29-) English Literature

29-) English Literature 

Edmund Spenser

Rhyme and reason

Thomas Fuller, in Worthies of England, included a story where the Queen told her treasurer, William Cecil, to pay Spenser £100 for his poetry. The treasurer, however, objected that the sum was too much. She said, "Then give him what is reason". Without receiving his payment in due time, Spenser gave the Queen this quatrain on one of her progresses:

I was promis'd on a time,

To have a reason for my rhyme:

From that time unto this season,

I receiv'd nor rhyme nor reason.

She immediately ordered the treasurer to pay Spenser the original £100.

This story seems to have attached itself to Spenser from Thomas Churchyard, who apparently had difficulty in getting payment of his pension, the only other pension Elizabeth awarded to a poet. Spenser seems to have had no difficulty in receiving payment when it was due as the pension was being collected for him by his publisher, Ponsonby.

The Shepheardes Calender

For the 1829 collection by James Hogg, see The Shepherd's Calendar (James Hogg). For the sixteenth-century almanac, see The Kalender of Shepherdes.

The Shepheardes Calender (originally titled The Shepheardes Calendar, Conteyning twelve Aeglogues proportionable to the Twelve monthes. Entitled to the Noble and Vertuous Gentleman most worthy of all titles both of learning and chevalrie M. Philip Sidney) was Edmund Spenser's first major poetic work, published in 1579. In emulation of Virgil's first work, the Eclogues, Spenser wrote this series of pastorals at the commencement of his career. However, Spenser's models were rather the Renaissance eclogues of Mantuanus. The title, like the entire work, is written using deliberately archaic spellings, in order to suggest a connection to medieval literature, and to Geoffrey Chaucer in particular. Spenser dedicated the poem to Philip Sidney. The poem introduces Colin Clout, a folk character originated by John Skelton, and depicts his life as a shepherd through the twelve months of the year. The Calender encompasses considerable formal innovations, anticipating the even more virtuosic Countess of Pembroke's Arcadia (The "Old" Arcadia, 1580), the classic pastoral romance by Sir Philip Sidney, with whom Spenser was acquainted. It is also remarkable for the extensive commentary or gloss included with the work in its first publication, ascribed to an "E.K." E.K. is an intelligent, very subtle, sometimes wrong, and often deeply ironic commentator, who is sometimes assumed to be an alias of Spenser himself. The term sarcasm (Sarcasmus) is first recorded in English in Spenser's poem (October).

Interpretation

The twelve eclogues of The Shepheardes Calender, dealing with such themes as the abuses of the church, Colin's shattered love for Rosalind, praise for Queen Elizabeth, and encomia to the rustic Shepherd's life, are titled for the months of the year. Each eclogue is preceded by a woodcut and followed by a motto describing the speaker. The opening line of each eclogue expresses characteristics of the month, and the poem as a whole charts common accuracy of the seasons, the toil and celebrations of the village year. The precision of the description of birds, flowers, and harvests is balanced by an underlying theme of the hardships and rituals that each season entails. Each pastoral in the poem can be classified into one of three categories, identified as moral, plaintive, or re-creative.[citation needed]

The plaintive and re-creative poems are each devoted to presenting Colin Clout in his double character of lover and poet, whereas the moral poems are mixed with mocking bitterness, which moves Colin from a dramatic personae to a more homely style. While the January pastoral tells of the unhappy love of Colin for Rosalind, the springtime of April calls for a song in praise of Elizabeth. In May, the shepherds, who are rival pastors of the Reformation, end their sermons with an animal fable. In summer, they discourse on Puritan theology. October brings them to contemplate the trials and disappointments of a poet, and the series ends with a parable comparing life to the four seasons of the year.[citation needed]

Form and style

The Shepheardes Calender is a poem that consists of twelve eclogues. Each eclogue is named after a different month, which represents the turning of seasons. An eclogue is a short pastoral poem that is in the form of a dialogue or soliloquy. This is why, while the months come together to form a whole year, each month can also stand alone as a separate poem. The months are all written in a different form. For example, April has a lyrical "laye" which honors the Queen. May gives off characterization and greater description. As the reader passes through each month and gets closer to the end of the year, the wording becomes less beautifully lyrical and more straightforward; closing together the poem the way the month of December closes up the year. Spenser uses rhyme differently in each month. There is a very cyclical pattern that shows off the kind of style that Spenser was going for, making the reader feel as though they are going through the cycle of each year just as the narrator does. The months all have repetition of elements and arguments. The style of the poem is also influenced by writers such as Chaucer and Skelton.[citation needed]

Influence

Edmund Spenser's involvement with the Earl of Leicester set the groundwork for the influential effect that The Shepheardes Calender would have. A year after working together, the two of them, joined by Sir Philip Sidney, Edward Dyer, and Fulke Greville, created the literary group called "Areopagus". The group they formed supported Leicester's views on religion and politics (Bear). When The Shepheardes Calender, which was Spenser's first ever published piece, was published it was around the same time that Leicester proposed marriage between the Queen and the Duc d'Alençon.

The poem served as a type of propaganda to the proposal. Spenser recognized that the poem was for his own financial and political gains, but it also sets the idea of standing behind one's work. The work was a success; between 1579 and 1597 five editions were published.[6] One thing that separates the poem from others of its time is Spenser's use of allegory and his dependence on the idea of antiquity. The poem also set the groundwork for Spenser's best known work The Faerie Queene. The Shepheardes Calender was also crucial to the naturalization of the English language and the introduction of vocabulary along with literary techniques.

The Irish composer Ina Boyle first drafted her Colin Clout, "a pastoral for orchestra for orchestra after the first aeglogue of Spenser's Shepheard's Calender", in 1921 and revised it in 1923

Early works

The Shepheardes Calender can be called the first work of the English literary Renaissance. Following the example of Virgil and of many later poets, Spenser was beginning his career with a series of eclogues (literally “selections,” usually short poems in the form of pastoral dialogues), in which various characters, in the guise of innocent and simple shepherds, converse about life and love in a variety of elegantly managed verse forms, formulating weighty—often satirical—opinions on questions of the day. The paradoxical combination in pastoral poetry of the simple, isolated life of shepherds with the sophisticated social ambitions of the figures symbolized or discussed by these shepherds (and of their probable readership) has been of some interest in literary criticism.

The Calender consists of 12 eclogues, one named after each month of the year. One of the shepherds, Colin Clout, who excels in poetry but is ruined by his hopeless love for one Rosalind, is Spenser himself. The eclogue “Aprill” is in praise of the shepherdess Elisa, really the queen (Elizabeth I) herself. “October” examines the various kinds of verse composition and suggests how discouraging it is for a modern poet to try for success in any of them. Most of the eclogues, however, concern good or bad shepherds—that is to say, pastors—of Christian congregations. The Calender was well received in its day, and it is still a revelation of what could be done poetically in English after a long period of much mediocrity and provinciality. The archaic quality of its language, sometimes deplored, was partly motivated by a desire to continue older English poetic traditions, such as that of Geoffrey Chaucer. Archaic vocabulary is not so marked a feature of Spenser’s later work.

The years 1578–80 probably produced more changes in Spenser’s life than did any other corresponding period. He appears by 1580 to have been serving the fascinating, highly placed, and unscrupulous Robert Dudley, earl of Leicester and to have become a member of the literary circle led by Sir Philip Sidney, Leicester’s nephew, to whom the Calender was dedicated and who praised it in his important critical work The Defence of Poesie (1595). Spenser remained permanently devoted to this brilliant writer and good nobleman, embodied him variously in his own poetry, and mourned his early death in an elegy. By 1580 Spenser had also started work on The Faerie Queene, and in the previous year he had apparently married one Machabyas Chylde. Interesting sidelights on his personal character, of which next to nothing is known, are given in a small collection of letters between Spenser and Gabriel Harvey that was printed in 1580. The ironies in that exchange of letters are so intricate, however, as to make it difficult to draw many conclusions from them about Spenser, except that he was young, ambitious, accomplished, and sincerely interested in the theory and practice of poetry. In 1580 Spenser was made secretary to the new lord deputy of Ireland, Arthur Lord Grey, who was a friend of the Sidney family.

Career in Ireland

Sixteenth-century Ireland and the Irish were looked on by the English as a colony, although the supposed threat of an invasion by Spain and the conflict between an imposed English church and the Roman Catholicism of the Irish were further complicating factors. Irish chieftains and the Anglo-Irish nobility encouraged native resistance to newly arrived English officials and landowners. As Grey’s secretary, Spenser accompanied the lord deputy on risky military campaigns as well as on more routine journeys. He may have witnessed the Smerwick massacre (1580), and his poetry is haunted by nightmare characters who embody a wild lawlessness. The conflict between Grey’s direct, drastic governmental measures and the queen’s characteristic procrastinating and temporizing style soon led to Grey’s frustration and recall. But Spenser, like many others, admired and defended Grey’s methods. Spenser’s A View of the Present State of Ireland (written 1595–96, published 1633), a later tract, argues lucidly for a typically 16th-century theory of rule: firm measures, ruthlessly applied, with gentleness only for completely submissive subject populations.

For four or five years from roughly 1584, Spenser carried out the duties of a second important official position in Ireland, deputizing for his friend Lodowick Bryskett as clerk of the lords president (governors) of Munster, the southernmost Irish province. The fruits of his service in Ireland are plain. He was given a sinecure post and other favours, including the right to dispose of certain forfeited parcels of land (he no doubt indulged in profitable land speculation). For a time he leased the small property of New Abbey, County Kildare, and on this basis was first designated “gentleman.” Finally, he obtained a much larger estate in Munster. One of the chief preoccupations of the presidents of this province, scarred as it was by war and starvation, was to repopulate it. To this end, large “plantations” were awarded to English “undertakers,” who undertook to make them self-sustaining by occupying them with Englishmen of various trades. In 1588 or 1589 Spenser took over the 3,000-acre (1,200-hectare) plantation of Kilcolman, about 25 miles (40 km) to the north and a little to the west of Cork. No doubt he took there his son and daughter and his wife, if she was still alive (she is known to have died by 1594, when Spenser married Elizabeth Boyle, a "kinswoman" of the earl of Cork, one of Ireland’s wealthiest men). By acquiring this estate, Spenser made his choice for the future: to rise into the privileged class of what was, to all intents, a colonial land of opportunity rather than to seek power and position on the more crowded ground of the homeland, where he had made his poetic reputation. In his new situation he, like other undertakers, had much conflict with the local Anglo-Irish aristocracy and had limited success in filling the plantations with English families. Nevertheless, it was under these conditions that Spenser brought his greatest poetry to completion.

 

28-} English Literature

28-) English Literature 

Edmund Spenser (born 1552/53, London, England—died January 13, 1599, London) English poet whose long allegorical poem The Faerie Queene is one of the greatest in the English language. It was written in what came to be called the Spenserian stanza.The Faerie Queene, an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of nascent Modern English verse. Edmund Spenser is considered one of the preeminent poets of the English language. He was born into the family of an obscure cloth maker named John Spenser, who belonged to the Merchant Taylors’ Company and was married to a woman named Elizabeth, about whom almost nothing is known. Since parish records for the area of London where the poet grew up were destroyed in the Great Fire of 1666, his birth date is uncertain, though the dates of his schooling and a remark in one of his sonnets (Amoretti 60) lend credence to the date traditionally assigned, which is around 1552. Spenser’s reinvention of classical pastoral, The Shepheardes Calendar, was admired by Sir Philip Sidney as a major contribution to the development of English literature and national culture. Along with Sidney, Spenser set out to create a body of work that could parallel the great works of European poets such as Dante, Petrarch, and Boccaccio and extend the line of English literary culture began by Chaucer. Among Spenser’s many contributions to English literature, he is the originator and namesake of the Spenserian stanza and the Spenserian sonnet.

Life

Edmund Spenser was born in East Smithfield, London, around the year 1552; however, there is still some ambiguity as to the exact date of his birth. His parenthood is obscure, but he was probably the son of John Spenser, a journeyman clothmaker. As a young boy, he was educated in London at the Merchant Taylors' School and matriculated as a sizar at Pembroke College, Cambridge. While at Cambridge he became a friend of Gabriel Harvey and later consulted him, despite their differing views on poetry. In 1578, he became for a short time secretary to John Young, Bishop of Rochester. In 1579, he published The Shepheardes Calender and around the same time married his first wife, Machabyas Childe. They had two children, Sylvanus (d. 1638) and Katherine.

Spenser’s parents took what may have been the most important step in advancing their son’s fortunes by enrolling him in the Merchant Taylors’ school in London. During the early 1560s, when Spenser began his studies there, it was under the able direction of a prominent humanist educator named Richard Mulcaster, who believed in thoroughly grounding his students in the classics and in Protestant Christianity, and who seems to have encouraged such extracurricular activities as musical and dramatic performances. Mulcaster was also important to Spenser’s career for purely pragmatic reasons, since he had good connections with the universities and sent students of modest means such as Spenser on to them with some regularity. The poet later expressed his gratitude to Mulcaster by depicting him as “A good olde shephearde, Wrenock” in the December eclogue of The Shepheardes Calender and by naming his first two children, Sylvanus and Katherine, after those of his master.

The only glimpse that survives of the young poet at school comes from financial records indicating that in 1569, when he was in his last year, he was one of six boys given a shilling and a new gown to attend the funeral of Robert Nowell, a prominent lawyer connected with the school. This connection with Nowell was to prove important to Spenser’s later development, for the lawyer’s estate helped support his subsequent education.

In 1569, at the usual age of 16 or 17, Spenser left the Merchant Taylors’ School for Cambridge, where he enrolled at Pembroke Hall. Even before he arrived, however, he was already composing poetry and attracting the attention of other writers. Perhaps with the help of Mulcaster, who had friends in the Dutch immigrant community, he had recently arranged to publish thematically linked sets of epigrams and sonnets entitled The Visions of Petrarch and The Visions of Bellay, which appeared in the collection commonly referred to as A Theatre for Worldlings (1569) by the Dutch poet Jan van der Noot. Even in his maturity Spenser seems to have thought well of these early translations of French and Italian poetry, for he revised and reprinted them among his Complaints in 1591. Although not original, they nonetheless shed light on Spenser’s interests at the time which were directed toward poets of the Continent and had already settled on themes that would surface again in his later poetry, namely the tragic precariousness of life and the impermanence of things in the material world.

In July 1580, Spenser went to Ireland in service of the newly appointed Lord Deputy, Arthur Grey, 14th Baron Grey de Wilton. Spenser served under Lord Grey with Walter Raleigh at the Siege of Smerwick massacre. When Lord Grey was recalled to England, Spenser stayed on in Ireland, having acquired other official posts and lands in the Munster Plantation. Raleigh acquired other nearby Munster estates confiscated in the Second Desmond Rebellion. Sometime between 1587 and 1589, Spenser acquired his main estate at Kilcolman, near Doneraile in North Cork. He later bought a second holding to the south, at Rennie, on a rock overlooking the river Blackwater in North Cork. Its ruins are still visible today. A short distance away grew a tree, locally known as "Spenser's Oak" until it was destroyed in a lightning strike in the 1960s. Local legend claims that he penned some of The Faerie Queene under this tree.

Youth and education

Little is certainly known about Spenser. He was related to a noble Midlands family of Spencer, whose fortunes had been made through sheep raising. His own immediate family was not wealthy. He was entered as a “poor boy” in the Merchant Taylors’ grammar school, where he would have studied mainly Latin, with some Hebrew, Greek, and music.

In 1569, when Spenser was about 16 years old, his English versions of poems by the 16th-century French poet Joachim du Bellay and his translation of a French version of a poem by the Italian poet Petrarch appeared at the beginning of an anti-Catholic prose tract, A Theatre for Voluptuous Worldlings; they were no doubt commissioned by its chief author, the wealthy Flemish expatriate Jan Baptista van der Noot. (Some of these poems Spenser later revised for his Complaints volume.)

From May 1569 Spenser was a student in Pembroke Hall (now Pembroke College) of the University of Cambridge, where, along with perhaps a quarter of the students, he was classed as a sizar—a student who, out of financial necessity, performed various menial or semi-menial duties. He received a Bachelor of Arts degree in 1573. Because of an epidemic, Spenser left Cambridge in 1574, but he received the Master of Arts degree in 1576.

His best-known friend at Cambridge was the slightly older Gabriel Harvey, a fellow of Pembroke, who was learned, witty, and enthusiastic for ancient and modern literature but also pedantic, devious, and ambitious. There is no reason to believe that Spenser shared the most distasteful of these qualities, but, in the atmosphere of social mobility and among the new aristocracy of Tudor England, it is not surprising that he hoped for preferment to higher position.

Such scraps of reliable information about Spenser during his university days suggest that he served as a sizar (a scholar of limited means who does chores in return for room and board) and that he earned his BA in 1573 and his MA in 1576 with no official marks of distinction as a scholar. He regarded the experience as vital to his development, however, as can be seen in his later reference to the university as “my mother Cambridge” in The Faerie Queene (IV.xi.34). Little is known of his friendships at Pembroke. He must have been acquainted with Lancelot Andrewes, two years his junior, who later became a bishop and was well known for his sermons and for his part in translating the King James Version of the Bible. Clearly, Spenser had also gained the confidence of the master of Pembroke, John Young, who later became bishop of Rochester and gave the poet his first post as a personal secretary. Most important for Spenser’s literary career, however, was his close friendship with Gabriel Harvey, a professor of rhetoric who served initially as his mentor and ultimately as his literary promoter. Spenser later celebrated their friendship in The Shepheardes Calender, in which he appears as Colin Clout and Harvey is represented as the wise shepherd Hobbinoll.

Though a lackluster poet himself, Harvey seems to have encouraged Spenser in many of the aspirations that later shaped his career. Harvey was characteristically effusive, for example, about the need to ground English poetry on the great models of Greco-Roman antiquity, both by shaping its versification on Latin principles and by undertaking classical genres that had not yet been attempted in English. In the late 1570s he composed a vernacular epic (now lost) and a work on the ancient Muses of poetry that is similar in outline to Spenser’s Teares of the Muses (1591). At about the same time, he may have played a part in introducing Spenser to Sidney and in securing for his friend a position in the London household of Robert Dudley, Earl of Leicester, who was a favorite of Queen Elizabeth as well as a key figure in the radical Protestant faction at court and one of the most powerful noblemen in the realm. The connections with Leicester and Sidney helped to launch Spenser’s career, both as a poet and as a government official. Finally, in 1580, just before circumstances forced a separation between the two friends, Harvey gave Spenser’s prominence as a writer a boost by publishing a set of five high-spirited letters that had passed between them, which helped to establish his friend’s public image as England’s “new poet.”

In the letters Spenser and Harvey chat happily about their contacts with great men and their various works in progress, including Spenser’s Faerie Queene and a surprising array of his other early works that were later lost or perhaps silently incorporated into those that were published. These works included ten Latin comedies, several dream visions, an epithalamium celebrating the “marriage” of the rivers of England, and a work of literary criticism entitled The English Poete. The letters are even more interesting for their revelation that Spenser and Harvey had recently become involved in a literary circle gathered around Sidney. The group, which called itself the “Areopagus,” was short-lived, and though it may have been formed with playful reference to the great literary academies of France and Italy, it seems to have been better known for its high spirits and good conversation than for its seriousness. The writers involved—including the learned diplomat Daniel Rogers, Sidney ‘s friends Sir Edward Dyer and Fulke Greville, First Lord Brooke, and the academician Thomas Drant—seem to have occupied themselves primarily with experiments in Latin prosody, attempts at various genres of new poetry based on classical models, and the promotion of English as a literary language. Rogers, however, also mentions grand discussions “of the law, of God and of the good,” which may have had some effect on the heroic works that occupied Sidney and Spenser in the years that following.

Spenser’s direct involvement with Sidney and his circle in 1579-1580 set him on a literary course that he would pursue for the rest of his life. Though the two men never saw one another again, they adopted remarkably similar literary agendas, writing mainly in genres that Sidney had encountered among prominent neoclassical and religious poets on the Continent. Both men, for example, wrote works of literary criticism addressing the current state of poetry in England, and both devoted most of their creative energies to pastoral poetry and romance epic, to sonnets and epithalamiums, and to religious hymns or psalms. Both also wrote political tracts about Ireland, where Sidney’s father served for more than two decades and where Spenser was soon to become a government official. Expressions of admiration for the Sidneys and the Dudleys appear repeatedly in his works, from early poems such as his Stemmata Dudleiana (now lost) to late ones such as The Ruines of Time (1591), Colin Clouts Come Home Againe (1595), and Astrophel (1595).

Through his contact with men such as Sidney and Leicester, who were deeply involved in affairs of state, Spenser may have been emboldened to publish his Shepeardes Calender, which was dedicated to Sidney and dealt with sensitive political controversies of the day. Appearing in six editions before the end of the century, it became a milestone in the English literary renaissance because it was the first major published work of new poetry written along the neoclassical lines advocated by nationalistic poets such as those of the Areopagus. With a flair for self-promotion reminiscent of Harvey, Spenser or perhaps his publisher arranged to bring out the volume as if it were a venerable and ancient text. The archaic language of the poems, which Sidney impugned in his Defence of Poetry, may have been adopted in part to heighten this effect. Beautifully illustrated with woodcuts, the poems appeared from the outset already encrusted with learned prefatory matter and a running gloss by an unidentified scholar designated only as “E.K.” Most likely, this was Spenser’s friend Edward Kirke, whom he had known since their days together at Pembroke Hall in the early 1570s. Whoever he was, however, he shared Spenser’s views that English poetry was in disarray and that it should be reestablished on “an eternall image of antiquitie”—an argument that is repeated in the eclogue for October. In his prefatory epistle to the volume, E.K. lauds Spenser as “this our new Poete,” who will be “beloved of all, embraced of the most, and wondred at of the best.” If he had been writing of Virgil or Petrarch, rather than an obscure English poet, he could hardly have said more.

Spenser’s period at the University of Cambridge was undoubtedly important for the acquisition of his wide knowledge not only of the Latin and some of the Greek classics but also of the Italian, French, and English literature of his own and earlier times. His knowledge of the traditional forms and themes of lyrical and narrative poetry provided foundations for him to build his own highly original compositions. Without the Roman epic poet Virgil’s Aeneid, the 15th-century Italian Ludovico Ariosto’s Orlando furioso, and, later, Torquato Tasso’s Gerusalemme liberata (1581), Spenser could not have written his heroic, or epic, poem The Faerie Queene. Without Virgil’s Bucolics and the later tradition of pastoral poetry in Italy and France, Spenser could not have written The Shepheardes Calender. And without the Latin, Italian, and French examples of the highly traditional marriage ode and the sonnet and canzone forms of Petrarch and succeeding sonneteers, Spenser could not have written his greatest lyric, Epithalamion, and its accompanying sonnets, Amoretti. The patterns of meaning in Spenser’s poetry are frequently woven out of the traditional interpretations—developed through classical times and his own—of pagan myth, divinities, and philosophies and out of an equally strong experience of the faith and doctrines of Christianity; these patterns he further enriched by the use of medieval and contemporary story, legend, and folklore.

Spenser’s religious training was a most important part of his education. He could not have avoided some involvement in the bitter struggles that took place in his university over the path the new Church of England was to tread between Roman Catholicism and extreme Puritanism, and his own poetry repeatedly engages with the opposition between Protestantism and Catholicism and the need to protect the national and moral purity of the Elizabethan church. Contrary to a former view, there is little reason to believe that he inclined toward the Puritanical side. His first known appointment (after a blank of several years, when he may have been in the north of England) was in 1578 as secretary to Bishop John Young of Rochester, former master of Spenser’s college at Cambridge. Spenser’s first important publication, The Shepheardes Calender (1579 or 1580), is more concerned with the bishops and affairs of the English church than is any of his later work.

In 1590, Spenser brought out the first three books of his most famous work, The Faerie Queene, having travelled to London to publish and promote the work, with the likely assistance of Raleigh. He was successful enough to obtain a life pension of £50 a year from the Queen. He probably hoped to secure a place at court through his poetry, but his next significant publication boldly antagonised the queen's principal secretary, Lord Burghley (William Cecil), through its inclusion of the satirical Mother Hubberd's Tale.[12] He returned to Ireland. He was at the centre of a literary circle whose members included his lifelong friend Lodowick Bryskett and Dr. John Longe, Archbishop of Armagh.

In 1591, Spenser published a translation in verse of Joachim Du Bellay's sonnets, Les Antiquités de Rome, which had been published in 1558. Spenser's version, Ruines of Rome: by Bellay, may also have been influenced by Latin poems on the same subject, written by Jean or Janis Vitalis and published in 1576.

By 1594, Spenser's first wife had died, and in that year he married a much younger Elizabeth Boyle, a relative of Richard Boyle, 1st Earl of Cork. He addressed to her the sonnet sequence Amoretti. The marriage was celebrated in Epithalamion. They had a son named Peregrine.

In 1596, Spenser wrote a prose pamphlet titled A View of the Present State of Irelande. This piece, in the form of a dialogue, circulated in manuscript, remaining unpublished until the mid-17th century. It is probable that it was kept out of print during the author's lifetime because of its inflammatory content. The pamphlet argued that Ireland would never be totally "pacified" by the English until its indigenous language and customs had been destroyed, if necessary by violence.

In 1598, during the Nine Years' War, Spenser was driven from his home by the native Irish forces of Aodh Ó Néill. His castle at Kilcolman was burned, and Ben Jonson, who may have had private information, asserted that one of his infant children died in the blaze.

In the year after being driven from his home, 1599, Spenser travelled to London, where he died at the age of forty-six – "for want of bread", according to Ben Jonson; one of Jonson's more doubtful statements, since Spenser had a payment to him authorised by the government and was due his pension. His coffin was carried to his grave in Poets' Corner in Westminster Abbey by other poets, who threw many pens and pieces of poetry into his grave with many tears. His second wife survived him and remarried twice. His sister Sarah, who had accompanied him to Ireland, married into the Travers family, and her descendants were prominent landowners in Cork for centuries.

 

27-) English Literature

27-) English Literature

Sir Walter Raleigh 

Works

Popular feeling had been on Raleigh’s side ever since 1603. After 1618 his occasional writings were collected and published, often with little discrimination. The authenticity of some minor works attributed to him is still unsure. Some 560 lines of verse in his hand are preserved. They address the queen as Cynthia and complain of her unkindness, probably with reference to his imprisonment of 1592. His best-known prose works in addition to The Discoverie of Guiana are A Report of the Truth of the Fight About the Iles of Açores This Last Sommer (1591; generally known as The Last Fight of the Revenge) and The History of the World (1614). The last work, undertaken in the Tower, proceeds from the Creation to the 2nd century BCE. History is shown as a record of God’s Providence, a doctrine that pleased contemporaries and counteracted the charge of atheism. King James was meant to note the many warnings that the injustice of kings is always punished.

Raleigh survives as an interesting and enigmatic personality rather than as a force in history. He can be presented either as a hero or as a scoundrel. His vaulting imagination, which could envisage both North and South America as English territory, was supported by considerable practical ability and a persuasive pen, but some discrepancy between the vision and the deed made him less effective than his gifts had promised.

The Historie of the World. In five bookes (first ed. 1614). R. White, T. Basset. 1677.

The Discovery of Guiana. Hakluyt Society. 1848.

Poetry

Raleigh's poetry is written in the relatively straightforward, unornamented mode known as the plain style. C. S. Lewis considered Raleigh one of the era's "silver poets", a group of writers who resisted the Italian Renaissance influence of dense classical reference and elaborate poetic devices. His writing contains strong personal treatments of themes such as love, loss, beauty, and time. Most of his poems are short lyrics that were inspired by actual events.In poems such as "What is Our Life" and "The Lie", Raleigh expresses a contemptus mundi (contempt of the world) attitude more characteristic of the Middle Ages than of the dawning era of humanistic optimism. But his lesser-known long poem "The Ocean's Love to Cynthia" combines this vein with the more elaborate conceits associated with his contemporaries Edmund Spenser and John Donne, expressing a melancholy sense of history. The poem was written during his imprisonment in the Tower of London.

Raleigh wrote a poetic response to Christopher Marlowe's "The Passionate Shepherd to His Love" of 1592, entitled "The Nymph's Reply to the Shepherd". Both were written in the style of traditional pastoral poetry and follow the structure of six four-line stanzas employing a rhyme scheme of AABB, with Raleigh's an almost line-for-line refutation of Marlowe's sentiments . Years later, the 20th-century poet William Carlos Williams would join the poetic "argument" with his "Raleigh Was Right".

List of poems

All finished, and some unfinished, poems written by Raleigh or plausibly attributed to him:[c] ,"The Advice" , "Another of the Same", "Conceit begotten by the Eyes" , "Epitaph on Sir Philip Sidney" , "Epitaph on the Earl of Leicester", "Even such is Time", "The Excuse", "False Love", "Farewell to the Court", "His Petition to Queen Anne of Denmark", "If Cynthia be a Queen" , "In Commendation of George Gascoigne's Steel Glass", "The Lie"

"Like Hermit Poor", "Lines from Catullus" , "Love and Time" , "My Body in the Walls captive" , "The Nymph's Reply to the Shepherd" , "Of Spenser's Faery Queen", "On the Snuff of a Candle", "The Ocean's Love to Cynthia"

"A Poem entreating of Sorrow", "A Poem put into my Lady Laiton's Pocket"

"The Pilgrimage", "A Prognistication upon Cards and Dice", "The Shepherd's Praise of Diana" , "Sweet Unsure", "To His Mistress", "To the Translator of Lucan's Pharsalia"m "What is Our Life?" , "The Wood, the Weed, the Wag",

Writing Shakespeare

See also: List of Shakespeare authorship candidates and Shakespeare authorship question

In 1845, Shakespeare scholar Delia Bacon first proposed that a group of authors had actually written the plays later attributed to William Shakespeare, the main writer being Walter Raleigh. Later, George S. Caldwell asserted that Raleigh was actually the sole author. These claims have been supported by other scholars throughout subsequent years, including Albert J. Beveridge and Henry Pemberton, but are rejected by the majority of Shakespearean scholars today.[d]

 

26-) English Literature

26-) English Literature 

Sir Walter Raleigh[a] (/ˈrɔːli, ˈræli, ˈrɑːli/; c. 1552 – Hayes Barton, near Budleigh  Salterton, Devon, England—died October 29, 1618, London) was an English statesman, soldier, writer and explorer. One of the most notable figures of the Elizabethan era, a favourite of Queen Elizabeth I, who knighted him in 1585.  He played a leading part in English colonisation of North America, suppressed rebellion in Ireland, helped defend England against the Spanish Armada and held political positions under Elizabeth I. English adventurer and writer Accused of treason by Elizabeth’s successor, James I, he was imprisoned in the Tower of London and eventually put to death.

Raleigh was born to a landed gentry family of Protestant faith in Devon, the son of Walter Raleigh and Catherine Champernowne. He was the younger half-brother of Sir Humphrey Gilbert and a cousin of Sir Richard Grenville. Little is known of his early life, though in his late teens he spent some time in France taking part in the religious civil wars. In his 20s he took part in the suppression of rebellion in the colonisation of Ireland; he also participated in the siege of Smerwick. Later, he became a landlord of property in Ireland and mayor of Youghal in East Munster, where his house still stands in Myrtle Grove. He rose rapidly in the favour of Queen Elizabeth I and was knighted in 1585. He was granted a royal patent to explore Virginia, paving the way for future English settlements. In 1591, he secretly married Elizabeth Throckmorton, one of the Queen's ladies-in-waiting, without the Queen's permission, for which he and his wife were sent to the Tower of London. After his release, they retired to his estate at Sherborne, Dorset.

In 1594, Raleigh heard of a "City of Gold" in South America and sailed to find it, publishing an exaggerated account of his experiences in a book that contributed to the legend of "El Dorado". After Queen Elizabeth died in 1603, Raleigh was again imprisoned in the Tower, this time for being involved in the Main Plot against King James I, who was not favourably disposed towards him. In 1616, he was released to lead a second expedition in search of El Dorado. During the expedition, men led by his top commander ransacked a Spanish outpost, in violation of both the terms of his pardon and the 1604 peace treaty with Spain. Raleigh returned to England and, to appease the Spanish, he was arrested and executed in 1618.

Early life

Raleigh was a younger son of Walter Raleigh (d. 1581) of Fardell in Devon, by his third wife, Katherine Gilbert (née Champernowne). In 1569 he fought on the Huguenot (French Protestant) side in the Wars of Religion in France, and he is known later to have been at Oriel College, Oxford (1572), and at the Middle Temple law college (1575). In 1580 he fought against the Irish rebels in Munster, and his outspoken criticism of the way English policy was being implemented in Ireland brought him to the attention of Queen Elizabeth. By 1582 he had become the monarch’s favourite, and he began to acquire lucrative monopolies, properties, and influential positions. His Irish service was rewarded by vast estates in Munster. In 1583 the queen secured him a lease of part of Durham House in the Strand, London, where he had a monopoly of wine licenses (1583) and of the export of broadcloth (1585); and he became warden of the stannaries (the Cornish tin mines), lieutenant of Cornwall, and vice admiral of Devon and Cornwall and frequently sat as a member of Parliament. In 1587, two years after he had been knighted, Raleigh became captain of the queen’s guard. His last appointment under the crown was as governor of Jersey (one of the Channel Islands) in 1600.

Exploration and Discovery

In 1592 Raleigh acquired the manor of Sherborne in Dorset. He wanted to settle and found a family. His marriage to Elizabeth, daughter of Sir Nicholas Throckmorton, possibly as early as 1588, had been kept a secret from the jealous queen. In 1592 the birth of a son betrayed him, and he and his wife were both imprisoned in the Tower of London. Raleigh bought his release with profits from a privateering voyage in which he had invested, but he never regained his ascendancy at court. The child did not survive; a second son, Walter, was born in 1593 and a third son, Carew, in 1604 or 1605.

Although Raleigh was the queen’s favourite, he was not popular. His pride and extravagant spending were notorious, and he was attacked for unorthodox thought. A Jesuit pamphlet in 1592 accused him of keeping a “School of Atheism,” but he was not an atheist in the modern sense. He was a bold talker, interested in skeptical philosophy, and a serious student of mathematics as an aid to navigation. He also studied chemistry and compounded medical formulas. The old idea that William Shakespeare satirized Raleigh’s circle under the name of the "School of Night" is now entirely discredited.

Raleigh’s breach with the queen widened his personal sphere of action. Between 1584 and 1589 he had tried to establish a colony near Roanoke Island (in present North Carolina), which he named Virginia, but he never set foot there himself. In 1595 he led an expedition to what is now Venezuela, in South America, sailing up the Orinoco River in the heart of Spain’s colonial empire. He described the expedition in his book The Discoverie of Guiana (1596). Spanish documents and stories told by Indians had convinced him of the existence of Eldorado (El Dorado), the ruler of Manoa, a supposedly fabulous city of gold in the interior of South America. He did locate some gold mines, but no one supported his project for colonizing the area. In 1596 he went with Robert Devereux, 2nd earl of Essex, on an unsuccessful expedition to the Spanish city of Cádiz, and he was Essex’s rear admiral on the Islands voyage in 1597, an expedition to the Azores.

Raleigh’s aggressive policies toward Spain did not recommend him to the pacific King James I (reigned 1603–25). His enemies worked to bring about his ruin, and in 1603 he and others were accused of plotting to dethrone the king. Raleigh was convicted on the written evidence of Henry Brooke, Lord Cobham, and, after a last-minute reprieve from the death sentence, was consigned to the Tower. He fought to save Sherborne, which he had conveyed in trust for his son, but a clerical error invalidated the deed. In 1616 he was released but not pardoned. He still hoped to exploit the wealth of Venezuela, arguing that the country had been ceded to England by its native chiefs in 1595. With the king’s permission, he financed and led a second expedition there, promising to open a gold mine without offending Spain. A severe fever prevented his leading his men upriver. His lieutenant, Lawrence Kemys, burned a Spanish settlement but found no gold. Raleigh’s son Walter died in the action. King James invoked the suspended sentence of 1603, and in 1618, after writing a spirited defense of his acts, Raleigh was executed.

Little is known about Sir Walter Raleigh's birth but he is believed to have been born on 22 January 1552 (or possibly 1554[4]). He grew up in the house of Hayes Barton (in the parish of East Budleigh), in East Devon. He was the youngest of the five sons of Walter Raleigh (1510–1581) (or Rawleigh) of Fardel Manor (in the parish of Cornwood), in South Devon. Raleigh's family is generally assumed to have been a junior branch of the Raleigh family, 11th-century lords of the manor of Raleigh, Pilton[7] in North Devon, although the two branches are known to have borne entirely dissimilar coats of arms,[b] adopted at the start of the age of heraldry (c. 1200–1215).

His mother was Katherine Champernowne, the third wife of Walter Raleigh senior. She was the fourth daughter of Sir Philip Champernowne (1479–1545), lord of the manor of Modbury, Devon, by his wife Catherine Carew, a daughter of Sir Edmund Carew (d.1513) of Mohuns Ottery (in the parish of Luppitt), Devon,. Katherine was the widow of Otes Gilbert (1513–1546/7) of Greenway (in the parish of Brixham) and of Compton Castle (in the parish of Marldon), both in Devon. (The coat of arms of Otes Gilbert and Katherine Champernowne survives in a stained glass window in Churston Ferrers Church, near Greenway.)

Katherine Champernowne's paternal aunt was Kat Ashley, governess of Queen Elizabeth I, who introduced Raleigh and his brothers to the court. Raleigh's maternal uncle was Sir Arthur Champernowne (c. 1524–1578), a Member of Parliament, Sheriff of Devon and Admiral of the West.

Walter Raleigh junior's immediate family included his full brother Carew Raleigh, and half-brothers John Gilbert, Humphrey Gilbert and Adrian Gilbert. As a consequence of their kinship with the Champernowne family, all of the Raleigh and Gilbert brothers became prominent during the reigns of Elizabeth I and James I.

Raleigh's family was highly Protestant in religious orientation and had a number of near escapes during the reign of Roman Catholic Queen Mary I of England. In the most notable of these, his father had to hide in a tower to avoid execution. As a result, Raleigh developed a hatred of Roman Catholicism during his childhood, and proved himself quick to express it after Protestant Queen Elizabeth I came to the throne in 1558. In matters of religion, Elizabeth was more moderate than her half-sister Mary.

In 1569, Raleigh went to France to serve with the Huguenots in the French religious civil wars. In 1572, Raleigh was registered as an undergraduate at Oriel College, Oxford, but he left in 1574 without a degree. Raleigh proceeded to finish his education in the Inns of Court. In 1575, he was admitted to the Middle Temple, having previously been a member of Lyon's Inn, one of the Inns of Chancery. At his trial in 1603, he stated that he had never studied law. Much of his life is uncertain between 1569 and 1575, but in his History of the World he claimed to have been an eyewitness at the Battle of Moncontour (3 October 1569) in France. In 1575 or 1576, Raleigh returned to England.

In 1577 and again in 1579 Raleigh made voyages with his half-brother Sir Humphrey Gilbert in attempts to find a Northwest Passage. They failed to find a passage, but succeeded in raiding Spanish ships.

Ireland

From 1579 to late 1580, Raleigh took part in the suppression of the Desmond Rebellions. He was present at the siege of Smerwick, where he led the party that beheaded some 600 Spanish and Italian soldiers. In September 1584, Queen Elizabeth I had the land surveyed to be divided amongst her "Undertakers"(People she appointed to undertake supervision of colonization of the region) to colonize.

In 1585, Raleigh received 40,000 acres (16,000 ha) (approximately 0.2% of Ireland) in the Munster Plantation, including the coastal walled town of Youghal and, further up the Blackwater River, the village of Lismore.

Raleigh made the town of Youghal in Ireland his occasional home during his 17 years as an Irish landlord, frequently being domiciled at Killua Castle, Clonmellon, County Westmeath. He was mayor there from 1588 to 1589. Raleigh had veterans of the earlier attempts of the Roanoke Colony eventually settle in Ireland to include Thomas Hariot and John White(He was the governor of the 1587 trip, but he returned with the delivery ship to acquire additional supplies.) from the 1585 trip. Raleigh is credited with bringing potatoes back to England and Ireland. Potatoes would later play a big role in Irish farming and culture. A potato failure much later in the 1800s would lead to the Great Famine.

Amongst Raleigh's acquaintances in Munster was another Englishman who had been granted land in the Irish colonies, poet Edmund Spenser. Raleigh's management of his Irish estates ran into difficulties which contributed to a decline in his fortunes. In 1602, he sold the lands to Richard Boyle, 1st Earl of Cork, who subsequently prospered under kings James I and Charles I.

New World

On March 25, 1584, Queen Elizabeth granted Raleigh a royal charter authorising him to explore, colonise and rule any "remote, heathen and barbarous lands, countries and territories, not actually possessed of any Christian Prince or inhabited by Christian People", in return for one-fifth of all the gold and silver that might be mined there. This charter specified that Raleigh had seven years in which to establish a settlement, or else lose his right to do so. Raleigh and Elizabeth intended that the venture should provide riches from the New World and a base from which to send privateers on raids against the treasure fleets of Spain. The charter was originally given to Sir Humphrey Gilbert who pitched the idea to Queen Elizabeth I and died at sea while attempting to accomplish it.

On April 27, 1584, the Philip Amadas and Arthur Barlowe expedition set sail from England on an exploratory mission to determine what resources were available in North America. They returned with two of the local inhabitants, Manteo and Wanchese, in August 1584, and reported of their findings. The region (the majority of the east coast) received the name "Virginia" for the Virgin Queen Elizabeth I, which is the origin of the name of the modern day state.

In 1585, he sent a militarized group to North America to set up a fort to raid Spanish ships and become the first English colony in North America. The voyage was led by Sir Richard Grenville and the colony on Roanoke Island was governed by Ralph Lane. The colony ran out of food after clashes with the local inhabitants and eventually left with Sir Francis Drake in June 1586 after resupply attempts failed. Sir Richard Grenvile arrived shortly after the Lane colony left with Drake. He left supplies and 15 men on Roanoke Island and returned to England. They were never seen again.

On July 22, 1587, Raleigh attempted a second expedition, again establishing a settlement on Roanoke Island. This time, a more diverse group of settlers was sent, including some entire families, under the governance of John White. After a short while in America, White returned to England to obtain more supplies for the colony, planning to return in a year. Unfortunately for the colonists at Roanoke, one year became three. The first delay came when Queen Elizabeth I ordered all vessels to remain at port for potential use against the Spanish Armada. After England's 1588 victory over the Spanish Armada, the ships were given permission to sail.

The second delay came after White's small fleet set sail for Roanoke and his crew insisted on sailing first towards Cuba in hopes of capturing treasure-laden Spanish merchant ships. Enormous riches described by their pilot, an experienced Portuguese navigator hired by Raleigh, outweighed White's objections to the delay.

When the supply ship arrived in Roanoke, three years later than planned, the colonists had disappeared. The only clue to their fate was the word "CROATOAN" and the letters "CRO" carved into tree trunks. White had arranged with the settlers that if they should move, the name of their destination be carved into a tree or corner post. This suggested the possibility that they had moved to Croatoan Island, but a hurricane prevented John White from investigating the island for survivors. Other speculation includes their having starved, or been swept away or lost at sea during the stormy weather of 1588. No further attempts at contact were recorded for some years. Whatever the fate of the settlers, the settlement is now remembered as the "Roanoke Colony" later known as the "Lost Colony".

Raleigh himself never visited North America, although he led expeditions in 1595 and 1617 to the Orinoco river basin in South America in search of the golden city of El Dorado. These expeditions were funded primarily by Raleigh and his friends but never provided the steady stream of revenue necessary to maintain a colony in America.

1580s

On March 25, 1584, Queen Elizabeth granted Raleigh a royal charter authorising him to explore, colonise and rule any "remote, heathen and barbarous lands, countries and territories, not actually possessed of any Christian Prince or inhabited by Christian People", in return for one-fifth of all the gold and silver that might be mined there.[20][21] This charter specified that Raleigh had seven years in which to establish a settlement, or else lose his right to do so. Raleigh and Elizabeth intended that the venture should provide riches from the New World and a base from which to send privateers on raids against the treasure fleets of Spain. The charter was originally given to Sir Humphrey Gilbert who pitched the idea to Queen Elizabeth I and died at sea while attempting to accomplish it.

On April 27, 1584, the Philip Amadas and Arthur Barlowe expedition set sail from England on an exploratory mission to determine what resources were available in North America. They returned with two of the local inhabitants, Manteo and Wanchese, in August 1584, and reported of their findings. The region (the majority of the east coast) received the name "Virginia" for the Virgin Queen Elizabeth I, which is the origin of the name of the modern day state.

In 1585, he sent a militarized group to North America to set up a fort to raid Spanish ships and become the first English colony in North America. The voyage was led by Sir Richard Grenville and the colony on Roanoke Island was governed by Ralph Lane. The colony ran out of food after clashes with the local inhabitants and eventually left with Sir Francis Drake in June 1586 after resupply attempts failed. Sir Richard Grenvile arrived shortly after the Lane colony left with Drake. He left supplies and 15 men on Roanoke Island and returned to England. They were never seen again.

On July 22, 1587, Raleigh attempted a second expedition, again establishing a settlement on Roanoke Island. This time, a more diverse group of settlers was sent, including some entire families, under the governance of John White. After a short while in America, White returned to England to obtain more supplies for the colony, planning to return in a year. Unfortunately for the colonists at Roanoke, one year became three. The first delay came when Queen Elizabeth I ordered all vessels to remain at port for potential use against the Spanish Armada. After England's 1588 victory over the Spanish Armada, the ships were given permission to sail.

The second delay came after White's small fleet set sail for Roanoke and his crew insisted on sailing first towards Cuba in hopes of capturing treasure-laden Spanish merchant ships. Enormous riches described by their pilot, an experienced Portuguese navigator hired by Raleigh, outweighed White's objections to the delay.

When the supply ship arrived in Roanoke, three years later than planned, the colonists had disappeared.[30] The only clue to their fate was the word "CROATOAN" and the letters "CRO" carved into tree trunks. White had arranged with the settlers that if they should move, the name of their destination be carved into a tree or corner post. This suggested the possibility that they had moved to Croatoan Island, but a hurricane prevented John White from investigating the island for survivors. Other speculation includes their having starved, or been swept away or lost at sea during the stormy weather of 1588. No further attempts at contact were recorded for some years. Whatever the fate of the settlers, the settlement is now remembered as the "Roanoke Colony" later known as the "Lost Colony".

Raleigh himself never visited North America, although he led expeditions in 1595 and 1617 to the Orinoco river basin in South America in search of the golden city of El Dorado. These expeditions were funded primarily by Raleigh and his friends but never provided the steady stream of revenue necessary to maintain a colony in America.

1580s

In 1580 Raleigh went to fight in Ireland against the 2nd Desmond Rebellion. In December 1581, he returned to England. He took part in court life and became a favourite of Queen Elizabeth I because of his efforts at increasing the Protestant Church in Ireland. In 1585, Raleigh was knighted and was appointed warden of the stannaries, that is of the tin mines of Cornwall and Devon, Lord Lieutenant of Cornwall and vice-admiral of the two counties. He was a member of parliament for Devonshire in 1585 and 1586. He was also granted the right to colonise America.

Raleigh commissioned shipbuilder R. Chapman of Deptford to build a ship for him. She was originally called Ark but became Ark Raleigh, following the convention at the time by which the ship bore the name of her owner. The Crown (in the person of Queen Elizabeth I) purchased the ship from Raleigh in January 1587 for £5,000 (£1.1 million in 2015). This took the form of a reduction in the sum that Sir Walter owed the queen; he received Exchequer tallies but no money. As a result, the ship was renamed Ark Royal.

In 1586 one of Raleigh's expeditions caught Spanish explorer Pedro Sarmiento de Gamboa. Raleigh held Gamboa prisoner in his house and had long conversations with him. Gamboa passed messages to the Spanish ambassador who forwarded them to King Philip II. Raleigh wanted to defect to Spain and sell his ship the Ark. Philip refused to buy the ship, but encouraged the passing of information from Raleigh.

In 1588, Raleigh had some involvement with defence against the Spanish Armada at Devon. The ship that he had built, offered to sell to Spain, and later sold to the crown, the Ark Royal, was Lord High Admiral Howard's flagship.

1590–1594

In 1592, Raleigh was given many rewards by the Queen, including Durham House in the Strand and the estate of Sherborne, Dorset. He was appointed Captain of the Yeomen of the Guard. However, he had not been given any of the great offices of state.

In 1591, Raleigh secretly married Elizabeth "Bess" Throckmorton (or Throgmorton). She was one of the Queen's ladies-in-waiting, 11 years his junior, and was pregnant at the time. She gave birth to a son, believed to be named Damerei, who was given to a wet nurse at Durham House, and died of plague in October 1592. Bess resumed her duties to the queen. The following year, the unauthorised marriage was discovered and the Queen ordered Raleigh to be imprisoned and Bess dismissed from court. Both were imprisoned in the Tower of London in June 1592. He was released from prison in August 1592 to manage a recently returned expedition and attack on the Spanish coast. The fleet was recalled by the Queen, but not before it captured an incredibly rich prize—a merchant ship (carrack) named Madre de Deus (Mother of God) off Flores. Raleigh was sent to organise and divide the spoils of the ship. He was sent back to the Tower, but by early 1593 had been released and become a member of Parliament.

It was several years before Raleigh returned to favour,[clarification needed] and he travelled extensively in this time. Raleigh and his wife remained devoted to each other. They had two more sons, Walter (known as Wat) in 1593 and Carew in 1605.

Raleigh was elected a burgess of Mitchell, Cornwall, in the parliament of 1593. He retired to his estate at Sherborne, where he built a new house, completed in 1594, known then as Sherborne Lodge. Since extended, it is now known as Sherborne New Castle. He made friends with the local gentry, such as Sir Ralph Horsey of Clifton Maybank and Charles Thynne of Longleat. During this period at a dinner party at Horsey's, Raleigh had a heated discussion about religion with Reverend Ralph Ironsides. The argument later gave rise to charges of atheism against Raleigh, though the charges were dismissed. He was elected to Parliament, speaking on religious and naval matters.

First voyage to Guiana

In 1594, he came into possession of a Spanish account of a great golden city at the headwaters of the Caroní River. A year later, he explored what is now Guyana and eastern Venezuela in search of Lake Parime and Manoa, the legendary city. Once back in England, he published The Discovery of Guiana (1596), an account of his voyage which made exaggerated claims as to what had been discovered. The book can be seen as a contribution to the El Dorado legend. Venezuela has gold deposits, but no evidence indicates that Raleigh found any mines. He is sometimes said to have discovered Angel Falls, but these claims are considered far-fetched.

1596–1603

In 1596, Raleigh took part in the capture of Cádiz, where he was wounded. He also served as the rear admiral (a principal command) of the Islands Voyage to the Azores in 1597. On his return from the Azores, Raleigh helped England defend itself against the major threat of the 3rd Spanish Armada during the autumn of 1597. The Armada was dispersed in the Channel and later was devastated by a storm off Ireland. Lord Howard of Effingham and Raleigh were able to organise a fleet that resulted in the capture of a Spanish ship in retreat carrying vital information regarding the Spanish plans.

In 1597 Raleigh was chosen as member of parliament for Dorset and in 1601 for Cornwall. He was unique in the Elizabethan period in sitting for three counties.

From 1600 to 1603, as governor of the Channel Island of Jersey, Raleigh modernised its defences. This included the construction of a new fort protecting the approaches to Saint Helier, Fort Isabella Bellissima, or Elizabeth Castle.

Trial and imprisonment

Royal favour with Queen Elizabeth had been restored by this time, but his good fortune did not last; the Queen died on 24 March 1603. Raleigh was arrested on 19 July 1603 at what is now the Old Exeter Inn in Ashburton, charged with treason for his involvement in the Main Plot against Elizabeth's successor, James I, and imprisoned in the Tower of London.

Raleigh's trial began on 17 November in the converted Great Hall of Winchester Castle. Raleigh conducted his own defence. The chief evidence against him was the signed and sworn confession of his friend Henry Brooke, 11th Baron Cobham. Raleigh repeatedly requested that Cobham be called to testify. "[Let] my acuser come face to face, and be deposed. Were the case but for a small copyhold, you would have witnesses or good proof to lead the jury to a verdict; and I am here for my life!" Raleigh argued that the evidence against him was "hearsay", but the tribunal refused to allow Cobham to testify and be cross-examined. Raleigh's trial has been regularly cited as influential in establishing a common law right to confront accusers in court. Raleigh was convicted, but King James spared his life.

 While imprisoned in the Tower, Raleigh wrote his incomplete The Historie of the World. Using a wide array of sources in six languages, Raleigh was fully abreast of the latest continental scholarship. He wrote not about England, but of the ancient world with a heavy emphasis on geography. Despite his intention of providing current advice to the King of England, King James I complained that it was "too sawcie in censuring Princes". Raleigh remained imprisoned in the Tower until 1616. His son, Carew, was conceived and born (in 1604 or 1605) while Raleigh was imprisoned in the Tower.

Second voyage to Guiana

In 1617, Raleigh was pardoned by the King and granted permission to conduct a second expedition to Venezuela in search of El Dorado. During the expedition, a detachment of Raleigh's men under the command of his long-time friend Lawrence Kemys attacked the Spanish outpost of Santo Tomé de Guayana on the Orinoco river, in violation of peace treaties with Spain and against Raleigh's orders. A condition of Raleigh's pardon was avoidance of any hostility against Spanish colonies or shipping. In the initial attack on the settlement, Raleigh's son, Walter, was fatally shot. Kemys informed Raleigh of his son's death and begged for forgiveness, but did not receive it, and at once committed suicide. On Raleigh's return to England, an outraged Count Gondomar, the Spanish ambassador, demanded that Raleigh's death sentence be reinstated by King James, who had little choice but to do so. Raleigh was brought to London from Plymouth by Sir Lewis Stukley, where he passed up numerous opportunities to make an effective escape.

Execution and aftermath

Raleigh was beheaded in the Old Palace Yard at the Palace of Westminster on 29 October 1618. "Let us dispatch", he said to his executioner. "At this hour my ague comes upon me. I would not have my enemies think I quaked from fear." After he was allowed to see the axe that would be used to behead him, he mused: "This is a sharp Medicine, but it is a Physician for all diseases and miseries." According to biographers, Raleigh's last words, spoken to the hesitating executioner, were: "What dost thou fear? Strike, man, strike!"

Thomas Hariot may have introduced him to tobacco. Having been one of the people to popularise tobacco smoking in England, he left a small tobacco pouch, found in his cell shortly after his execution. Engraved upon the pouch was a Latin inscription: Comes meus fuit in illo miserrimo tempore ("It was my companion at that most miserable time").

Raleigh's head was embalmed and presented to his wife. His body was to be buried in the local church in Beddington, Surrey, the home of Lady Raleigh, but was finally laid to rest in St. Margaret's, Westminster, where his tomb is presently located. "The Lords", she wrote, "have given me his dead body, though they have denied me his life. God hold me in my wits." It has been said that Lady Raleigh kept her husband's head in a velvet bag until her death. After Raleigh's wife's death 29 years later, his head was removed to his tomb and interred at St. Margaret's Church. Although Raleigh's popularity had waned considerably since his Elizabethan heyday, his execution was seen by many, both at the time and since, as unnecessary and unjust, as for many years his involvement in the Main Plot seemed to have been limited to a meeting with Lord Cobham. One of the judges at his trial later said: "The justice of England has never been so degraded and injured as by the condemnation of the honourable Sir Walter Raleigh."