3- ] American Literature

3- ] American Literature

History of American Literature

Periods of American Literature

 The Romantic Period (1830 to 1870)

Romanticism is a way of thinking that values the individual over the group, the subjective over the objective, and a person’s emotional experience over reason. It also values the wildness of nature over human-made order. Romanticism as a worldview took hold in western Europe in the late 18th century, and American writers embraced it in the early 19th century.

Edgar Allan Poe

Edgar Allan Poe most vividly depicted, and inhabited, the role of the Romantic individual—a genius, often tormented and always struggling against convention—during the 1830s and up to his mysterious death in 1849.

Poe invented the modern detective story with “The Murders in the Rue Morgue” (1841).

The poem “The Raven” (1845) is a gloomy depiction of lost love. Its eeriness is intensified by its meter and rhyme scheme.

The short stories “The Fall of the House of Usher” (1839) and “The Cask of Amontillado” (1846) are gripping tales of horror.

In New England, several different groups of writers and thinkers emerged after 1830, each exploring the experiences of individuals in different segments of American society.

James Russell Lowell was among those who used humor and dialect in verse and prose to depict everyday life in the Northeast

Henry Wadsworth Longfellow and Oliver Wendell Holmes were the most prominent of the upper-class Brahmins, who filtered their depiction of America through European models and sensibilities.

The Transcendentalists developed an elaborate philosophy that saw in all of creation a unified whole. Ralph Waldo Emerson wrote influential essays, while Henry David Thoreau wrote Walden (1854), an account of his life alone by Walden Pond. Margaret Fuller was editor of The Dial, an important Transcendentalist magazine.

Three men—Nathaniel Hawthorne, Herman Melville, and Walt Whitman—began publishing novels, short stories, and poetry during the Romantic period that became some of the most-enduring works of American literature.

As a young man, Nathaniel Hawthorne published short stories, most notable among them the allegorical “Young Goodman Brown” (1835). In the 1840s he crossed paths with the Transcendentalists before he started writing his two most significant novels—The Scarlet Letter (1850) and The House of the Seven Gables (1851).

Herman Melville was one of Hawthorne’s friends and neighbors. Hawthorne was also a strong influence on Melville’s Moby Dick (1851), which was the culmination of Melville’s early life of traveling and writing.

Walt Whitman wrote poetry that described his home, New York City. He refused the traditional constraints of rhyme and meter in favor of free verse in Leaves of Grass (1855), and his frankness in subject matter and tone repelled some critics. But the book, which went through many subsequent editions, became a landmark in American poetry, and it epitomized the ethos of the Romantic period.

During the 1850s, as the United States headed toward civil war, more and more stories by and about enslaved and free Black people were written.

William Wells Brown published what is often considered the first Black American novel, Clotel, in 1853. He also wrote the first African American play to be published, The Escape (1858).

In 1859 Frances Ellen Watkins Harper and Harriet E. Wilson became the first Black women to publish fiction in the United States.

Harriet Beecher Stowe’s Uncle Tom’s Cabin, first published serially 1851–52, is credited with raising opposition in the North to slavery.

Emily Dickinson lived a life quite unlike other writers of the Romantic period: she lived largely in seclusion; only a handful of her poems were published before her death in 1886; and she was a woman working at a time when men dominated the literary scene. Yet her poems express a Romantic vision as clearly as Walt Whitman’s or Edgar Allan Poe’s. They are sharp-edged and emotionally intense. Five of her notable poems are

“I’m Nobody! Who are you?”

“Because I could not stop for Death –”

“My Life had stood – a Loaded Gun”

“A Bird, came down the Walk –”

“Safe in their Alabaster Chambers”

Realism and Naturalism (1870 to 1910)

The human cost of the Civil War in the United States was immense: more than 2.3 million soldiers fought in the war, and perhaps as many as 851,000 people died in 1861–65. Walt Whitman claimed that “a great literature will…arise out of the era of those four years,” and what emerged in the following decades was a literature that presented a detailed and unembellished vision of the world as it truly was. This was the essence of realism. Naturalism was an intensified form of realism. After the grim realities of a devastating war, they became writers’ primary mode of expression.

Mark Twain

Samuel Clemens was a typesetter, a journalist, a riverboat captain, and an itinerant laborer before he became, in 1863 at age 27, Mark Twain. He first used that name while reporting on politics in the Nevada Territory. It then appeared on the short story “The Celebrated Jumping Frog of Calaveras County,” published in 1865, which catapulted him to national fame. Twain’s story was a humorous tall tale, but its characters were realistic depictions of actual Americans. Twain deployed this combination of humor and realism throughout his writing. Some of his notable works include

Major novels: The Adventures of Tom Sawyer (1876), Adventures of Huckleberry Finn (1885)

Travel narratives: The Innocents Abroad (1869), Roughing It (1872), Life on the Mississippi (1883)

Short stories: “Jim Baker’s Blue-Jay Yarn” (1880), “The Man that Corrupted Hadleyburg” (1899)

Naturalism, like realism, was a literary movement that drew inspiration from French authors of the 19th century who sought to document, through fiction, the reality that they saw around them, particularly among the middle and working classes living in cities.

Theodore Dreiser was foremost among American writers who embraced naturalism. His Sister Carrie (1900) is the most important American naturalist novel.

Maggie: A Girl of the Streets (1893) and The Red Badge of Courage (1895), by Stephen Crane, and McTeague (1899), The Octopus (1901), and The Pit (1903), by Frank Norris, are novels that vividly depict the reality of urban life, war, and capitalism.

Paul Laurence Dunbar was an African American writer who wrote poetry in Black dialect—“Possum,” “When de Co’n Pone’s Hot”—that were popular with his white audience and gave them what they believed was reality for Black Americans. Dunbar also wrote poems not in dialect—“We Wear the Mask,” “Sympathy”—that exposed the reality of racism in America during Reconstruction and afterward.

Henry James shared the view of the realists and naturalists that literature ought to present reality, but his writing style and use of literary form sought to also create an aesthetic experience, not simply document truth. He was preoccupied with the clash in values between the United States and Europe. His writing shows features of both 19th-century realism and naturalism and 20th-century modernism. Some of his notable novels are

The American (1877)

The Portrait of a Lady (1881)

What Maisie Knew (1897)

The Wings of the Dove (1902)

The Golden Bowl (1904)

19th Century Romanticism (1830-1865)

During the 19th century, American literature really began to come into its own. For the first time, American authors began to consciously distinguish themselves from their European counterparts and develop a style that was considered uniquely American. Writers like John Neal (1793-1876) spearheaded this initiative by arguing that American authors should forge a new path, not relying on borrowed literary conventions from Great Britain and other European countries.

The American novel began to flourish, and the 19th century saw the emergence of many writers that we continue to read today. By the early 19th century, Romanticism, already well-established in Europe, had arrived in the United States. Although the proliferation of Romanticism could be seen as a further continuation of European literary influence, American Romantics were distinct. They maintained their sense of individualism while invoking the Romanticism of the American landscape and focusing on the novel more than their British counterparts.

Herman Melville’s classic, Moby Dick (1851), is an example of this American Romanticism as a novel that is filled with emotion, the beauty of nature, and the struggle of the individual. Edger Allen Poe (1809-1849) was also one of American Romanticism’s more important writers. His poetry and short stories, including detective stories and gothic horror stories, influenced writers worldwide.

The works of the poet Walt Whitman (1819-1892), sometimes referred to as the father of free verse, was also published during this period, as was the poetry of Emily Dickinson (1830-1886).

The early- to mid-19th century also saw the emergence of Transcendentalism, a philosophical movement that Whitman belonged to, but also included essays by Ralph Waldo Emerson (1803-1882) and Henry David Thoreau’s Walden (1854), a philosophical account of the author’s solitary life on the shore of Walden Pond.

By the middle of the century, during the build-up to the Civil War, more texts were written by and about both free and enslaved African Americans. Perhaps the most important of these was Uncle Tom’s Cabin (1852), an anti-slavery novel written by white abolitionist Harriet Beecher Stowe.