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Sunday, September 15, 2024

171- ] English Literature

171-] English Literature

Lord Byron 

  George Gordon Byron, 6th Baron Byron FRS (22 January 1788 – 19 April 1824) was an English poet and peer He was one of the leading figures of the Romantic movement, and is regarded as among the greatest of English poets. Among his best-known works are the lengthy narratives Don Juan and Childe Harold's Pilgrimage; many of his shorter lyrics in Hebrew Melodies also became popular.

Byron was educated at Trinity College, Cambridge before travelling extensively across Europe to places such as Italy, where he lived for seven years in Venice, Ravenna, and Pisa after he was forced to flee England due to being threatened with lynching. During his stay in Italy, he frequently visited his friend and fellow poet Percy Bysshe Shelley. Later in life Byron joined the Greek War of Independence fighting the Ottoman Empire and died leading a campaign during that war, for which Greeks revere him as a folk hero. He died in 1824 at the age of 36 from a fever contracted after the first and second sieges of Missolonghi.

His only legitimate child, Ada Lovelace, was a founding figure in the field of computer programming based on her notes for Charles Babbage's Analytical Engine. Byron's extramarital children include Allegra Byron, who died in childhood, and possibly Elizabeth Medora Leigh, daughter of his half-sister Augusta Leigh.

Early life

George Gordon Byron was born on 22 January 1788, on Holles Street in London, England – his birthplace is now supposedly occupied by a branch of the department store John Lewis.

Byron was the only child of Captain John Byron (known as 'Jack') and his second wife Catherine Gordon, heiress of the Gight estate in Aberdeenshire, Scotland. Byron's paternal grandparents were Vice-Admiral John Byron and Sophia Trevanion.[13] Having survived a shipwreck as a teenage midshipman, Vice Admiral John Byron set a new speed record for circumnavigating the globe. After he became embroiled in a tempestuous voyage during the American Revolutionary War, John was nicknamed 'Foul-Weather Jack' Byron by the press.

Byron's father had previously been somewhat scandalously married to Amelia, Marchioness of Carmarthen, with whom he had been having an affair – the wedding took place just weeks after her divorce from her husband, and she was around eight months pregnant. The marriage was not a happy one, and their first two children – Sophia Georgina, and an unnamed boy – died in infancy. Amelia herself died in 1784 almost exactly a year after the birth of their third child, the poet's half-sister Augusta Mary. Though Amelia died from a wasting illness, probably tuberculosis, the press reported that her heart had been broken out of remorse for leaving her husband. Much later, 19th-century sources blamed Jack's own "brutal and vicious" treatment of her.

Jack then married Catherine Gordon of Gight on 13 May 1785, by all accounts only for her fortune. To claim his second wife's estate in Scotland, Byron's father took the additional surname "Gordon", becoming "John Byron Gordon", and occasionally styled himself "John Byron Gordon of Gight". Byron's mother had to sell her land and title to pay her new husband's debts, and in the space of two years, the large estate, worth some £23,500, had been squandered, leaving the former heiress with an annual income in trust of only £150. In a move to avoid his creditors, Catherine accompanied her profligate husband to France in 1786, but returned to England at the end of 1787 to give birth to her son.

The boy was born on 22 January in lodgings at Holles Street in London, and christened at St Marylebone Parish Church as "George Gordon Byron". His father appears to have wished to call his son 'William', but as her husband remained absent, the young Byron's mother named him after her own father George Gordon of Gight, who was a descendant of James I of Scotland, and who had died by suicide some four years earlier, in 1779.

Catherine moved back to Aberdeenshire in 1790, and Byron spent part of his childhood there. His father soon joined them in their lodgings in Queen Street, but the couple quickly separated. Catherine regularly experienced mood swings and bouts of melancholy, which could be partly explained by her husband's continuously borrowing money from her. As a result, she fell even further into debt to support his demands. One of these loans enabled him to travel to Valenciennes, France, where he died of a "long & suffering illness" – probably tuberculosis – in 1791.

When Byron's great-uncle, who was posthumously labelled the "wicked" Lord Byron, died on 21 May 1798, the 10-year-old boy became the sixth Baron Byron of Rochdale and inherited the ancestral home, Newstead Abbey, in Nottinghamshire. His mother proudly took him to England, but the Abbey was in an embarrassing state of disrepair and, rather than live there, she decided to lease it to Lord Grey de Ruthyn, among others, during Byron's adolescence.

Described as "a woman without judgment or self-command", Catherine either spoiled and indulged her son or vexed him with her capricious stubbornness. Her drinking disgusted him and he often mocked her for being short and corpulent, which made it difficult for her to catch him to discipline him. Byron had been born with a deformed right foot; his mother once retaliated and, in a fit of temper, referred to him as "a lame brat". However, Byron's biographer, Doris Langley Moore, in her 1974 book Accounts Rendered, paints a more sympathetic view of Mrs Byron, showing how she was a staunch supporter of her son and sacrificed her own precarious finances to keep him in luxury at Harrow and Cambridge. Langley-Moore questions 19th-century biographer John Galt's claim that she over-indulged in alcohol.

Byron's mother-in-law Judith Noel, the Hon. Lady Milbanke, died in 1822, and her will required that he change his surname to "Noel" in order to inherit half of her estate. He accordingly obtained a Royal Warrant, enabling him to "take and use the surname of Noel only" and to "subscribe the said surname of Noel before all titles of honour". From that point, he signed himself "Noel Byron" (the usual signature of a peer being merely the name of the peerage, in this case simply "Byron"). Some have speculated that he did this so that his initials would read "N.B.", mimicking those of his hero, Napoleon Bonaparte. Lady Byron eventually succeeded to the Barony of Wentworth, becoming "Lady Wentworth".

Education

Byron received his early formal education at Aberdeen Grammar School in 1798 until his move back to England as a 10-year-old. In August 1799 he entered the school of Dr. William Glennie, in Dulwich. Placed under the care of a Dr. Bailey, he was encouraged to exercise in moderation but could not restrain himself from "violent" bouts of activity in an attempt to compensate for his deformed foot. His mother interfered with his studies, often withdrawing him from school, which arguably contributed to his lack of self-discipline and his neglect of his classical studies.

In 1801, he was sent to Harrow School, where he remained until July 1805. An undistinguished student and an unskilled cricketer, he nevertheless represented the school during the very first Eton v Harrow cricket match at Lord's in 1805.

His lack of moderation was not restricted to physical exercise. Byron fell in love with Mary Chaworth, whom he met while at school, and she was the reason he refused to return to Harrow in September 1803. His mother wrote, "He has no indisposition that I know of but love, desperate love, the worst of all maladies in my opinion. In short, the boy is distractedly in love with Miss Chaworth." In Byron's later memoirs, "Mary Chaworth is portrayed as the first object of his adult sexual feelings."

John FitzGibbon, 2nd Earl of Clare

Byron finally returned in January 1804, to a more settled period, which saw the formation of a circle of emotional involvements with other Harrow boys, which he recalled with great vividness: "My school friendships were with me passions (for I was always violent)". The most enduring of those was with John FitzGibbon, 2nd Earl of Clare—four years Byron's junior—whom he was to meet again unexpectedly many years later, in 1821, in Italy. His nostalgic poems about his Harrow friendships, Childish Recollections (1806), express a prescient "consciousness of sexual differences that may in the end make England untenable to him." Letters to Byron in the John Murray archive contain evidence of a previously unremarked if short-lived romantic relationship with a younger boy at Harrow, John Thomas Claridge.

The following autumn, he entered Trinity College, Cambridge, where he met and formed a close friendship with the younger John Edleston. About his "protégé" he wrote, "He has been my almost constant associate since October, 1805, when I entered Trinity College. His voice first attracted my attention, his countenance fixed it, and his manners attached me to him for ever." After Edleston's death, Byron composed Thyrza, a series of elegies, in his memory. In later years, he described the affair as "a violent, though pure love and passion". This statement, however, needs to be read in the context of hardening public attitudes toward homosexuality in England and the severe sanctions (including public hanging) imposed upon convicted or even suspected offenders. The liaison, on the other hand, may well have been "pure" out of respect for Edleston's innocence, in contrast to the (probably) more sexually overt relations experienced at Harrow School. The poem "The Cornelian" was written about the cornelian that Byron had received from Edleston.

Byron spent three years at Trinity College, engaging in sexual escapades, boxing, horse riding, and gambling. While at Cambridge, he also formed lifelong friendships with men such as John Cam Hobhouse, who initiated him into the Cambridge Whig Club, which endorsed liberal politics, and Francis Hodgson, a Fellow at King's College, with whom he corresponded on literary and other matters until the end of his life.

Career

Early career

While not at school or college, Byron lived at his mother's residence, Burgage Manor in Southwell, Nottinghamshire. While there, he cultivated friendships with Elizabeth Bridget Pigot and her brother John, with whom he staged two plays for the entertainment of the community. During this time, with the help of Elizabeth Pigot, who copied many of his rough drafts, he was encouraged to write his first volumes of poetry. Fugitive Pieces was printed by Ridge of Newark, which contained poems written when Byron was only 17. However, it was promptly recalled and burned on the advice of his friend the Reverend J. T. Becher, on account of its more amorous verses, particularly the poem To Mary.

Hours of Idleness, a collection of many of the previous poems, along with more recent compositions, was the culminating book. The savage, anonymous criticism it received (now known to be the work of Henry Peter Brougham) in the Edinburgh Review prompted Byron to compose his first major satire, English Bards and Scotch Reviewers (1809). Byron put it into the hands of his relative R. C. Dallas, and asked him to "...get it published without his name." Alexander Dallas suggested a large number of changes to the manuscript, and provided the reasoning for some of them. Dallas also stated that Byron had originally intended to prefix an argument to this poem, which Dallas quoted. Although it was published anonymously, that April R. C. Dallas wrote that "you are already pretty generally known to be the author". The work so upset some of his critics that they challenged Byron to a duel; over time, in subsequent editions, it became a mark of prestige to be the target of Byron's pen.

Autograph letter signed to John Hanson, Byron's lawyer and business agent. Fondazione BEIC

After his return from travels he entrusted R. C. Dallas, as his literary agent, with the publication of his poem Childe Harold's Pilgrimage, which Byron thought to be of little account. The first two cantos of Childe Harold's Pilgrimage were published in 1812 and were received with critical acclaim. In Byron's own words, "I awoke one morning and found myself famous." He followed up this success with the poem's last two cantos, as well as four equally celebrated "Oriental Tales": The Giaour, The Bride of Abydos, The Corsair, and Lara. About the same time, he began his intimacy with his future biographer, Thomas Moore.

First travels to the East

Byron racked up numerous debts as a young man, owing to what his mother termed a "reckless disregard for money". She lived at Newstead during this time, in fear of her son's creditors. He had planned to spend some time in 1808 cruising with his cousin George Bettesworth, who was captain of the 32-gun frigate HMS Tartar, but Bettesworth's death at the Battle of Alvøen in May 1808 made that impossible.

From 1809 to 1811, Byron went on the Grand Tour, then a customary part of the education of young noblemen. He travelled with Hobhouse for the first year, and his entourage of servants included Byron's trustworthy valet, William Fletcher. Hobhouse and Byron often made Fletcher the butt of their humour. The Napoleonic Wars forced Byron to avoid touring in most of Europe; he instead turned to the Mediterranean. His journey enabled him to avoid his creditors and to meet up with a former love, Mary Chaworth (the subject of his poem "To a Lady: On Being Asked My Reason for Quitting England in the Spring "). Letters to Byron from his friend Charles Skinner Matthews reveal that a key motive was also the hope of homosexual experiences. Another reason for choosing to visit the Mediterranean was probably his curiosity about the Levant; he had read about the Ottoman and Persian lands as a child, was attracted to Islam (especially Sufi mysticism), and later wrote, "With these countries, and events connected with them, all my really poetical feelings begin and end."

Byron began his trip in Portugal, from where he wrote a letter to his friend Mr Hodgson in which he describes what he had learned of the Portuguese language: mainly swear words and insults. Byron particularly enjoyed his stay in Sintra, which he later described in Childe Harold's Pilgrimage as "glorious Eden". From Lisbon he travelled overland to Seville, Jerez de la Frontera, Cádiz, and Gibraltar, and from there by sea to Sardinia, Malta, Albania and Greece. The purpose of Byron's and Hobhouse's travel to Albania was to meet Ali Pasha of Ioannina and to see the country that was, until then, mostly unknown in Britain.

While in Athens, Byron met 14-year-old Nicolo Giraud, with whom he became intimate, and who taught him Italian. Byron arranged to have Giraud enrolled in school at a monastery in Malta, and wrote him into his will, with a bequest of £7,000. (That will, however, was later cancelled.) Byron wrote to Hobhouse from Athens, "I am tired of pl & opt Cs, the last thing I could be tired of." Opt Cs refers to a quote from Petronius' Satyricon, "coitum plenum et optabilem," "complete intercourse to one's heart's desire," their shared code for homosexual experiences.

In Athens in 1810, Byron wrote "Maid of Athens, ere we part" for a 12-year-old girl, Teresa Makri (1798–1875).

Byron and Hobhouse made their way to Smyrna, where they cadged a ride to Constantinople on HMS Salsette. On 3 May 1810, while Salsette was anchored awaiting Ottoman permission to dock at the city, Byron and Lieutenant Ekenhead, of Salsette's Marines, swam the Hellespont. Byron commemorated this feat in the second canto of Don Juan. He returned to England from Malta in July 1811 aboard HMS Volage.

England 1811–1816

After the publication of the first two cantos of Childe Harold's Pilgrimage (1812), Byron became a celebrity. "He rapidly became the most brilliant star in the dazzling world of Regency London. He was sought after at every society venue, elected to several exclusive clubs, and frequented the most fashionable London drawing-rooms." During this period in England he produced many works, including The Giaour, The Bride of Abydos (1813), Parisina, and The Siege of Corinth (1815). On the initiative of the composer Isaac Nathan, he produced in 1814–1815 the Hebrew Melodies (including what became some of his best-known lyrics, such as "She Walks in Beauty" and "The Destruction of Sennacherib"). Involved at first in an affair with Lady Caroline Lamb (who called him "mad, bad and dangerous to know") and with other lovers and also pressed by debt, he began to seek a suitable marriage, considering – amongst others – Annabella Millbanke. However, in 1813 he met for the first time in four years his half-sister, Augusta Leigh. Rumours of incest surrounded the pair; Augusta's daughter Medora (b. 1814) was suspected to have been Byron's child. To escape from growing debts and rumours, Byron pressed in his determination to marry Annabella, who was said to be the likely heiress of a rich uncle. They married on 2 January 1815, and their daughter, Ada, was born in December of that year. However, Byron's continuing obsession with Augusta Leigh (and his continuing sexual escapades with actresses such as Charlotte Mardyn and others) made their marital life a misery. Annabella considered Byron insane, and in January 1816 she left him, taking their daughter, and began proceedings for a legal separation. Their separation was made legal in a private settlement in March 1816. The scandal of the separation, the rumours about Augusta, and ever-increasing debts forced him to leave England in April 1816, never to return.

Life abroad (1816–1824)

Switzerland and the Shelleys

After this break-up of his domestic life, and by pressure on the part of his creditors, which led to the sale of his library, Byron left England, and never returned. (Despite his dying wishes, however, his body was returned for burial in England.) He journeyed through Belgium and continued up the Rhine river . In the summer of 1816 he settled at the Villa Diodati by Lake Geneva, Switzerland, with his personal physician, John William Polidori. There Byron befriended the poet Percy Bysshe Shelley and Shelley's future wife, Mary Godwin. He was also joined by Mary's stepsister, Claire Clairmont, with whom he'd had an affair in London, which subsequently resulted in the birth of their illegitimate child Allegra, who died at the age of 5 under the care of Byron later in life. Several times Byron went to see Germaine de Staël and her Coppet group, which turned out to be a valid intellectual and emotional support to Byron at the time.

Kept indoors at the Villa Diodati by the "incessant rain" of "that wet, ungenial summer" over three days in June, the five turned to reading fantastical stories, including Fantasmagoriana, and then devising their own tales. Mary Shelley produced what would become Frankenstein, or The Modern Prometheus, and Polidori produced The Vampyre, the progenitor of the Romantic vampire genre. The Vampyre was the inspiration for a fragmentary story of Byron's, "A Fragment".

Byron's story fragment was published as a postscript to Mazeppa; he also wrote the third canto of Childe Harold.

Italy

Byron wintered in Venice, pausing in his travels when he fell in love with Marianna Segati, in whose Venice house he was lodging, and who was soon replaced by 22-year-old Margarita Cogni; both women were married. Cogni could not read or write , and she left her husband to move in with Byron. Their fighting often caused Byron to spend the night in his gondola; when he asked her to leave the house, she threw herself into the Venetian canal.

In 1816, Byron visited San Lazzaro degli Armeni in Venice, where he acquainted himself with Armenian culture with the help of the monks belonging to the Mechitarist Order. With the help of Father Pascal Aucher (Harutiun Avkerian), he learned the Armenian language and attended many seminars about language and history. He co-authored Grammar English and Armenian in 1817, an English textbook written by Aucher and corrected by Byron, and A Grammar Armenian and English in 1819, a project he initiated of a grammar of Classical Armenian for English speakers, where he included quotations from classical and modern Armenian.

Byron later helped to compile the English Armenian Dictionary (Barraran angleren yev hayeren, 1821) and wrote the preface, in which he explained Armenian oppression by the Turkish pashas and the Persian satraps and the Armenian struggle of liberation. His two main translations are the Epistle of Paul to the Corinthians, two chapters of Movses Khorenatsi's History of Armenia, and sections of Nerses of Lambron's Orations.

His fascination was so great that he even considered a replacement of the Cain story of the Bible with that of the legend of the Armenian patriarch Haik. He may be credited with the birth of Armenology and its propagation. His profound lyricism and ideological courage have inspired many Armenian poets, the likes of Ghevond Alishan, Smbat Shahaziz, Hovhannes Tumanyan, Ruben Vorberian, and others.

In 1817, he journeyed to Rome. On returning to Venice, he wrote the fourth canto of Childe Harold. About the same time, he sold Newstead Abbey and published Manfred, Cain, and The Deformed Transformed. The first five cantos of Don Juan were written between 1818 and 1820. During this period he met the 21-year-old Countess Guiccioli, who found her first love in Byron; he asked her to elope with him. After considering migrating to Venezuela or to the Cape Colony, Byron finally decided to leave Venice for Ravenna.

Because of his love for the local aristocratic, young, newly married Teresa Guiccioli, Byron lived in Ravenna from 1819 to 1821. Here he continued Don Juan and wrote the Ravenna Diary and My Dictionary and Recollections. Around this time he received visits from Percy Bysshe Shelley, as well as from Thomas Moore, to whom he confided his autobiography or "life and adventures", which Moore, Hobhouse, and Byron's publisher, John Murray, burned in 1824, a month after Byron's death. Of Byron's lifestyle in Ravenna we know more from Shelley, who documented some of its more colourful aspects in a letter: "Lord Byron gets up at two. I get up, quite contrary to my usual custom ... at 12. After breakfast we sit talking till six. From six to eight we gallop through the pine forest which divide Ravenna from the sea; we then come home and dine, and sit up gossiping till six in the morning. I don't suppose this will kill me in a week or fortnight, but I shall not try it longer. Lord B.'s establishment consists, besides servants, of ten horses, eight enormous dogs, three monkeys, five cats, an eagle, a crow, and a falcon; and all these, except the horses, walk about the house, which every now and then resounds with their unarbitrated quarrels, as if they were the masters of it... . [P.S.] I find that my enumeration of the animals in this Circean Palace was defective ... . I have just met on the grand staircase five peacocks, two guinea hens, and an Egyptian crane. I wonder who all these animals were before they were changed into these shapes."

"Byron's Grotto" in Porto Venere, Italy, named in Byron's honour because, according to local legend, he meditated here and drew inspiration from this place for his literary works

Α 19th-century sculptural composition by Henri-Michel Chapu and Alexandre Falguière depicting Greece in the form of a female figure crowning Lord Byron in the National Park in Athens (Άγαλμα Λόρδου Βύρωνος)

In 1821, Byron left Ravenna and went to live in the Tuscan city of Pisa, to which Teresa had also relocated. From 1821 to 1822, Byron finished Cantos 6–12 of Don Juan at Pisa, and in the same year he joined with Leigh Hunt and Shelley in starting a short-lived newspaper, The Liberal, in whose first number The Vision of Judgment appeared. For the first time since his arrival in Italy, Byron found himself tempted to give dinner parties; his guests included the Shelleys, Edward Ellerker Williams, Thomas Medwin, John Taaffe, and Edward John Trelawny; and "never", as Shelley said, "did he display himself to more advantage than on these occasions; being at once polite and cordial, full of social hilarity and the most perfect good humour; never diverging into ungraceful merriment, and yet keeping up the spirit of liveliness throughout the evening."

Shelley and Williams rented a house on the coast and had a schooner built. Byron decided to have his own yacht, and engaged Trelawny's friend, Captain Daniel Roberts, to design and construct the boat. Named the Bolivar, it was later sold to Charles John Gardiner, 1st Earl of Blessington, and Marguerite, Countess of Blessington, when Byron left for Greece in 1823.

Byron attended the beachside cremation of Shelley, which was orchestrated by Trelawny after Williams and Shelley drowned in a boating accident on 8 July 1822. His last Italian home was in Genoa. While living there he was accompanied by the Countess Guiccioli, and the Blessingtons. Lady Blessington based much of the material in her book, Conversations with Lord Byron, on the time spent together there. This book became an important biographical text about Byron's life just prior to his death.

Ottoman Greece

Byron was living in Genoa in 1823, when, growing bored with his life there, he accepted overtures for his support from representatives of the Greek independence movement from the Ottoman Empire. At first, Byron did not wish to leave his 22-year-old mistress, Countess Teresa Guiccioli, who had abandoned her husband to live with him. But ultimately Guiccioli's father, Count Gamba, was allowed to leave his exile in the Romagna under the condition that his daughter  return to him, without Byron. At the same time that the philhellene, Edward Blaquiere, was attempting to recruit him, Byron was confused as to what he was supposed to do in Greece, writing: "Blaquiere seemed to think that I might be of some use-even here;—though what he did not exactly specify". With the assistance of his banker and Captain Daniel Roberts, Byron chartered the brig Hercules to take him to Greece. When Byron left Genoa, it caused "passionate grief" from Guiccioli, who wept openly as he sailed away. The Hercules was forced to return to port shortly afterwards. When it set sail for the final time, Guiccioli had already left Genoa. On 16 July, Byron left Genoa, arriving at Kefalonia in the Ionian Islands on 4 August.

His voyage is covered in detail in Donald Prell's Sailing with Byron from Genoa to Cephalonia. Prell also wrote of a coincidence in Byron's chartering the Hercules. The vessel was launched only a few miles south of Seaham Hall, where in 1815 Byron married Annabella Milbanke. Between 1815 and 1823 the vessel was in service between England and Canada. Suddenly in 1823, the ship's Captain decided to sail to Genoa and offer the Hercules for charter. After taking Byron to Greece, the ship returned to England, never again to venture into the Mediterranean. The Hercules was aged 37 when, on 21 September 1852, she went aground near Hartlepool, 25 miles south of Sunderland, the place where her keel had been laid in 1815. Byron's "keel was laid" nine months before his official birth date, 22 January 1788. Therefore in ship years, he was also 37 when he died in Missolonghi.

Byron initially stayed on the island of Kefalonia, where he was besieged by agents of the rival Greek factions, all of whom wanted to recruit Byron for their own cause. The Ionian islands , of which Kefalonia is one, were under British rule until 1864. Byron spent £4,000 of his own money to refit the Greek fleet. When Byron travelled to the mainland of Greece on the night of 28 December 1823, Byron's ship was surprised by an Ottoman warship, which did not attack his ship, as the Ottoman captain mistook Byron's boat for a fireship. To avoid the Ottoman Navy, which he encountered several times on his voyage, Byron was forced to take a roundabout route and only reached Missolonghi on 5 January 1824.

After arriving in Missolonghi, Byron joined forces with Alexandros Mavrokordatos, a Greek politician with military power. Byron moved to the second floor of a two-story house and was forced to spend much of his time dealing with unruly Souliotes who demanded that Byron pay them the back-pay owed to them by the Greek government. Byron gave the Souliotes some £6,000. Byron was supposed to lead an attack on the Ottoman fortress of Navpaktos, whose Albanian garrison were unhappy due to arrears in pay, and who offered to put up only token resistance if Byron was willing to bribe them into surrendering. However, Ottoman commander Yussuf Pasha executed the mutinous Albanian officers who were offering to surrender Navpaktos to Byron and arranged to have some of the arrears paid out to the rest of the garrison. Byron never led the attack on Navpaktos because the Souliotes kept demanding that Byron pay them more and more money before they would march; Byron grew tired of their blackmail and sent them all home on 15 February 1824. Byron wrote in a note to himself: "Having tried in vain at every expense, considerable trouble—and some danger to unite the Suliotes for the good of Greece-and their own—I have come to the following resolution—I will have nothing more to do with the Suliotes-they may go to the Turks or the devil...they may cut me into more pieces than they have dissensions among them, sooner than change my resolution". At the same time, Guiccioli's brother, Pietro Gamba, who had followed Byron to Greece, exasperated Byron with his incompetence as he continually made expensive mistakes . For example, when asked to buy some cloth from Corfu, Gamba ordered the wrong cloth in excess, causing the bill to be 10 times higher than what Byron wanted. Byron wrote about his right-hand man: "Gamba—who is anything but lucky—had something to do with it—and as usual—the moment he had—matters went wrong".

The reception of Lord Byron at Missolonghi

To help raise money for the revolution, Byron sold his estate in England, Rochdale Manor, which raised some £11,250. This led Byron to estimate that he now had some £20,000 at his disposal, all of which he planned to spend on the Greek cause. In today's money Byron would have been a millionaire many times over. News that a fabulously wealthy British aristocrat, known for his financial generosity, had arrived in Greece made Byron the object of much solicitation in that desperately poor country. Byron wrote to his business agent in England, "I should not like to give the Greeks but a half helping hand", saying he would have wanted to spend his entire fortune on Greek freedom. Byron found himself besieged by various people, both Greek and foreign, who tried to persuade him to open his pocketbook for support. By the end of March 1824, the so-called "Byron brigade" of 30 philhellene officers and about 200 men had been formed, paid for entirely by Byron. Leadership of the Greek cause in the Roumeli region was divided between two rival leaders: a former Klepht (bandit), Odysseas Androutsos; and a wealthy Phanariot Prince, Alexandros Mavrokordatos. Byron used his prestige to attempt to persuade the two rival leaders to come together to focus on defeating the Ottomans. At the same time, other leaders of the Greek factions like Petrobey Mavromichalis and Theodoros Kolokotronis wrote letters to Byron telling him to disregard all of the Roumeliot leaders and to come to their respective areas in the Peloponnese. This drove Byron to distraction; he complained that the Greeks were hopelessly disunited and spent more time feuding with each other than trying to win independence. Byron's friend Edward John Trelawny had aligned himself with Androutsos, who ruled Athens, and was now pressing for Byron to break with Mavrokordatos in favour of backing the rival Androutsos. Androutsos, having won over Trelawny to his cause, was now anxious to persuade Byron to put his wealth behind his claim to be the leader of Greece. Byron wrote with disgust about how one of the Greek captains, former Klepht Georgios Karaiskakis, attacked Missolonghi on 3 April 1824 with some 150 men supported by the Souliotes as he was unhappy with Mavrokordatos's leadership, which led to a brief bout of inter-Greek fighting before Karaiskakis was chased away by April 6.

Byron adopted a nine-year-old Turkish Muslim girl called Hato, whose parents had been killed by the Greeks. He ultimately sent her to safety in Kefalonia, knowing well that religious hatred between the Orthodox Greeks and Muslim Turks was running high and that any Muslim in Greece, even a child, was in serious danger. Until 1934, most Turks did not have surnames; Hato's lack of a surname was quite typical for a Turkish family at this time.

Byron pursued his Greek page, Lukas Chalandritsanos, with whom he had fallen madly in love, but the affections went unrequited. Byron spoiled the teenage Chalandritsanos outrageously, spending some £600 (the equivalent of about £24,600 in today's money) catering to his every whim over the course of 6 months and writing his last poems about his passion for the Greek boy. Chalandritsanos was only interested in Byron's money. When the famous Danish sculptor Bertel Thorvaldsen heard about Byron's heroics in Greece, he voluntarily resculpted his earlier bust of Byron in Greek marble.

Death

Mavrokordatos and Byron planned to attack the Turkish-held fortress of Lepanto, at the mouth of the Gulf of Corinth. Byron employed a fire master to prepare artillery, and he took part of the rebel army under his own command despite his lack of military experience. Before the expedition could sail, on February 15, 1824, he fell ill, and bloodletting weakened him further. He made a partial recovery, but in early April he caught a violent cold; the therapeutic bleeding insisted on by his doctors exacerbated it. He contracted a violent fever and died in Missolonghi on 19 April.

His physician at the time, Julius van Millingen, son of Dutch–English archaeologist James Millingen, was unable to prevent his death. It has been said that if Byron had lived and had gone on to defeat the Ottomans, he might have been declared King of Greece. However, modern scholars have found such an outcome unlikely. The British historian David Brewer wrote that in one sense, Byron failed to persuade the rival Greek factions to unite, won no victories and was successful only in the humanitarian sphere, using his great wealth to help the victims of the war, Christian and Muslim, but this did not affect the outcome of the Greek war of independence.

Brewer went on to argue,

In another sense, though, Byron achieved everything he could have wished. His presence in Greece, and in particular his death there, drew to the Greek cause not just the attention of sympathetic nations, but their increasing active participation ... Despite the critics, Byron is primarily remembered with admiration as a poet of genius, with something approaching veneration as a symbol of high ideals, and with great affection as a man: for his courage and his ironic slant on life, for his generosity to the grandest of causes and to the humblest of individuals, for the constant interplay of judgment and sympathy. In Greece, he is still revered as no other foreigner, and as very few Greeks are, and like a Homeric hero he is accorded an honorific standard epithet, megalos kai kalos, a great and good man.

George Gordon Byron, 6th Baron Byron FRS (22 January 1788 – 19 April 1824) was an English poet and peer He was one of the leading figures of the Romantic movement, and is regarded as among the greatest of English poets. Among his best-known works are the lengthy narratives Don Juan and Childe Harold's Pilgrimage; many of his shorter lyrics in Hebrew Melodies also became popular.

Byron was educated at Trinity College, Cambridge before travelling extensively across Europe to places such as Italy, where he lived for seven years in Venice, Ravenna, and Pisa after he was forced to flee England due to being threatened with lynching. During his stay in Italy, he frequently visited his friend and fellow poet Percy Bysshe Shelley. Later in life Byron joined the Greek War of Independence fighting the Ottoman Empire and died leading a campaign during that war, for which Greeks revere him as a folk hero. He died in 1824 at the age of 36 from a fever contracted after the first and second sieges of Missolonghi.

His only legitimate child, Ada Lovelace, was a founding figure in the field of computer programming based on her notes for Charles Babbage's Analytical Engine. Byron's extramarital children include Allegra Byron, who died in childhood, and possibly Elizabeth Medora Leigh, daughter of his half-sister Augusta Leigh.

Early life

George Gordon Byron was born on 22 January 1788, on Holles Street in London, England – his birthplace is now supposedly occupied by a branch of the department store John Lewis.

Byron was the only child of Captain John Byron (known as 'Jack') and his second wife Catherine Gordon, heiress of the Gight estate in Aberdeenshire, Scotland. Byron's paternal grandparents were Vice-Admiral John Byron and Sophia Trevanion.[13] Having survived a shipwreck as a teenage midshipman, Vice Admiral John Byron set a new speed record for circumnavigating the globe. After he became embroiled in a tempestuous voyage during the American Revolutionary War, John was nicknamed 'Foul-Weather Jack' Byron by the press.

Byron's father had previously been somewhat scandalously married to Amelia, Marchioness of Carmarthen, with whom he had been having an affair – the wedding took place just weeks after her divorce from her husband, and she was around eight months pregnant. The marriage was not a happy one, and their first two children – Sophia Georgina, and an unnamed boy – died in infancy. Amelia herself died in 1784 almost exactly a year after the birth of their third child, the poet's half-sister Augusta Mary. Though Amelia died from a wasting illness, probably tuberculosis, the press reported that her heart had been broken out of remorse for leaving her husband. Much later, 19th-century sources blamed Jack's own "brutal and vicious" treatment of her.

Jack then married Catherine Gordon of Gight on 13 May 1785, by all accounts only for her fortune. To claim his second wife's estate in Scotland, Byron's father took the additional surname "Gordon", becoming "John Byron Gordon", and occasionally styled himself "John Byron Gordon of Gight". Byron's mother had to sell her land and title to pay her new husband's debts, and in the space of two years, the large estate, worth some £23,500, had been squandered, leaving the former heiress with an annual income in trust of only £150. In a move to avoid his creditors, Catherine accompanied her profligate husband to France in 1786, but returned to England at the end of 1787 to give birth to her son.

The boy was born on 22 January in lodgings at Holles Street in London, and christened at St Marylebone Parish Church as "George Gordon Byron". His father appears to have wished to call his son 'William', but as her husband remained absent, the young Byron's mother named him after her own father George Gordon of Gight, who was a descendant of James I of Scotland, and who had died by suicide some four years earlier, in 1779.

Catherine moved back to Aberdeenshire in 1790, and Byron spent part of his childhood there. His father soon joined them in their lodgings in Queen Street, but the couple quickly separated. Catherine regularly experienced mood swings and bouts of melancholy, which could be partly explained by her husband's continuously borrowing money from her. As a result, she fell even further into debt to support his demands. One of these loans enabled him to travel to Valenciennes, France, where he died of a "long & suffering illness" – probably tuberculosis – in 1791.

When Byron's great-uncle, who was posthumously labelled the "wicked" Lord Byron, died on 21 May 1798, the 10-year-old boy became the sixth Baron Byron of Rochdale and inherited the ancestral home, Newstead Abbey, in Nottinghamshire. His mother proudly took him to England, but the Abbey was in an embarrassing state of disrepair and, rather than live there, she decided to lease it to Lord Grey de Ruthyn, among others, during Byron's adolescence.

Described as "a woman without judgment or self-command", Catherine either spoiled and indulged her son or vexed him with her capricious stubbornness. Her drinking disgusted him and he often mocked her for being short and corpulent, which made it difficult for her to catch him to discipline him. Byron had been born with a deformed right foot; his mother once retaliated and, in a fit of temper, referred to him as "a lame brat". However, Byron's biographer, Doris Langley Moore, in her 1974 book Accounts Rendered, paints a more sympathetic view of Mrs Byron, showing how she was a staunch supporter of her son and sacrificed her own precarious finances to keep him in luxury at Harrow and Cambridge. Langley-Moore questions 19th-century biographer John Galt's claim that she over-indulged in alcohol.

Byron's mother-in-law Judith Noel, the Hon. Lady Milbanke, died in 1822, and her will required that he change his surname to "Noel" in order to inherit half of her estate. He accordingly obtained a Royal Warrant, enabling him to "take and use the surname of Noel only" and to "subscribe the said surname of Noel before all titles of honour". From that point, he signed himself "Noel Byron" (the usual signature of a peer being merely the name of the peerage, in this case simply "Byron"). Some have speculated that he did this so that his initials would read "N.B.", mimicking those of his hero, Napoleon Bonaparte. Lady Byron eventually succeeded to the Barony of Wentworth, becoming "Lady Wentworth".

Education

Byron received his early formal education at Aberdeen Grammar School in 1798 until his move back to England as a 10-year-old. In August 1799 he entered the school of Dr. William Glennie, in Dulwich. Placed under the care of a Dr. Bailey, he was encouraged to exercise in moderation but could not restrain himself from "violent" bouts of activity in an attempt to compensate for his deformed foot. His mother interfered with his studies, often withdrawing him from school, which arguably contributed to his lack of self-discipline and his neglect of his classical studies.

In 1801, he was sent to Harrow School, where he remained until July 1805. An undistinguished student and an unskilled cricketer, he nevertheless represented the school during the very first Eton v Harrow cricket match at Lord's in 1805.

His lack of moderation was not restricted to physical exercise. Byron fell in love with Mary Chaworth, whom he met while at school, and she was the reason he refused to return to Harrow in September 1803. His mother wrote, "He has no indisposition that I know of but love, desperate love, the worst of all maladies in my opinion. In short, the boy is distractedly in love with Miss Chaworth." In Byron's later memoirs, "Mary Chaworth is portrayed as the first object of his adult sexual feelings."

John FitzGibbon, 2nd Earl of Clare

Byron finally returned in January 1804, to a more settled period, which saw the formation of a circle of emotional involvements with other Harrow boys, which he recalled with great vividness: "My school friendships were with me passions (for I was always violent)". The most enduring of those was with John FitzGibbon, 2nd Earl of Clare—four years Byron's junior—whom he was to meet again unexpectedly many years later, in 1821, in Italy. His nostalgic poems about his Harrow friendships, Childish Recollections (1806), express a prescient "consciousness of sexual differences that may in the end make England untenable to him." Letters to Byron in the John Murray archive contain evidence of a previously unremarked if short-lived romantic relationship with a younger boy at Harrow, John Thomas Claridge.

The following autumn, he entered Trinity College, Cambridge, where he met and formed a close friendship with the younger John Edleston. About his "protégé" he wrote, "He has been my almost constant associate since October, 1805, when I entered Trinity College. His voice first attracted my attention, his countenance fixed it, and his manners attached me to him for ever." After Edleston's death, Byron composed Thyrza, a series of elegies, in his memory. In later years, he described the affair as "a violent, though pure love and passion". This statement, however, needs to be read in the context of hardening public attitudes toward homosexuality in England and the severe sanctions (including public hanging) imposed upon convicted or even suspected offenders. The liaison, on the other hand, may well have been "pure" out of respect for Edleston's innocence, in contrast to the (probably) more sexually overt relations experienced at Harrow School. The poem "The Cornelian" was written about the cornelian that Byron had received from Edleston.

Byron spent three years at Trinity College, engaging in sexual escapades, boxing, horse riding, and gambling. While at Cambridge, he also formed lifelong friendships with men such as John Cam Hobhouse, who initiated him into the Cambridge Whig Club, which endorsed liberal politics, and Francis Hodgson, a Fellow at King's College, with whom he corresponded on literary and other matters until the end of his life.

Career

Early career

While not at school or college, Byron lived at his mother's residence, Burgage Manor in Southwell, Nottinghamshire. While there, he cultivated friendships with Elizabeth Bridget Pigot and her brother John, with whom he staged two plays for the entertainment of the community. During this time, with the help of Elizabeth Pigot, who copied many of his rough drafts, he was encouraged to write his first volumes of poetry. Fugitive Pieces was printed by Ridge of Newark, which contained poems written when Byron was only 17. However, it was promptly recalled and burned on the advice of his friend the Reverend J. T. Becher, on account of its more amorous verses, particularly the poem To Mary.

Hours of Idleness, a collection of many of the previous poems, along with more recent compositions, was the culminating book. The savage, anonymous criticism it received (now known to be the work of Henry Peter Brougham) in the Edinburgh Review prompted Byron to compose his first major satire, English Bards and Scotch Reviewers (1809). Byron put it into the hands of his relative R. C. Dallas, and asked him to "...get it published without his name." Alexander Dallas suggested a large number of changes to the manuscript, and provided the reasoning for some of them. Dallas also stated that Byron had originally intended to prefix an argument to this poem, which Dallas quoted. Although it was published anonymously, that April R. C. Dallas wrote that "you are already pretty generally known to be the author". The work so upset some of his critics that they challenged Byron to a duel; over time, in subsequent editions, it became a mark of prestige to be the target of Byron's pen.

Autograph letter signed to John Hanson, Byron's lawyer and business agent. Fondazione BEIC

After his return from travels he entrusted R. C. Dallas, as his literary agent, with the publication of his poem Childe Harold's Pilgrimage, which Byron thought to be of little account. The first two cantos of Childe Harold's Pilgrimage were published in 1812 and were received with critical acclaim. In Byron's own words, "I awoke one morning and found myself famous." He followed up this success with the poem's last two cantos, as well as four equally celebrated "Oriental Tales": The Giaour, The Bride of Abydos, The Corsair, and Lara. About the same time, he began his intimacy with his future biographer, Thomas Moore.

First travels to the East

Byron racked up numerous debts as a young man, owing to what his mother termed a "reckless disregard for money". She lived at Newstead during this time, in fear of her son's creditors. He had planned to spend some time in 1808 cruising with his cousin George Bettesworth, who was captain of the 32-gun frigate HMS Tartar, but Bettesworth's death at the Battle of Alvøen in May 1808 made that impossible.

From 1809 to 1811, Byron went on the Grand Tour, then a customary part of the education of young noblemen. He travelled with Hobhouse for the first year, and his entourage of servants included Byron's trustworthy valet, William Fletcher. Hobhouse and Byron often made Fletcher the butt of their humour. The Napoleonic Wars forced Byron to avoid touring in most of Europe; he instead turned to the Mediterranean. His journey enabled him to avoid his creditors and to meet up with a former love, Mary Chaworth (the subject of his poem "To a Lady: On Being Asked My Reason for Quitting England in the Spring "). Letters to Byron from his friend Charles Skinner Matthews reveal that a key motive was also the hope of homosexual experiences. Another reason for choosing to visit the Mediterranean was probably his curiosity about the Levant; he had read about the Ottoman and Persian lands as a child, was attracted to Islam (especially Sufi mysticism), and later wrote, "With these countries, and events connected with them, all my really poetical feelings begin and end."

Byron began his trip in Portugal, from where he wrote a letter to his friend Mr Hodgson in which he describes what he had learned of the Portuguese language: mainly swear words and insults. Byron particularly enjoyed his stay in Sintra, which he later described in Childe Harold's Pilgrimage as "glorious Eden". From Lisbon he travelled overland to Seville, Jerez de la Frontera, Cádiz, and Gibraltar, and from there by sea to Sardinia, Malta, Albania and Greece. The purpose of Byron's and Hobhouse's travel to Albania was to meet Ali Pasha of Ioannina and to see the country that was, until then, mostly unknown in Britain.

While in Athens, Byron met 14-year-old Nicolo Giraud, with whom he became intimate, and who taught him Italian. Byron arranged to have Giraud enrolled in school at a monastery in Malta, and wrote him into his will, with a bequest of £7,000. (That will, however, was later cancelled.) Byron wrote to Hobhouse from Athens, "I am tired of pl & opt Cs, the last thing I could be tired of." Opt Cs refers to a quote from Petronius' Satyricon, "coitum plenum et optabilem," "complete intercourse to one's heart's desire," their shared code for homosexual experiences.

In Athens in 1810, Byron wrote "Maid of Athens, ere we part" for a 12-year-old girl, Teresa Makri (1798–1875).

Byron and Hobhouse made their way to Smyrna, where they cadged a ride to Constantinople on HMS Salsette. On 3 May 1810, while Salsette was anchored awaiting Ottoman permission to dock at the city, Byron and Lieutenant Ekenhead, of Salsette's Marines, swam the Hellespont. Byron commemorated this feat in the second canto of Don Juan. He returned to England from Malta in July 1811 aboard HMS Volage.

England 1811–1816

After the publication of the first two cantos of Childe Harold's Pilgrimage (1812), Byron became a celebrity. "He rapidly became the most brilliant star in the dazzling world of Regency London. He was sought after at every society venue, elected to several exclusive clubs, and frequented the most fashionable London drawing-rooms." During this period in England he produced many works, including The Giaour, The Bride of Abydos (1813), Parisina, and The Siege of Corinth (1815). On the initiative of the composer Isaac Nathan, he produced in 1814–1815 the Hebrew Melodies (including what became some of his best-known lyrics, such as "She Walks in Beauty" and "The Destruction of Sennacherib"). Involved at first in an affair with Lady Caroline Lamb (who called him "mad, bad and dangerous to know") and with other lovers and also pressed by debt, he began to seek a suitable marriage, considering – amongst others – Annabella Millbanke. However, in 1813 he met for the first time in four years his half-sister, Augusta Leigh. Rumours of incest surrounded the pair; Augusta's daughter Medora (b. 1814) was suspected to have been Byron's child. To escape from growing debts and rumours, Byron pressed in his determination to marry Annabella, who was said to be the likely heiress of a rich uncle. They married on 2 January 1815, and their daughter, Ada, was born in December of that year. However, Byron's continuing obsession with Augusta Leigh (and his continuing sexual escapades with actresses such as Charlotte Mardyn and others) made their marital life a misery. Annabella considered Byron insane, and in January 1816 she left him, taking their daughter, and began proceedings for a legal separation. Their separation was made legal in a private settlement in March 1816. The scandal of the separation, the rumours about Augusta, and ever-increasing debts forced him to leave England in April 1816, never to return.

Life abroad (1816–1824)

Switzerland and the Shelleys

After this break-up of his domestic life, and by pressure on the part of his creditors, which led to the sale of his library, Byron left England, and never returned. (Despite his dying wishes, however, his body was returned for burial in England.) He journeyed through Belgium and continued up the Rhine river . In the summer of 1816 he settled at the Villa Diodati by Lake Geneva, Switzerland, with his personal physician, John William Polidori. There Byron befriended the poet Percy Bysshe Shelley and Shelley's future wife, Mary Godwin. He was also joined by Mary's stepsister, Claire Clairmont, with whom he'd had an affair in London, which subsequently resulted in the birth of their illegitimate child Allegra, who died at the age of 5 under the care of Byron later in life. Several times Byron went to see Germaine de Staël and her Coppet group, which turned out to be a valid intellectual and emotional support to Byron at the time.

Kept indoors at the Villa Diodati by the "incessant rain" of "that wet, ungenial summer" over three days in June, the five turned to reading fantastical stories, including Fantasmagoriana, and then devising their own tales. Mary Shelley produced what would become Frankenstein, or The Modern Prometheus, and Polidori produced The Vampyre, the progenitor of the Romantic vampire genre. The Vampyre was the inspiration for a fragmentary story of Byron's, "A Fragment".

Byron's story fragment was published as a postscript to Mazeppa; he also wrote the third canto of Childe Harold.

Italy

Byron wintered in Venice, pausing in his travels when he fell in love with Marianna Segati, in whose Venice house he was lodging, and who was soon replaced by 22-year-old Margarita Cogni; both women were married. Cogni could not read or write , and she left her husband to move in with Byron. Their fighting often caused Byron to spend the night in his gondola; when he asked her to leave the house, she threw herself into the Venetian canal.

In 1816, Byron visited San Lazzaro degli Armeni in Venice, where he acquainted himself with Armenian culture with the help of the monks belonging to the Mechitarist Order. With the help of Father Pascal Aucher (Harutiun Avkerian), he learned the Armenian language and attended many seminars about language and history. He co-authored Grammar English and Armenian in 1817, an English textbook written by Aucher and corrected by Byron, and A Grammar Armenian and English in 1819, a project he initiated of a grammar of Classical Armenian for English speakers, where he included quotations from classical and modern Armenian.

Byron later helped to compile the English Armenian Dictionary (Barraran angleren yev hayeren, 1821) and wrote the preface, in which he explained Armenian oppression by the Turkish pashas and the Persian satraps and the Armenian struggle of liberation. His two main translations are the Epistle of Paul to the Corinthians, two chapters of Movses Khorenatsi's History of Armenia, and sections of Nerses of Lambron's Orations.

His fascination was so great that he even considered a replacement of the Cain story of the Bible with that of the legend of the Armenian patriarch Haik. He may be credited with the birth of Armenology and its propagation. His profound lyricism and ideological courage have inspired many Armenian poets, the likes of Ghevond Alishan, Smbat Shahaziz, Hovhannes Tumanyan, Ruben Vorberian, and others.

In 1817, he journeyed to Rome. On returning to Venice, he wrote the fourth canto of Childe Harold. About the same time, he sold Newstead Abbey and published Manfred, Cain, and The Deformed Transformed. The first five cantos of Don Juan were written between 1818 and 1820. During this period he met the 21-year-old Countess Guiccioli, who found her first love in Byron; he asked her to elope with him. After considering migrating to Venezuela or to the Cape Colony, Byron finally decided to leave Venice for Ravenna.

Because of his love for the local aristocratic, young, newly married Teresa Guiccioli, Byron lived in Ravenna from 1819 to 1821. Here he continued Don Juan and wrote the Ravenna Diary and My Dictionary and Recollections. Around this time he received visits from Percy Bysshe Shelley, as well as from Thomas Moore, to whom he confided his autobiography or "life and adventures", which Moore, Hobhouse, and Byron's publisher, John Murray, burned in 1824, a month after Byron's death. Of Byron's lifestyle in Ravenna we know more from Shelley, who documented some of its more colourful aspects in a letter: "Lord Byron gets up at two. I get up, quite contrary to my usual custom ... at 12. After breakfast we sit talking till six. From six to eight we gallop through the pine forest which divide Ravenna from the sea; we then come home and dine, and sit up gossiping till six in the morning. I don't suppose this will kill me in a week or fortnight, but I shall not try it longer. Lord B.'s establishment consists, besides servants, of ten horses, eight enormous dogs, three monkeys, five cats, an eagle, a crow, and a falcon; and all these, except the horses, walk about the house, which every now and then resounds with their unarbitrated quarrels, as if they were the masters of it... . [P.S.] I find that my enumeration of the animals in this Circean Palace was defective ... . I have just met on the grand staircase five peacocks, two guinea hens, and an Egyptian crane. I wonder who all these animals were before they were changed into these shapes."

"Byron's Grotto" in Porto Venere, Italy, named in Byron's honour because, according to local legend, he meditated here and drew inspiration from this place for his literary works

Α 19th-century sculptural composition by Henri-Michel Chapu and Alexandre Falguière depicting Greece in the form of a female figure crowning Lord Byron in the National Park in Athens (Άγαλμα Λόρδου Βύρωνος)

In 1821, Byron left Ravenna and went to live in the Tuscan city of Pisa, to which Teresa had also relocated. From 1821 to 1822, Byron finished Cantos 6–12 of Don Juan at Pisa, and in the same year he joined with Leigh Hunt and Shelley in starting a short-lived newspaper, The Liberal, in whose first number The Vision of Judgment appeared. For the first time since his arrival in Italy, Byron found himself tempted to give dinner parties; his guests included the Shelleys, Edward Ellerker Williams, Thomas Medwin, John Taaffe, and Edward John Trelawny; and "never", as Shelley said, "did he display himself to more advantage than on these occasions; being at once polite and cordial, full of social hilarity and the most perfect good humour; never diverging into ungraceful merriment, and yet keeping up the spirit of liveliness throughout the evening."

Shelley and Williams rented a house on the coast and had a schooner built. Byron decided to have his own yacht, and engaged Trelawny's friend, Captain Daniel Roberts, to design and construct the boat. Named the Bolivar, it was later sold to Charles John Gardiner, 1st Earl of Blessington, and Marguerite, Countess of Blessington, when Byron left for Greece in 1823.

Byron attended the beachside cremation of Shelley, which was orchestrated by Trelawny after Williams and Shelley drowned in a boating accident on 8 July 1822. His last Italian home was in Genoa. While living there he was accompanied by the Countess Guiccioli, and the Blessingtons. Lady Blessington based much of the material in her book, Conversations with Lord Byron, on the time spent together there. This book became an important biographical text about Byron's life just prior to his death.

Ottoman Greece

Byron was living in Genoa in 1823, when, growing bored with his life there, he accepted overtures for his support from representatives of the Greek independence movement from the Ottoman Empire. At first, Byron did not wish to leave his 22-year-old mistress, Countess Teresa Guiccioli, who had abandoned her husband to live with him. But ultimately Guiccioli's father, Count Gamba, was allowed to leave his exile in the Romagna under the condition that his daughter  return to him, without Byron. At the same time that the philhellene, Edward Blaquiere, was attempting to recruit him, Byron was confused as to what he was supposed to do in Greece, writing: "Blaquiere seemed to think that I might be of some use-even here;—though what he did not exactly specify". With the assistance of his banker and Captain Daniel Roberts, Byron chartered the brig Hercules to take him to Greece. When Byron left Genoa, it caused "passionate grief" from Guiccioli, who wept openly as he sailed away. The Hercules was forced to return to port shortly afterwards. When it set sail for the final time, Guiccioli had already left Genoa. On 16 July, Byron left Genoa, arriving at Kefalonia in the Ionian Islands on 4 August.

His voyage is covered in detail in Donald Prell's Sailing with Byron from Genoa to Cephalonia. Prell also wrote of a coincidence in Byron's chartering the Hercules. The vessel was launched only a few miles south of Seaham Hall, where in 1815 Byron married Annabella Milbanke. Between 1815 and 1823 the vessel was in service between England and Canada. Suddenly in 1823, the ship's Captain decided to sail to Genoa and offer the Hercules for charter. After taking Byron to Greece, the ship returned to England, never again to venture into the Mediterranean. The Hercules was aged 37 when, on 21 September 1852, she went aground near Hartlepool, 25 miles south of Sunderland, the place where her keel had been laid in 1815. Byron's "keel was laid" nine months before his official birth date, 22 January 1788. Therefore in ship years, he was also 37 when he died in Missolonghi.

Byron initially stayed on the island of Kefalonia, where he was besieged by agents of the rival Greek factions, all of whom wanted to recruit Byron for their own cause. The Ionian islands , of which Kefalonia is one, were under British rule until 1864. Byron spent £4,000 of his own money to refit the Greek fleet. When Byron travelled to the mainland of Greece on the night of 28 December 1823, Byron's ship was surprised by an Ottoman warship, which did not attack his ship, as the Ottoman captain mistook Byron's boat for a fireship. To avoid the Ottoman Navy, which he encountered several times on his voyage, Byron was forced to take a roundabout route and only reached Missolonghi on 5 January 1824.

After arriving in Missolonghi, Byron joined forces with Alexandros Mavrokordatos, a Greek politician with military power. Byron moved to the second floor of a two-story house and was forced to spend much of his time dealing with unruly Souliotes who demanded that Byron pay them the back-pay owed to them by the Greek government. Byron gave the Souliotes some £6,000. Byron was supposed to lead an attack on the Ottoman fortress of Navpaktos, whose Albanian garrison were unhappy due to arrears in pay, and who offered to put up only token resistance if Byron was willing to bribe them into surrendering. However, Ottoman commander Yussuf Pasha executed the mutinous Albanian officers who were offering to surrender Navpaktos to Byron and arranged to have some of the arrears paid out to the rest of the garrison. Byron never led the attack on Navpaktos because the Souliotes kept demanding that Byron pay them more and more money before they would march; Byron grew tired of their blackmail and sent them all home on 15 February 1824. Byron wrote in a note to himself: "Having tried in vain at every expense, considerable trouble—and some danger to unite the Suliotes for the good of Greece-and their own—I have come to the following resolution—I will have nothing more to do with the Suliotes-they may go to the Turks or the devil...they may cut me into more pieces than they have dissensions among them, sooner than change my resolution". At the same time, Guiccioli's brother, Pietro Gamba, who had followed Byron to Greece, exasperated Byron with his incompetence as he continually made expensive mistakes . For example, when asked to buy some cloth from Corfu, Gamba ordered the wrong cloth in excess, causing the bill to be 10 times higher than what Byron wanted. Byron wrote about his right-hand man: "Gamba—who is anything but lucky—had something to do with it—and as usual—the moment he had—matters went wrong".

The reception of Lord Byron at Missolonghi

To help raise money for the revolution, Byron sold his estate in England, Rochdale Manor, which raised some £11,250. This led Byron to estimate that he now had some £20,000 at his disposal, all of which he planned to spend on the Greek cause. In today's money Byron would have been a millionaire many times over. News that a fabulously wealthy British aristocrat, known for his financial generosity, had arrived in Greece made Byron the object of much solicitation in that desperately poor country. Byron wrote to his business agent in England, "I should not like to give the Greeks but a half helping hand", saying he would have wanted to spend his entire fortune on Greek freedom. Byron found himself besieged by various people, both Greek and foreign, who tried to persuade him to open his pocketbook for support. By the end of March 1824, the so-called "Byron brigade" of 30 philhellene officers and about 200 men had been formed, paid for entirely by Byron. Leadership of the Greek cause in the Roumeli region was divided between two rival leaders: a former Klepht (bandit), Odysseas Androutsos; and a wealthy Phanariot Prince, Alexandros Mavrokordatos. Byron used his prestige to attempt to persuade the two rival leaders to come together to focus on defeating the Ottomans. At the same time, other leaders of the Greek factions like Petrobey Mavromichalis and Theodoros Kolokotronis wrote letters to Byron telling him to disregard all of the Roumeliot leaders and to come to their respective areas in the Peloponnese. This drove Byron to distraction; he complained that the Greeks were hopelessly disunited and spent more time feuding with each other than trying to win independence. Byron's friend Edward John Trelawny had aligned himself with Androutsos, who ruled Athens, and was now pressing for Byron to break with Mavrokordatos in favour of backing the rival Androutsos. Androutsos, having won over Trelawny to his cause, was now anxious to persuade Byron to put his wealth behind his claim to be the leader of Greece. Byron wrote with disgust about how one of the Greek captains, former Klepht Georgios Karaiskakis, attacked Missolonghi on 3 April 1824 with some 150 men supported by the Souliotes as he was unhappy with Mavrokordatos's leadership, which led to a brief bout of inter-Greek fighting before Karaiskakis was chased away by April 6.

Byron adopted a nine-year-old Turkish Muslim girl called Hato, whose parents had been killed by the Greeks. He ultimately sent her to safety in Kefalonia, knowing well that religious hatred between the Orthodox Greeks and Muslim Turks was running high and that any Muslim in Greece, even a child, was in serious danger. Until 1934, most Turks did not have surnames; Hato's lack of a surname was quite typical for a Turkish family at this time.

Byron pursued his Greek page, Lukas Chalandritsanos, with whom he had fallen madly in love, but the affections went unrequited. Byron spoiled the teenage Chalandritsanos outrageously, spending some £600 (the equivalent of about £24,600 in today's money) catering to his every whim over the course of 6 months and writing his last poems about his passion for the Greek boy. Chalandritsanos was only interested in Byron's money. When the famous Danish sculptor Bertel Thorvaldsen heard about Byron's heroics in Greece, he voluntarily resculpted his earlier bust of Byron in Greek marble.

Death

Mavrokordatos and Byron planned to attack the Turkish-held fortress of Lepanto, at the mouth of the Gulf of Corinth. Byron employed a fire master to prepare artillery, and he took part of the rebel army under his own command despite his lack of military experience. Before the expedition could sail, on February 15, 1824, he fell ill, and bloodletting weakened him further. He made a partial recovery, but in early April he caught a violent cold; the therapeutic bleeding insisted on by his doctors exacerbated it. He contracted a violent fever and died in Missolonghi on 19 April.

His physician at the time, Julius van Millingen, son of Dutch–English archaeologist James Millingen, was unable to prevent his death. It has been said that if Byron had lived and had gone on to defeat the Ottomans, he might have been declared King of Greece. However, modern scholars have found such an outcome unlikely. The British historian David Brewer wrote that in one sense, Byron failed to persuade the rival Greek factions to unite, won no victories and was successful only in the humanitarian sphere, using his great wealth to help the victims of the war, Christian and Muslim, but this did not affect the outcome of the Greek war of independence.

Brewer went on to argue,

In another sense, though, Byron achieved everything he could have wished. His presence in Greece, and in particular his death there, drew to the Greek cause not just the attention of sympathetic nations, but their increasing active participation ... Despite the critics, Byron is primarily remembered with admiration as a poet of genius, with something approaching veneration as a symbol of high ideals, and with great affection as a man: for his courage and his ironic slant on life, for his generosity to the grandest of causes and to the humblest of individuals, for the constant interplay of judgment and sympathy. In Greece, he is still revered as no other foreigner, and as very few Greeks are, and like a Homeric hero he is accorded an honorific standard epithet, megalos kai kalos, a great and good man.

170- ] English Literature

 170- ] English Literature

Lord Byron - Summary

Lord Byron (born January 22, 1788, London, England—died April 19, 1824, Missolonghi, Greece) British Romantic poet and satirist whose poetry and personality captured the imagination of Europe. Renowned as the “gloomy egoist” of his autobiographical poem Childe Harold’s Pilgrimage (1812–18) in the 19th century, he is now more generally esteemed for the satiric realism of Don Juan (1819–24).

Life and career

Byron was the son of the handsome and profligate Captain John (“Mad Jack”) Byron and his second wife, Catherine Gordon, a Scots heiress. After her husband had squandered most of her fortune, Mrs. Byron took her infant son to Aberdeen, Scotland, where they lived in lodgings on a meagre income; the captain died in France in 1791. George Gordon Byron had been born with a clubfoot and early developed an extreme sensitivity to his lameness. In 1798, at age 10, he unexpectedly inherited the title and estates of his great-uncle William, the 5th Baron Byron. His mother proudly took him to England, where the boy fell in love with the ghostly halls and spacious ruins of Newstead Abbey, which had been presented to the Byrons by Henry VIII. After living at Newstead for a while, Byron was sent to school in London, and in 1801 he went to Harrow, one of England’s most prestigious schools. In 1803 he fell in love with his distant cousin, Mary Chaworth, who was older and already engaged, and when she rejected him she became the symbol for Byron of idealized and unattainable love. He probably met Augusta Byron, his half sister from his father’s first marriage, that same year.

In 1805 Byron entered Trinity College, Cambridge, where he piled up debts at an alarming rate and indulged in the conventional vices of undergraduates there. The signs of his incipient sexual ambivalence became more pronounced in what he later described as “a violent, though pure, love and passion” for a young chorister, John Edleston. Alongside Byron’s strong attachment to boys, often idealized as in the case of Edleston, his attachment to women throughout his life is an indication of the strength of his heterosexual drive. In 1806 Byron had his early poems privately printed in a volume entitled Fugitive Pieces, and that same year he formed at Trinity what was to be a close, lifelong friendship with John Cam Hobhouse, who stirred his interest in liberal Whiggism.

Byron’s first published volume of poetry, Hours of Idleness, appeared in 1807. A sarcastic critique of the book in The Edinburgh Review provoked his retaliation in 1809 with a couplet satire, English Bards and Scotch Reviewers, in which he attacked the contemporary literary scene. This work gained him his first recognition.

On reaching his majority in 1809, Byron took his seat in the House of Lords, and then embarked with Hobhouse on a grand tour. They sailed to Lisbon, crossed Spain, and proceeded by Gibraltar and Malta to Greece, where they ventured inland to Ioánnina and to Tepelene in Albania. In Greece Byron began Childe Harold’s Pilgrimage, which he continued in Athens. In March 1810 he sailed with Hobhouse for Constantinople (now Istanbul, Turkey), visited the site of Troy, and swam the Hellespont (present-day Dardanelles) in imitation of Leander. Byron’s sojourn in Greece made a lasting impression on him. The Greeks’ free and open frankness contrasted strongly with English reserve and hypocrisy and served to broaden his views of men and manners. He delighted in the sunshine and the moral tolerance of the people.

Byron arrived back in London in July 1811, and his mother died before he could reach her at Newstead. In February 1812 he made his first speech in the House of Lords, a humanitarian plea opposing harsh Tory measures against riotous Nottingham weavers. At the beginning of March, the first two cantos of Childe Harold’s Pilgrimage were published by John Murray, and Byron “woke to find himself famous.” The poem describes the travels and reflections of a young man who, disillusioned with a life of pleasure and revelry, looks for distraction in foreign lands. Besides furnishing a travelogue of Byron’s own wanderings through the Mediterranean, the first two cantos express the melancholy and disillusionment felt by a generation weary of the wars of the post-Revolutionary and Napoleonic eras. In the poem Byron reflects upon the vanity of ambition, the transitory nature of pleasure, and the futility of the search for perfection in the course of a “pilgrimage” through Portugal, Spain, Albania, and Greece. In the wake of Childe Harold’s enormous popularity, Byron was lionized in Whig society. The handsome poet was swept into a liaison with the passionate and eccentric Lady Caroline Lamb, and the scandal of an elopement was barely prevented by his friend Hobhouse. She was succeeded as his lover by Lady Oxford, who encouraged Byron’s radicalism.

During the summer of 1813, Byron apparently entered into intimate relations with his half sister Augusta, now married to Colonel George Leigh. He then carried on a flirtation with Lady Frances Webster as a diversion from this dangerous liaison. The agitations of these two love affairs and the sense of mingled guilt and exultation they aroused in Byron are reflected in the series of gloomy and remorseful Oriental verse tales he wrote at this time: The Giaour (1813); The Bride of Abydos (1813); The Corsair (1814), which sold 10,000 copies on the day of publication; and Lara (1814).

Seeking to escape his love affairs in marriage, Byron proposed in September 1814 to Anne Isabella (Annabella) Milbanke. The marriage took place in January 1815, and Lady Byron gave birth to a daughter, Augusta Ada, in December 1815. From the start the marriage was doomed by the gulf between Byron and his unimaginative and humorless wife; and in January 1816 Annabella left Byron to live with her parents, amid swirling rumours centring on his relations with Augusta Leigh and his bisexuality. The couple obtained a legal separation. Wounded by the general moral indignation directed at him, Byron went abroad in April 1816, never to return to England.

Byron sailed up the Rhine River into Switzerland and settled at Geneva, near Percy Bysshe Shelley and Mary Godwin (soon to be Mary Shelley), who had eloped and were living with Claire Clairmont, Godwin’s half sister. (Byron had begun an affair with Clairmont in England.) In Geneva he wrote the third canto of Childe Harold (1816), which follows Harold from Belgium up the Rhine River to Switzerland. It memorably evokes the historical associations of each place Harold visits, giving pictures of the Battle of Waterloo (whose site Byron visited), of Napoleon and Jean-Jacques Rousseau, and of the Swiss mountains and lakes, in verse that expresses both the most aspiring and most melancholy moods. A visit to the Bernese Oberland provided the scenery for the Faustian poetic drama Manfred (1817), whose protagonist reflects Byron’s own brooding sense of guilt and the wider frustrations of the Romantic spirit doomed by the reflection that man is “half dust, half deity, alike unfit to sink or soar.”

At the end of the summer the Shelley party left for England, where Clairmont gave birth to Byron’s daughter Allegra in January 1817. In October Byron and Hobhouse departed for Italy. They stopped in Venice, where Byron enjoyed the relaxed customs and morals of the Italians and carried on a love affair with Marianna Segati, his landlord’s wife. In May he joined Hobhouse in Rome, gathering impressions that he recorded in a fourth canto of Childe Harold (1818). He also wrote Beppo, a poem in ottava rima that satirically contrasts Italian with English manners in the story of a Venetian menage-à-trois. Back in Venice, Margarita Cogni, a baker’s wife, replaced Segati as his mistress, and his descriptions of the vagaries of this “gentle tigress” are among the most entertaining passages in his letters describing life in Italy. The sale of Newstead Abbey in the autumn of 1818 for £94,500 cleared Byron of his debts, which had risen to £34,000, and left him with a generous income.

In the light, mock-heroic style of Beppo Byron found the form in which he would write his greatest poem, Don Juan, a satire in the form of a picaresque verse tale. The first two cantos of Don Juan were begun in 1818 and published in July 1819. Byron transformed the legendary libertine Don Juan into an unsophisticated, innocent young man who, though he delightedly succumbs to the beautiful women who pursue him, remains a rational norm against which to view the absurdities and irrationalities of the world. Upon being sent abroad by his mother from his native Sevilla (Seville), Juan survives a shipwreck en route and is cast up on a Greek island, whence he is sold into slavery in Constantinople. He escapes to the Russian army, participates gallantly in the Russians’ siege of Ismail, and is sent to St. Petersburg, where he wins the favour of the empress Catherine the Great and is sent by her on a diplomatic mission to England. The poem’s story, however, remains merely a peg on which Byron could hang a witty and satirical social commentary. His most consistent targets are, first, the hypocrisy and cant underlying various social and sexual conventions, and, second, the vain ambitions and pretenses of poets, lovers, generals, rulers, and humanity in general. Don Juan remains unfinished; Byron completed 16 cantos and had begun the 17th before his own illness and death. In Don Juan he was able to free himself from the excessive melancholy of Childe Harold and reveal other sides of his character and personality—his satiric wit and his unique view of the comic rather than the tragic discrepancy between reality and appearance.

Shelley and other visitors in 1818 found Byron grown fat, with hair long and turning gray, looking older than his years, and sunk in sexual promiscuity. But a chance meeting with Countess Teresa Gamba Guiccioli, who was only 19 years old and married to a man nearly three times her age, reenergized Byron and changed the course of his life. Byron followed her to Ravenna, and she later accompanied him back to Venice. Byron returned to Ravenna in January 1820 as her cavalier servente (gentleman-in-waiting) and won the friendship of her father and brother, Counts Ruggero and Pietro Gamba, who initiated him into the secret society of the Carbonari and its revolutionary aims to free Italy from Austrian rule. In Ravenna Byron wrote The Prophecy of Dante; cantos III, IV, and V of Don Juan; the poetic dramas Marino Faliero, Sardanapalus, The Two Foscari, and Cain (all published in 1821); and a satire on the poet Robert Southey, The Vision of Judgment, which contains a devastating parody of that poet laureate’s fulsome eulogy of King George III.

Byron arrived in Pisa in November 1821, having followed Teresa and the Counts Gamba there after the latter had been expelled from Ravenna for taking part in an abortive uprising. He left his daughter Allegra, who had been sent to him by her mother, to be educated in a convent near Ravenna, where she died the following April. In Pisa Byron again became associated with Shelley, and in early summer of 1822 Byron went to Leghorn (Livorno), where he rented a villa not far from the sea. There in July the poet and essayist Leigh Hunt arrived from England to help Shelley and Byron edit a radical journal, The Liberal. Byron returned to Pisa and housed Hunt and his family in his villa. Despite the drowning of Shelley on July 8, the periodical went forward, and its first number contained The Vision of Judgment. At the end of September Byron moved to Genoa, where Teresa’s family had found asylum.

Byron’s interest in the periodical gradually waned, but he continued to support Hunt and to give manuscripts to The Liberal. After a quarrel with his publisher, John Murray, Byron gave all his later work, including cantos VI to XVI of Don Juan (1823–24), to Leigh Hunt’s brother John, publisher of The Liberal.

By this time Byron was in search of new adventure. In April 1823 he agreed to act as agent of the London Committee, which had been formed to aid the Greeks in their struggle for independence from Turkish rule. In July 1823 Byron left Genoa for Cephalonia. He sent £4,000 of his own money to prepare the Greek fleet for sea service and then sailed for Missolonghi on December 29 to join Prince Aléxandros Mavrokordátos, leader of the forces in western Greece.

Byron made efforts to unite the various Greek factions and took personal command of a brigade of Souliot soldiers, reputedly the bravest of the Greeks. But a serious illness in February 1824 weakened him, and in April he contracted the fever from which he died at Missolonghi on April 19. Deeply mourned, he became a symbol of disinterested patriotism and a Greek national hero. His body was brought back to England and , refused burial in Westminster Abbey, was placed in the family vault near Newstead. Ironically, 145 years after his death, a memorial to Byron was finally placed on the floor of the Abbey.



Saturday, August 24, 2024

169-] English Literature

169-] English Literature

John Keats 

Death, 1821

The first months of 1821 marked a slow and steady decline into the final stage of tuberculosis. His autopsy showed his lung almost disintegrated. Keats was coughing up blood and covered in sweat. Severn nursed him devotedly and observed in a letter how Keats would sometimes cry upon waking to find himself still alive . Severn writes,

Keats raves till I am in a complete tremble for him... about four, the approaches of death came on. [Keats said] "Severn – I – lift me up – I am dying – I shall die easy; don't be frightened – be firm, and thank God it has come." I lifted him up in my arms. The phlegm seem'd boiling in his throat, and increased until eleven, when he gradually sank into death, so quiet, that I still thought he slept.

John Keats died in Rome on 23 February 1821. His body was buried in the city's Protestant Cemetery. His last request was to be placed under a tombstone bearing no name or date, only the words, "Here lies One whose Name was writ in Water." Severn and Brown erected the stone, which under a relief of a lyre with broken strings, includes the epitaph:

This Grave / contains all that was Mortal, / of a / YOUNG ENGLISH POET, / Who, / on his Death Bed, / in the Bitterness of his Heart, / at the Malicious Power of his Enemies, / Desired / these Words to be engraven on his Tomb Stone / Here lies One / Whose Name was writ in Water / Feb 24th 1821

The text bears an echo from Catullus LXX:

Sed mulier cupido quod dicit amanti / in vento et rapida scribere oportet aqua (What a woman says to a passionate lover / should be written in the wind and the running water).

Francis Beaumont also used the expression in The Nice Valour, Act 5, scene 5 (? 1616):

All your better deeds / Shall be in water writ, but this in marble.

Severn and Brown added their lines to the stone in protest at the critical reception of Keats's work. Hunt blamed his death on the Quarterly Review's scathing attack of "Endymion". As Byron quipped in his narrative poem Don Juan;

'Tis strange the mind, that very fiery particle

Should let itself be snuffed out by an article .

(canto 11, stanza 60)

Seven weeks after the funeral, Shelley memorialised Keats in his poem Adonais. Clark saw to a planting of daisies on the grave, saying Keats would have wished it. For public health reasons, the Italian health authorities burnt the furniture in Keats's room, scraped the walls and made new windows, doors and flooring. The ashes of Shelley, one of Keats's most fervent champions, are buried in the cemetery and Joseph Severn is buried next to Keats. On the site today, Marsh wrote, "In the old part of the graveyard, barely a field when Keats was buried here, there are now umbrella pines, myrtle shrubs, roses, and carpets of wild violets".

Reception

When Keats died at 25, he had been writing poetry seriously for only about six years, from 1814 until the summer of 1820, and publishing for only four. In his lifetime, sales of Keats's three volumes of poetry probably amounted to only 200 copies. His first poem, the sonnet O Solitude, appeared in the Examiner in May 1816, while his collection Lamia, Isabella, The Eve of St. Agnes and other poems was published in July 1820 before his last visit to Rome. The compression of his poetic apprenticeship and maturity into so short a time is just one remarkable aspect of Keats's work.

Although prolific during his short career, and now one of the most studied and admired British poets, his reputation rests on a small body of work, centred on the Odes, and only in the creative outpouring of the last years of his short life was he able to express the inner intensity for which he has been lauded since his death. Keats was convinced that he had made no mark in his lifetime. Aware that he was dying, he wrote to Fanny Brawne in February 1820, "I have left no immortal work behind me – nothing to make my friends proud of my memory – but I have lov'd the principle of beauty in all things, and if I had had time I would have made myself remember'd."

Keats's ability and talent was acknowledged by several influential contemporary allies such as Shelley and Hunt. His admirers praised him for thinking "on his pulses", for having developed a style which was more heavily loaded with sensualities, more gorgeous in its effects, more voluptuously alive than any poet who had come before him: "loading every rift with ore". Shelley often corresponded with Keats in Rome and loudly declared that Keats's death had been brought on by bad reviews in the Quarterly Review. Seven weeks after the funeral he wrote Adonais, a despairing elegy, stating that Keats's early death was a personal and public tragedy:

The loveliest and the last,

The bloom, whose petals nipped before they blew

Died on the promise of the fruit .

Although Keats wrote that "if poetry comes not as naturally as the Leaves to a tree it had better not come at all," poetry did not come easily to him; his work was the fruit of a deliberate and prolonged classical self-education. He may have possessed an innate poetic sensibility, but his early works were clearly those of a young man learning his craft. His first attempts at verse were often vague, languorously narcotic and lacking a clear eye. His poetic sense was based on the conventional tastes of his friend Charles Cowden Clarke, who first introduced him to the classics, and also came from the predilections of Hunt's Examiner, which Keats read as a boy. Hunt scorned the Augustan or "French" school dominated by Pope and attacked earlier Romantic poets Wordsworth and Coleridge, now in their forties, as unsophisticated, obscure and crude writers. Indeed, during Keats's few years as a published poet, the reputation of the older Romantic school was at its lowest ebb. Keats came to echo these sentiments in his work, identifying himself with a "new school" for a time, somewhat alienating him from Wordsworth, Coleridge and Byron and providing a basis for scathing attacks from Blackwood's and the Quarterly Review.

By his death, Keats had therefore been associated with the taints of both old and new schools: the obscurity of first-wave Romantics and uneducated affectation of Hunt's "Cockney School". Keats's posthumous reputation mixed the reviewers' caricature of the simplistic bumbler with the image of a hyper-sensitive genius killed by high feeling, which Shelley later portrayed.

The Victorian sense of poetry as the work of indulgence and luxuriant fancy offered a schema into which Keats was posthumously fitted. Marked as the standard-bearer of sensory writing, his reputation grew steadily and remarkably. His work had the full support of the influential Cambridge Apostles, whose members included the young Tennyson, later a popular Poet Laureate who came to regard Keats as the greatest poet of the 19th century. Constance Naden was a great admirer of his poems, arguing that his genius lay in his 'exquisite sensitiveness to all the elements of beauty'. In 1848, twenty-seven years after Keats's death, Richard Monckton Milnes published the first full biography, which helped place Keats within the canon of English literature. The Pre-Raphaelite Brotherhood, including Millais and Rossetti, were inspired by Keats and painted scenes from his poems including "The Eve of St. Agnes", "Isabella" and "La Belle Dame sans Merci", lush, arresting and popular images which remain closely associated with Keats's work.

In 1882, Swinburne wrote in the Encyclopædia Britannica that "the Ode to a Nightingale [was] one of the final masterpieces of human work in all time and for all ages". In the 20th century Keats remained the muse of poets such as Wilfred Owen, who kept his death date as a day of mourning, Yeats and T. S. Eliot.[85] Critic Helen Vendler stated the odes "are a group of works in which the English language finds an ultimate embodiment."[89] Bate said of To Autumn: "Each generation has found it one of the most nearly perfect poems in English" and M. R. Ridley said the ode "is the most serenely flawless poem in our language."

The largest collection of the letters, manuscripts, and other papers of Keats is in the Houghton Library at Harvard University. Other collections of material are archived at the British Library, Keats House, Hampstead, the Keats–Shelley Memorial House in Rome and the Pierpont Morgan Library in New York. Since 1998 the British Keats-Shelley Memorial Association have annually awarded a prize for romantic poetry. A Royal Society of Arts blue plaque was unveiled in 1896 to commemorate Keats at Keats House.

Jorge Luis Borges named his first encounter with Keats an experience he felt all his life.

Legacy

Keats died young, aged 25, with only a three-year-long writing career. Nonetheless, he left a substantial body of work that makes him more than a “poet of promise.” His mystique was also heightened by his alleged humble origins, as he was presented as a lowlife and someone who received a sparse education.

Shelley, in his preface to Adonais (1821), described Keats as "delicate," "fragile," and "blighted in the bud": "a pale flower by some sad maiden cherished ... The bloom, whose petals nipt before they blew / Died on the promise of the fruit," wrote Shelley.

Keats himself underestimated his writerly ability. "I have left no immortal work behind me—nothing to make my friends proud of my memory—but I have lov'd the principle of beauty in all things, and if I had had time I would have made myself remember’d," he wrote to Fanny Brawne.

Richard Monckton Milnes published the first biography of Keats in 1848, which fully inserted him into the canon. The Encyclopaedia Britannica extolled the virtues of Keats in numerous instances: in 1880, Swinburne wrote in his entry on John Keats that "the Ode to a Nightingale, [is] one of the final masterpieces of human work in all time and for all ages," while the 1888 edition stated that, "Of these [odes] perhaps the two nearest to absolute perfection, to the triumphant achievement and accomplishment of the very utmost beauty possible to human words, may be that of to Autumn and that on a Grecian Urn." In the 20th century, Wilfred Owen, W.B. Yeats and T. S. Eliot were all inspired by Keats.

As far as other arts are concerned, given how sensual his writing was, the Pre-Raphaelite Brotherhood admired him, and painters depicted scenes of Keats poems, such as "La Belle Dame Sans Merci," "The Eve of St. Agnes," and "Isabella."

Reputation

It is impossible to say how much has been lost by Keats’s early death. His reputation grew steadily throughout the 19th century, though as late as the 1840s the Pre-Raphaelite painter William Holman Hunt could refer to him as “this little-known poet.” His influence is found everywhere in the decorative Romantic verse of the Victorian Age, from the early work of Alfred, Lord Tennyson, onward. His general emotional temper and the minute delicacy of his natural observation were greatly admired by the Pre-Raphaelites, who both echoed his poetry in their own and illustrated it in their paintings. Keats’s 19th-century followers on the whole valued the more superficial aspects of his work, and it was largely left for the 20th century to realize the full range of his technical and intellectual achievement.

Biographers

None of Keats's biographies were written by people who had known him. Shortly after his death, his publishers announced they would speedily publish The memoirs and remains of John Keats but his friends refused to cooperate and argued with each other to such an extent that the project was abandoned. Leigh Hunt's Lord Byron and some of his Contemporaries (1828) gives the first biographical account, strongly emphasising Keats's supposedly humble origins, a misconception which still continues. Given that he was becoming a significant figure within artistic circles, a succession of other publications followed, including anthologies of his many notes, chapters and letters. However, early accounts often gave contradictory or biased versions of events and were subject to dispute. His friends Brown, Severn, Dilke, Shelley and his guardian Richard Abbey, his publisher Taylor, Fanny Brawne and many others issued posthumous commentary on Keats's life. These early writings coloured all subsequent biography and have become embedded in a body of Keats legend.

Shelley promoted Keats as someone whose achievement could not be separated from agony, who was 'spiritualised' by his decline and too fine-tuned to endure the harshness of life; the consumptive, suffering image popularly held today. The first full biography was published in 1848 by Richard Monckton Milnes. Landmark Keats biographers since include Sidney Colvin, Robert Gittings, Walter Jackson Bate, Aileen Ward, and Andrew Motion. The idealised image of the heroic romantic poet who battled poverty and died young was inflated by the late arrival of an authoritative biography and the lack of an accurate likeness. Most of the surviving portraits of Keats were painted after his death, and those who knew him held that they did not succeed in capturing his unique quality and intensity.

Other portrayals

John Keats: His Life and Death, the first major motion picture about the life of Keats, was produced in 1973 by Encyclopædia Britannica, Inc. It was directed by John Barnes. John Stride played John Keats and Janina Faye played Fanny Brawne.

The 2009 film Bright Star, written and directed by Jane Campion, focuses on Keats's relationship with Fanny Brawne. Inspired by the 1997 Keats biography penned by Andrew Motion, it stars Ben Whishaw as Keats and Abbie Cornish as Fanny.

Poet Laureate Simon Armitage wrote "'I speak as someone...'" to commemorate the 200th anniversary of Keats's death. It was first published in The Times on 20 February 2021.

In 2007 a sculpture of Keats seated on bench, by sculptor Stuart Williamson, at Guys and Saint Thomas' Hospital, London, was unveiled by the Poet Laureate, Andrew Motion.

Letters

The prime authority both for Keats’s life and for his poetical development is to be found in his letters . This correspondence with his brothers and sister, with his close friends, and with Fanny Brawne gives the most intimate picture of the admirable integrity of Keats’s personal character and enables the reader to follow closely the development of his thought about poetry—his own and that of others.

His letters evince a profound thoughtfulness combined with a quick, sensitive, undidactic critical response. Spontaneous, informal, deeply thought, and deeply felt, these are among the best letters written by any English poet. Apart from their interest as a commentary on his work, they have the right to independent literary status.

Keats's letters were first published in 1848 and 1878. Critics in the 19th century disregarded them as distractions from his poetic works, but in the 20th century they became almost as admired and studied as his poetry, and are highly regarded in the canon of English literary correspondence. T. S. Eliot called them "certainly the most notable and most important ever written by any English poet." Keats spent much time considering poetry itself, its constructs and impacts, displaying a deep interest unusual in his milieu, who were more easily distracted by metaphysics or politics, fashions or science. Eliot wrote of Keats's conclusions; "There is hardly one statement of Keats' about poetry which... will not be found to be true, and what is more, true for greater and more mature poetry than anything Keats ever wrote."

Few of Keats's letters remain from the period before he joined his literary circle. From spring 1817, however, there is a rich record of his prolific and impressive letter-writing skills. He and his friends, poets, critics, novelists, and editors wrote to each other daily, and Keats's ideas are bound up in the ordinary, his day-to-day missives sharing news, parody and social commentary. They glitter with humour and critical intelligence. Born of an "unself-conscious stream of consciousness," they are impulsive, full of awareness of his own nature and his weak spots. When his brother George went to America, Keats wrote to him in detail, the body of letters becoming "the real diary" and self-revelation of Keats's life, as well as an exposition of his philosophy, with the first drafts of poems containing some of Keats's finest writing and thought. Gittings sees them as akin to a "spiritual journal" not written for a specific other, so much as for synthesis.

Keats also reflected on the background and composition of his poetry. Specific letters often coincide with or anticipate the poems they describe. In February to May 1819 he produced many of his finest letters. Writing to his brother George, Keats explored the idea of the world as "the vale of Soul-making", anticipating the great odes he wrote some months later. In the letters Keats coined ideas such as the Mansion of Many Apartments and the Chameleon Poet, which came to gain common currency and capture the public imagination, though only making single appearances as phrases in his correspondence.  The poetical mind, Keats argued:

has no self – it is every thing and nothing – It has no character – it enjoys light and shade;... What shocks the virtuous philosopher , delights the camelion [chameleon] Poet. It does no harm from its relish of the dark side of things any more than from its taste for the bright one; because they both end in speculation. A Poet is the most unpoetical of any thing in existence; because he has no Identity – he is continually in for – and filling some other Body – The Sun, the Moon, the Sea and Men and Women who are creatures of impulse are poetical and have about them an unchangeable attribute – the poet has none; no identity – he is certainly the most unpoetical of all God's Creatures.

He used the term negative capability to discuss the state of being in which we are "capable of being in uncertainties, Mysteries, doubts without any irritable reaching after fact & reason.... [Being] content with half knowledge" where one trusts in the heart's perceptions . He wrote later he was "certain of nothing but the holiness of the Heart's affections and the truth of Imagination – What the imagination seizes as Beauty must be truth – whether it existed before or not – for I have the same Idea of all our Passions as of Love they are all in their sublime, creative of essential Beauty" constantly returning to what it means to be a poet. "My Imagination is a Monastery and I am its Monk", Keats notes to Shelley. In September 1819, Keats wrote to Reynolds "How beautiful the season is now – How fine the air. A temperate sharpness about it.... I never lik'd the stubbled fields as much as now – Aye, better than the chilly green of spring. Somehow the stubble plain looks warm – in the same way as some pictures look warm – this struck me so much in my Sunday's walk that I composed upon it". The final stanza of his last great ode, "To Autumn", runs:

Where are the songs of Spring ? Ay, where are they?

Think not of them, thou hast thy music too, –

While barred clouds bloom the soft-dying day,

And touch the stubble-plains with rosy hue;

"To Autumn" was to become one of the most highly regarded poems in the English language.

There are areas of his life and daily routine that Keats omits. He mentions little of his childhood or his financial straits, being seemingly embarrassed to discuss them. There is no reference to his parents. In his last year, as his health deteriorated, his concerns often give way to despair and morbid obsessions. His letters to Fanny Brawne, published in 1870, focus on the period and emphasise its tragic aspect, giving rise to widespread criticism at the time.

John Keats

Poems (1817)

Sleep and Poetry

What is more gentle than a wind in summer?

What is more soothing than the pretty hummer

That stays one moment in an open flower,

And buzzes cheerily from bower to bower?

What is more tranquil than a musk-rose blowing

In a green island, far from all men's knowing?

More healthful than the leafiness of dales?

More secret than a nest of nightingales?

More serene than Cordelia's countenance?

More full of visions than a high romance?

What, but thee Sleep? Soft closer of our eyes!

Low murmurer of tender lullabies!

Light hoverer around our happy pillows!

Wreather of poppy buds, and weeping willows!

Silent entangler of a beauty's tresses!

Most happy listener! when the morning blesses

Thee for enlivening all the cheerful eyes

That glance so brightly at the new sun-rise(“Sleep and Poetry,” lines 1-18)

A Great Year (1818-19)

Ode on a Grecian Urn

Thou still unravish'd bride of quietness,

Thou foster-child of silence and slow time,

Sylvan historian, who canst thus express

A flowery tale more sweetly than our rhyme:

What leaf-fring'd legend haunts about thy shape

Of deities or mortals, or of both,

In Tempe or the dales of Arcady?

What men or gods are these? What maidens loth?

What mad pursuit? What struggle to escape?

What pipes and timbrels? What wild ecstasy?

 

“Ode on a Grecian Urn,” lines 1—10

Bright Stars: Female Acquaintances

Bright Star

Bright star, would I were stedfast as thou art—

Not in lone splendour hung aloft the night

And watching, with eternal lids apart,

Like nature's patient, sleepless Eremite,

The moving waters at their priestlike task

Of pure ablution round earth's human shores,

Or gazing on the new soft-fallen mask

Of snow upon the mountains and the moors—

No—yet still stedfast, still unchangeable,

Pillow'd upon my fair love's ripening breast,

To feel for ever its soft fall and swell,

Awake for ever in a sweet unrest,

Still, still to hear her tender-taken breath,

And so live ever—or else swoon to death.


 

209-] English Literature

209-] English Literature Charles Dickens  Posted By lifeisart in Dickens, Charles || 23 Replies What do you think about Dickens realism? ...