. Swift rarely speaks in his own person; almost always he states his views by ironic indiscretion through some imagined character such as Lemuel Gulliver or the morally obtuse citizen of “A Modest Proposal.” Thus Swift’s descriptive passages reflect the minds that are describing just as much as the things described. Pulling in different directions, this irony creates the tensions that are characteristic of Swift’s best work, and reflects his vision of humanity’s ambiguous position between bestiality and reasonableness.

Literary

John Ruskin named him as one of the three people in history who were the most influential for him. George Orwell named him as one of the writers he most admired, despite disagreeing with him on almost every moral and political issue. Modernist poet Edith Sitwell wrote a fictional biography of Swift, titled I Live Under a Black Sun and published in 1937. A. L. Rowse wrote a biography of Swift, essays on his works, and edited the Pan Books edition of Gulliver's Travels.

Literary scholar Frank Stier Goodwin wrote a full biography of Swift: Jonathan Swift – Giant in Chains, issued by Liveright Publishing Corporation, New York (1940, 450pp, with Bibliography).

In 1982, Soviet playwright Grigory Gorin wrote a theatrical fantasy called The House That Swift Built based on the last years of Jonathan Swift's life and episodes of his works. The play was filmed by director Mark Zakharov in the 1984 two-part television movie of the same name.[citation needed] Jake Arnott features him in his 2017 novel The Fatal Tree. A 2017 analysis of library holdings data revealed that Swift is the most popular Irish author, and that Gulliver’s Travels is the most widely held work of Irish literature in libraries globally.

The first woman to write a biography of Swift was Sophie Shilleto Smith, who published Dean Swift in 1910.

Swift once stated that "satire is a sort of glass, wherein beholders do generally discover everybody's face but their own." Utilizing grotesque logic—for example, that Irish poverty can be solved by the breeding of infants as food for the rich—Swift commented on attitudes and policies of his day with an originality and forcefulness that influenced later novelists such as Mark Twain, H. G. Wells, and George Orwell. "Swiftian" satire is a term coined for especially outlandish and sardonic parody.

Although his many pamphlets and attacks on religious corruption and intellectual laziness are dated for most modern readers, Gulliver's Travels has remained a popular favorite both for its humorous rendering of human foibles and its adventurous fantasy.

Eponymous places

Swift crater, a crater on Mars's moon Deimos, is named after Jonathan Swift, who predicted the existence of the moons of Mars.

In honour of Swift's long-time residence in Trim, there are several monuments in the town marking his legacy. Most notable is Swift's Street, named after him. Trim also holds a recurring festival in honour of Swift, called the Trim Swift Festival.

Essays, Tracts, Pamphlets, Periodicals

"A Meditation upon a Broomstick" (1703-1710)

"A Tritical Essay upon the Faculties of the Mind" (1707-1711)

The Bickerstaff-Partridge Papers (1708-1709): Full text: Univ. of Adelaide

"An Argument against Abolishing Christianity" (1708-1711): Full text: Univ. of Adelaide

The Intelligencer (with Thomas Sheridan) (1710-????): Text: Project Gutenberg

The Examiner (1710): Texts: Ourcivilisation.com, Project Gutenberg

"A Proposal for Correcting, Improving and Ascertaining the English Tongue" (1712): Full texts: Jack Lynch, Univ. of Virginia

"On the Conduct of the Allies" (1713)

"Hints Toward an Essay on Conversation" (1713): Full text: Bartleby.com

"A Letter to a Young Gentleman, Lately Entered into Holy Orders" (1720)

"A Letter of Advice to a Young Poet" (1721): Full text: Bartleby.com

The Drapier's Letters (1724, 1725): Full text: Project Gutenberg

"Bon Mots de Stella" (1726): a curiously irrelevant appendix to "Gulliver's Travels"

"An Essay on the Fates of Clergymen": Full text: JaffeBros

"A Treatise on Good Manners and Good Breeding": Full text: Bartleby.com

"On the Death of Esther Johnson": Full text: Bartleby.com

"An Essay On Modern Education": Full text: JaffeBros

"The Publick Spirit of the Whigs, set forth in their generous encouragement of the author of the crisis" (1714)

"A Modest Proposal", perhaps the most notable satire in English, suggesting that the Irish should engage in cannibalism. (Written in 1729)

"A modest address to the wicked authors of the present age. Particularly the authors of Christianity not founded on argument; and of The resurrection of Jesus considered" (1743–45?)

Poems

"Ode to the Athenian Society", Swift's first publication, printed in The Athenian Mercury in the supplement of Feb 14, 1691.

Poems of Jonathan Swift, D.D. Texts at Project Gutenberg: Volume One, Volume Two

"Baucis and Philemon" (1706–09): Full text: Munseys

"A Description of the Morning" (1709): Full annotated text: U of Toronto; Another text: U of Virginia[permanent dead link]

"A Description of a City Shower" (1710): Full text: U of Virginia[permanent dead link]

"Cadenus and Vanessa" (1713): Full text: Munseys

"Phillis, or, the Progress of Love" (1719): Full text: theotherpages.org

Stella's birthday poems:

1719. Full annotated text: U of Toronto

1720. Full text: U of Virginia[permanent dead link]

1727. Full text: U of Toronto

"The Progress of Beauty" (1719–20): Full text: OurCivilisation.com

"The Progress of Poetry" (1720): Full text: theotherpages.org

"A Satirical Elegy on the Death of a Late Famous General" (1722): Full text: U of Toronto

"To Quilca, a Country House not in Good Repair" (1725): Full text: U of Toronto

"Advice to the Grub Street Verse-writers" (1726): Full text: U of Toronto

"The Furniture of a Woman's Mind" (1727)

"On a Very Old Glass" (1728): Full text: Gosford.co.uk

"A Pastoral Dialogue" (1729): Full text: Gosford.co.uk

"The Grand Question debated Whether Hamilton's Bawn should be turned into a Barrack or a Malt House" (1729): Full text: Gosford.co.uk

"On Stephen Duck, the Thresher and Favourite Poet" (1730): Full text: U of Toronto

"Death and Daphne" (1730): Full text: OurCivilisation.com

"The Place of the Damn'd" (1731): Full text at the Wayback Machine (archived 27 October 2009)

"A Beautiful Young Nymph Going to Bed" (1731): Full annotated text: Jack Lynch; Another text: U of Virginia[permanent dead link]

"Strephon and Chloe" (1731): Full annotated text: Jack Lynch; Another text: U of Virginia Archived 30 May 2014 at the Wayback Machine

"Helter Skelter" (1731): Full text: OurCivilisation.com

"Cassinus and Peter: A Tragical Elegy" (1731): Full annotated text: Jack Lynch

"The Day of Judgment" (1731): Full text

"Verses on the Death of Dr. Swift, D.S.P.D." (1731–32): Full annotated texts: Jack Lynch, U of Toronto; Non-annotated text:: U of Virginia[permanent dead link]

"An Epistle to a Lady" (1732): Full text: OurCivilisation.com

"The Beasts' Confession to the Priest" (1732): Full annotated text: U of Toronto

"The Lady's Dressing Room" (1732): Full annotated text: Jack Lynch

"On Poetry: A Rhapsody" (1733)

"The Puppet Show"

"The Logicians Refuted"

Correspondence, personal writings

"When I Come to Be Old" – Swift's resolutions. (1699)

A Journal to Stella (1710–13): Full text (presented as daily entries): The Journal to Stella; Extracts: OurCivilisation.com;

Letters:

Selected Letters

To Oxford and Pope: OurCivilisation.com

The Correspondence of Jonathan Swift, D.D. Edited by David Woolley. In four volumes, plus index volume. Frankfurt am Main; New York : P. Lang, c. 1999 – c. 2007.

Sermons, prayers

Three Sermons and Three Prayers. Full text: U of Adelaide, Project Gutenberg

Three Sermons: I. on mutual subjection. II. on conscience. III. on the trinity. Text: Project Gutenberg

Writings on Religion and the Church. Text at Project Gutenberg: Volume One, Volume Two

"The First He Wrote Oct. 17, 1727." Full text: Worldwideschool.org

"The Second Prayer Was Written Nov. 6, 1727." Full text: Worldwideschool.org

Miscellany

Directions to Servants (1731): Full text: Jonathon Swift Archive[permanent dead link]

A Complete Collection of Genteel and Ingenious Conversation (1738)

"Thoughts on Various Subjects." Full text: U of Adelaide Archived 14 October 2007 at the Wayback Machine

Historical Writings: Project Gutenberg

Swift quotes at Bartleby: Bartleby.com – 59 quotations, with notes

The Benefit of Farting Explained, published under the pseudonym Don Fartinando Puff-Indorst, Professor of Bumbast in the University of Crackow.

Prose Works

A Tale of a Tub 1696 (published 1704) , The Battle of the Books 1697 (published 1704) , "When I Come to Be Old" (1699) , "A Letter Concerning the Sacramental Test" (1708) , "Sentiments of a Church of England Man" (1708) , "Bickerstaff/Partridge" papers (1708) , ""Proposal for the Advancement of Religion" (1709) , Examiner (1710 - ) , The Conduct of the Allies (1711) , An Argument Against Abolishing Christianity (1711) , Correcting the English Tongue (1712) ,Public Spirit of the Whigs (1714)

A Letter of Advice to a Young Poet (1720) , The Drapier's Letters to the People of Ireland Against Receiving Wood's Halfpence (1724) , Gulliver's Travels (1726) , A Modest Proposal (1729) , A Complete Collection of Genteel and Ingenious Conversation (1738)

Sermons, Prayers

Three Sermons and Three Prayers. Full text: Project Gutenberg

Three Sermons: I. on mutual subjection. II. on conscience. III. on the trinity. Text: Project Gutenberg

Writings on Religion and the Church. Text at Project Gutenberg: Volume One, Volume Two

"The First He Wrote Oct. 17, 1727." Full text: Worldwideschool.org

"The Second Prayer Was Written Nov. 6, 1727." Full text: Worldwideschool.org