31- ] American Literature - Jack London

31- ] American Literature 

Jack London 

Jack London, pseudonym of John Griffith Chaney, (born January 12, 1876, San Francisco, California, U.S.—died November 22, 1916, Glen Ellen, California), American novelist and short-story writer whose best-known works—among them The Call of the Wild (1903) and White Fang (1906)—depict elemental struggles for survival. During the 20th century he was one of the most extensively translated of American authors.

Deserted by his father, a roving astrologer, he was raised in Oakland, California, by his spiritualist mother and his stepfather, whose surname, London, he took. At age 14 he quit school to escape poverty and gain adventure. He explored San Francisco Bay in his sloop, alternately stealing oysters or working for the government fish patrol. He went to Japan as a sailor and saw much of the United States as a hobo riding freight trains and as a member of Charles T. Kelly’s industrial army (one of the many protest armies of the unemployed, like Coxey’s Army, that was born of the financial panic of 1893). London saw depression conditions, was jailed for vagrancy, and in 1894 became a militant socialist.

London educated himself at public libraries with the writings of Charles Darwin, Karl Marx, and Friedrich Nietzsche, usually in popularized forms. At 19 he crammed a four-year high school course into one year and entered the University of California, Berkeley, but after a year he quit school to seek a fortune in the Klondike gold rush. Returning the next year, still poor and unable to find work, he decided to earn a living as a writer.

London studied magazines and then set himself a daily schedule of producing sonnets, ballads, jokes, anecdotes, adventure stories, or horror stories, steadily increasing his output. The optimism and energy with which he attacked his task are best conveyed in his autobiographical novel Martin Eden (1909). Within two years, stories of his Alaskan adventures began to win acceptance for their fresh subject matter and virile force. His first book, The Son of the Wolf: Tales of the Far North (1900), a collection of short stories that he had previously published in magazines, gained a wide audience.

During the remainder of his life, London wrote and published steadily, completing some 50 books of fiction and nonfiction in 17 years. Although he became the highest-paid writer in the United States at that time, his earnings never matched his expenditures, and he was never freed of the urgency of writing for money. He sailed a ketch to the South Pacific, telling of his adventures in The Cruise of the Snark (1911). In 1910 he settled on a ranch near Glen Ellen, California, where he built his grandiose Wolf House. He maintained his socialist beliefs almost to the end of his life.

Jack London’s output, typically hastily written, is of uneven literary quality, though his highly romanticized stories of adventure can be compulsively readable. His Alaskan novels The Call of the Wild (1903), White Fang (1906), and Burning Daylight (1910), in which he dramatized in turn atavism, adaptability, and the appeal of the wilderness, are outstanding. His short story “To Build a Fire” (1908), set in the Klondike, is a masterly depiction of humankind’s inability to overcome nature; it was reprinted in 1910 in the short-story collection Lost Face, one of many such volumes that London published. In addition to Martin Eden, he wrote two other autobiographical novels of considerable interest: The Road (1907) and John Barleycorn (1913). Other important novels are The Sea-Wolf (1904), which features a Nietzschean superman hero, Humphrey Van Weyden, who battles the vicious Wolf Larsen; and The Iron Heel (1908), a fantasy of the future that is a terrifying anticipation of fascism.

London’s reputation declined in the United States in the 1920s, when a new generation of writers made the pre-World War I writers seem lacking in sophistication. But his popularity remained high throughout the world after World War II, especially in Russia, where a commemorative edition of his works published in 1956 was reported to have been sold out in five hours. A three-volume set of his letters, edited by Earle Labor et al., was published in 1988.

Plagiarism accusations

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London was vulnerable to accusations of plagiarism, both because he was such a conspicuous, prolific, and successful writer and because of his methods of working. He wrote in a letter to Elwyn Hoffman, "expression, you see—with me—is far easier than invention." He purchased plots and novels from the young Sinclair Lewis[70] and used incidents from newspaper clippings as writing material.[citation needed]

In July 1901, two pieces of fiction appeared within the same month: London's "Moon-Face", in the San Francisco Argonaut, and Frank Norris' "The Passing of Cock-eye Blacklock", in Century Magazine. Newspapers showed the similarities between the stories, which London said were "quite different in manner of treatment, [but] patently the same in foundation and motive."[71] London explained both writers based their stories on the same newspaper account. A year later, it was discovered that Charles Forrest McLean had published a fictional story also based on the same incident.

Egerton Ryerson Young claimed The Call of the Wild (1903) was taken from Young's book My Dogs in the Northland (1902). London acknowledged using it as a source and claimed to have written a letter to Young thanking him.

In 1906, the New York World published "deadly parallel" columns showing eighteen passages from London's short story "Love of Life" side by side with similar passages from a nonfiction article by Augustus Biddle and J. K. Macdonald, titled "Lost in the Land of the Midnight Sun". London noted the World did not accuse him of "plagiarism", but only of "identity of time and situation", to which he defiantly "pled guilty".

The most serious charge of plagiarism was based on London's "The Bishop's Vision", Chapter 7 of his novel The Iron Heel (1908). The chapter is nearly identical to an ironic essay that Frank Harris published in 1901, titled "The Bishop of London and Public Morality". Harris was incensed and suggested he should receive 1/60th of the royalties from The Iron Heel, the disputed material constituting about that fraction of the whole novel. London insisted he had clipped a reprint of the article, which had appeared in an American newspaper, and believed it to be a genuine speech delivered by the Bishop of London.

Views

Atheism

London was an atheist. He is quoted as saying, "I believe that when I am dead, I am dead. I believe that with my death I am just as much obliterated as the last mosquito you and I squashed."

Political views

London wrote from a socialist viewpoint, which is evident in his novel The Iron Heel. Neither a theorist nor an intellectual socialist, London's socialism grew out of his life experience. As London explained in his essay, "How I Became a Socialist",[81] his views were influenced by his experience with people at the bottom of the social pit. His optimism and individualism faded, and he vowed never to do more hard physical work than necessary. He wrote that his individualism was hammered out of him, and he was politically reborn. He often closed his letters "Yours for the Revolution."

London joined the Socialist Labor Party in April 1896. In the same year, the San Francisco Chronicle published a story about the twenty-year-old London's giving nightly speeches in Oakland's City Hall Park, an activity he was arrested for a year later. In 1901, he left the Socialist Labor Party and joined the new Socialist Party of America. He ran unsuccessfully as the high-profile Socialist candidate for mayor of Oakland in 1901 (receiving 245 votes) and 1905 (improving to 981 votes), toured the country lecturing on socialism in 1906, and published two collections of essays about socialism: War of the Classes (1905) and Revolution, and other Essays (1906).

Stasz notes that "London regarded the Wobblies as a welcome addition to the Socialist cause, although he never joined them in going so far as to recommend sabotage." Stasz mentions a personal meeting between London and Big Bill Haywood in 1912.[84] In his late (1913) book The Cruise of the Snark, London writes about appeals to him for membership of the Snark's crew from office workers and other "toilers" who longed for escape from the cities, and of being cheated by workmen.

In his Glen Ellen ranch years, London felt some ambivalence toward socialism and complained about the "inefficient Italian labourers" in his employ.[85] In 1916, he resigned from the Glen Ellen chapter of the Socialist Party. In an unflattering portrait of London's ranch days, California cultural historian Kevin Starr refers to this period as "post-socialist" and says "... by 1911 ... London was more bored by the class struggle than he cared to admit."

George Orwell, however, identified a fascist strain in London's outlook:

But temperamentally he was very different from the majority of Marxists. With his love of violence and physical strength, his belief in 'natural aristocracy', his animal-worship and exaltation of the primitive, he had in him what one might fairly call a Fascist strain.

London shared common concerns among many European Americans in California about Asian immigration, described as "the yellow peril"; he used the latter term as the title of a 1904 essay. This theme was also the subject of a story he wrote in 1910 called "The Unparalleled Invasion". Presented as an historical essay set in the future, the story narrates events between 1976 and 1987, in which China, with an ever-increasing population, is taking over and colonizing its neighbors with the intention of taking over the entire Earth. The western nations respond with biological warfare and bombard China with dozens of the most infectious diseases.[89] On his fears about China, he admits (at the end of "The Yellow Peril"), "it must be taken into consideration that the above postulate is itself a product of Western race-egotism, urged by our belief in our own righteousness and fostered by a faith in ourselves which may be as erroneous as are most fond race fancies."

By contrast, many of London's short stories are notable for their empathetic portrayal of Mexican ("The Mexican"), Asian ("The Chinago"), and Hawaiian ("Koolau the Leper") characters. London's war correspondence from the Russo-Japanese War, as well as his unfinished novel Cherry, show he admired much about Japanese customs and capabilities.[90] London's writings have been popular among the Japanese, who believe he portrayed them positively.

In "Koolau the Leper", London describes Koolau, who is a Hawaiian leper—and thus a very different sort of "superman" than Martin Eden—and who fights off an entire cavalry troop to elude capture, as "indomitable spiritually—a ... magnificent rebel". This character is based on Hawaiian leper Kaluaikoolau, who in 1893 revolted and resisted capture from forces of the Provisional Government of Hawaii in the Kalalau Valley.[citation needed]

Those who defend London against charges of racism cite the letter he wrote to the Japanese-American Commercial Weekly in 1913:

In reply to yours of August 16, 1913. First of all, I should say by stopping the stupid newspaper from always fomenting race prejudice. This of course, being impossible, I would say, next, by educating the people of Japan so that they will be too intelligently tolerant to respond to any call to race prejudice. And, finally, by realizing, in industry and government, of socialism—which last word is merely a word that stands for the actual application of in the affairs of men of the theory of the Brotherhood of Man.

In the meantime the nations and races are only unruly boys who have not yet grown to the stature of men. So we must expect them to do unruly and boisterous things at times. And, just as boys grow up, so the races of mankind will grow up and laugh when they look back upon their childish quarrels.

In 1996, after the City of Whitehorse, Yukon, renamed a street in honor of London, protests over London's alleged racism forced the city to change the name of "Jack London Boulevard"[failed verification] back to "Two-mile Hill".

Shortly after boxer Jack Johnson was crowned the first black world heavyweight champ in 1908, London pleaded for a "great white hope" to come forward to defeat Johnson, writing: "Jim Jeffries must now emerge from his Alfalfa farm and remove that golden smile from Jack Johnson's face. Jeff, it's up to you. The White Man must be rescued."

Eugenics

With other modernist writers of the day, London supported eugenics. The notion of "good breeding" complemented the Progressive era scientism, the belief that humans assort along a hierarchy by race, religion, and ethnicity. The Progressive Era catalog of inferiority offered basis for threats to American Anglo-Saxon racial integrity. London wrote to Frederick H. Robinson of the periodical Medical Review of Reviews, stating, "I believe the future belongs to eugenics, and will be determined by the practice of eugenics." Although this led some to argue for forced sterilization of criminals or those deemed feeble-minded,[96] London did not express this extreme. His short story "Told in the Drooling Ward" is from the viewpoint of a surprisingly astute "feebled-minded" person.

Hensley argues that London's novel Before Adam (1906–07) reveals pro-eugenic themes. London advised his collaborator Anna Strunsky during preparation of The Kempton-Wace Letters that he would take the role of eugenics in mating, while she would argue on behalf of romantic love. (Love won the argument.) The Valley of the Moon emphasizes the theme of "real Americans," the Anglo Saxon, yet in Little Lady of the Big House, London is more nuanced. The protagonist's argument is not that all white men are superior, but that there are more superior ones among whites than in other races. By encouraging the best in any race to mate will improve its population qualities.[98] Living in Hawaii challenged his orthodoxy. In "My Hawaiian Aloha," London noted the liberal intermarrying of races, concluding how "little Hawaii, with its hotch potch races, is making a better demonstration than the United States."

Works

Short stories

Western writer and historian Dale L. Walker writes:

London's true métier was the short story ... London's true genius lay in the short form, 7,500 words and under, where the flood of images in his teeming brain and the innate power of his narrative gift were at once constrained and freed. His stories that run longer than the magic 7,500 generally—but certainly not always—could have benefited from self-editing.

London's "strength of utterance" is at its height in his stories, and they are painstakingly well-constructed.[citation needed] "To Build a Fire" is the best known of all his stories. Set in the harsh Klondike, it recounts the haphazard trek of a new arrival who has ignored an old-timer's warning about the risks of traveling alone. Falling through the ice into a creek in seventy-five-below weather, the unnamed man is keenly aware that survival depends on his untested skills at quickly building a fire to dry his clothes and warm his extremities. After publishing a tame version of this story—with a sunny outcome—in The Youth's Companion in 1902, London offered a second, more severe take on the man's predicament in The Century Magazine in 1908. Reading both provides an illustration of London's growth and maturation as a writer. As Labor (1994) observes: "To compare the two versions is itself an instructive lesson in what distinguished a great work of literary art from a good children's story."

Other stories from the Klondike period include: "All Gold Canyon", about a battle between a gold prospector and a claim jumper; "The Law of Life", about an aging American Indian man abandoned by his tribe and left to die; "Love of Life", about a trek by a prospector across the Canadian tundra; "To the Man on Trail," which tells the story of a prospector fleeing the Mounted Police in a sled race, and raises the question of the contrast between written law and morality; and "An Odyssey of the North," which raises questions of conditional morality, and paints a sympathetic portrait of a man of mixed White and Aleut ancestry.

London was a boxing fan and an avid amateur boxer. "A Piece of Steak" is a tale about a match between older and younger boxers. It contrasts the differing experiences of youth and age but also raises the social question of the treatment of aging workers. "The Mexican" combines boxing with a social theme, as a young Mexican endures an unfair fight and ethnic prejudice to earn money with which to aid the revolution.

Several of London's stories would today be classified as science fiction. "The Unparalleled Invasion" describes germ warfare against China; "Goliath" is about an irresistible energy weapon; "The Shadow and the Flash" is a tale about two brothers who take different routes to achieving invisibility; "A Relic of the Pliocene" is a tall tale about an encounter of a modern-day man with a mammoth. "The Red One" is a late story from a period when London was intrigued by the theories of the psychiatrist and writer Jung. It tells of an island tribe held in thrall by an extraterrestrial object.

Some nineteen original collections of short stories were published during London's brief life or shortly after his death. There have been several posthumous anthologies drawn from this pool of stories. Many of these stories were located in the Klondike and the Pacific. A collection of Jack London's San Francisco Stories was published in October 2010 by Sydney Samizdat Press.

Novels

London's most famous novels are The Call of the Wild, White Fang, The Sea-Wolf, The Iron Heel, and Martin Eden.

In a letter dated December 27, 1901, London's Macmillan publisher George Platt Brett, Sr., said "he believed Jack's fiction represented 'the very best kind of work' done in America."

Critic Maxwell Geismar called The Call of the Wild "a beautiful prose poem"; editor Franklin Walker said that it "belongs on a shelf with Walden and Huckleberry Finn"; and novelist E.L. Doctorow called it "a mordant parable ... his masterpiece."[citation needed]

The historian Dale L. Walker] commented:

Jack London was an uncomfortable novelist, that form too long for his natural impatience and the quickness of his mind. His novels, even the best of them, are hugely flawed.

Some critics have said that his novels are episodic and resemble linked short stories. Dale L. Walker writes:

The Star Rover, that magnificent experiment, is actually a series of short stories connected by a unifying device ... Smoke Bellew is a series of stories bound together in a novel-like form by their reappearing protagonist, Kit Bellew; and John Barleycorn ... is a synoptic series of short episodes.

Ambrose Bierce said of The Sea-Wolf that "the great thing—and it is among the greatest of things—is that tremendous creation, Wolf Larsen ... the hewing out and setting up of such a figure is enough for a man to do in one lifetime." However, he noted, "The love element, with its absurd suppressions, and impossible proprieties, is awful."

The Iron Heel is an example of a dystopian novel that anticipates and influenced George Orwell's Nineteen Eighty-Four.[104] London's socialist politics are explicitly on display here. The Iron Heel meets the contemporary definition of soft science fiction. The Star Rover (1915) is also science fiction.

Apocrypha

Jack London Credo

London's literary executor, Irving Shepard, quoted a Jack London Credo in an introduction to a 1956 collection of London stories:

I would rather be ashes than dust!

I would rather that my spark should burn out in a brilliant blaze than it should be stifled by dry-rot.

I would rather be a superb meteor, every atom of me in magnificent glow, than a sleepy and permanent planet.

The function of man is to live, not to exist.

I shall not waste my days in trying to prolong them.

I shall use my time.

The biographer Stasz notes that the passage "has many marks of London's style" but the only line that could be safely attributed to London was the first. The words Shepard quoted were from a story in the San Francisco Bulletin, December 2, 1916, by journalist Ernest J. Hopkins, who visited the ranch just weeks before London's death. Stasz notes, "Even more so than today journalists' quotes were unreliable or even sheer inventions," and says no direct source in London's writings has been found. However, at least one line, according to Stasz, is authentic, being referenced by London and written in his own hand in the autograph book of Australian suffragette Vida Goldstein:

Dear Miss Goldstein:–

Seven years ago I wrote you that I'd rather be ashes than dust. I still subscribe to that sentiment.

Sincerely yours,

Jack London

Jan. 13, 1909

In his short story "By The Turtles of Tasman", a character, defending her "ne'er-do-well grasshopperish father" to her "antlike uncle", says: "... my father has been a king. He has lived .... Have you lived merely to live? Are you afraid to die? I'd rather sing one wild song and burst my heart with it, than live a thousand years watching my digestion and being afraid of the wet. When you are dust, my father will be ashes."

"The Scab"

A short diatribe on "The Scab" is often quoted within the U.S. labor movement and frequently attributed to London. It opens:

After God had finished the rattlesnake, the toad, and the vampire, he had some awful substance left with which he made a scab. A scab is a two-legged animal with a corkscrew soul, a water brain, a combination backbone of jelly and glue. Where others have hearts, he carries a tumor of rotten principles. When a scab comes down the street, men turn their backs and Angels weep in Heaven, and the Devil shuts the gates of hell to keep him out....

In 1913 and 1914, a number of newspapers printed the first three sentences with varying terms used instead of "scab", such as "knocker", "stool pigeon" or "scandal monger".

This passage as given above was the subject of a 1974 Supreme Court case, Letter Carriers v. Austin, in which Justice Thurgood Marshall referred to it as "a well-known piece of trade union literature, generally attributed to author Jack London". A union newsletter had published a "list of scabs," which was granted to be factual and therefore not libelous, but then went on to quote the passage as the "definition of a scab". The case turned on the question of whether the "definition" was defamatory. The court ruled that "Jack London's... 'definition of a scab' is merely rhetorical hyperbole, a lusty and imaginative expression of the contempt felt by union members towards those who refuse to join", and as such was not libelous and was protected under the First Amendment.

Despite being frequently attributed to London, the passage does not appear at all in the extensive collection of his writings at Sonoma State University's website. However, in his book War of the Classes he published a 1903 speech titled "The Scab", which gave a much more balanced view of the topic:

The laborer who gives more time or strength or skill for the same wage than another, or equal time or strength or skill for a less wage, is a scab. The generousness on his part is hurtful to his fellow-laborers, for it compels them to an equal generousness which is not to their liking, and which gives them less of food and shelter. But a word may be said for the scab. Just as his act makes his rivals compulsorily generous, so do they, by fortune of birth and training, make compulsory his act of generousness.

Nobody desires to scab, to give most for least. The ambition of every individual is quite the opposite, to give least for most; and, as a result, living in a tooth-and-nail society, battle royal is waged by the ambitious individuals. But in its most salient aspect, that of the struggle over the division of the joint product, it is no longer a battle between individuals, but between groups of individuals. Capital and labor apply themselves to raw material, make something useful out of it, add to its value, and then proceed to quarrel over the division of the added value. Neither cares to give most for least. Each is intent on giving less than the other and on receiving more.

Publications

Novels

The Cruise of the Dazzler (1902) , A Daughter of the Snows (1902) , The Call of the Wild (1903) , The Kempton-Wace Letters (1903) , (published anonymously, co-authored with Anna Strunsky), The Sea-Wolf (1904) , The Game (1905) , White Fang (1906) , Before Adam (1907) , The Iron Heel (1908)

Martin Eden (1909) , Burning Daylight (1910) , Adventure (1911) , The Scarlet Plague (1912) , A Son of the Sun (1912) , The Abysmal Brute (1913)

The Valley of the Moon (1913) , The Mutiny of the Elsinore (1914) , The Star Rover (1915) (published in England as The Jacket) , The Little Lady of the Big House (1916) , Jerry of the Islands (1917) , Michael, Brother of Jerry (1917) , Hearts of Three (1920) , (novelization of a script by Charles Goddard)

The Assassination Bureau, Ltd (1963) , (left half-finished, completed by Robert L. Fish) .

Short story collections

Son of the Wolf (1900) , Chris Farrington, Able Seaman (1901) , The God of His Fathers & Other Stories (1901) , Children of the Frost (1902) , The Faith of Men and Other Stories (1904) , Tales of the Fish Patrol (1906) , Moon-Face and Other Stories (1906) , Love of Life and Other Stories (1907) , Lost Face (1910) , South Sea Tales (1911) , When God Laughs and Other Stories (1911)

The House of Pride & Other Tales of Hawaii (1912) , Smoke Bellew (1912)

A Son of the Sun (1912) , The Night Born (1913) , The Strength of the Strong (1914) , The Turtles of Tasman (1916) , The Human Drift (1917) , The Red One (1918) , On the Makaloa Mat (1919) , Dutch Courage and Other Stories (1922) , Autobiographical memoirs , The Road (1907) , The Cruise of the Snark (1911) , John Barleycorn (1913)

Non-fiction and essays

Through the Rapids on the Way to the Klondike (1899) , From Dawson to the Sea (1899) , What Communities Lose by the Competitive System (1900) , The Impossibility of War (1900) , Phenomena of Literary Evolution (1900) , A Letter to Houghton Mifflin Co. (1900) , Husky, Wolf Dog of the North (1900) , Editorial Crimes – A Protest (1901) , Again the Literary Aspirant (1902) , The People of the Abyss (1903) , How I Became a Socialist (1903) , War of the Classes (1905) , The Story of an Eyewitness (1906) , A Letter to Woman's Home Companion (1906) , "The Lepers of Molokai" in Woman's Home Companion (1908) , "The Nature Man" in Woman's Home Companion (1908) , "The High Seat of Abundance" in Woman's Home Companion (1908) , Revolution, and other Essays (1910) , Mexico's Army and Ours (1914) , Lawgivers (1914) , Our Adventures in Tampico (1914) , Stalking the Pestilence (1914) , The Red Game of War (1914) , The Trouble Makers of Mexico (1914) , With Funston's Men (1914)

Plays

Theft (1910) , Daughters of the Rich: A One Act Play (1915) , The Acorn Planter: A California Forest Play (1916)

Poetry

A Heart (1899) , Abalone Song (1913) , And Some Night (1914) , Ballade of the False Lover (1914) , Cupid's Deal (1913) , Daybreak (1901) , Effusion (1901) , George Sterling (1913) , Gold (1915) , He Chortled with Glee (1899) , He Never Tried Again (1912) , His Trip to Hades (1913) , Homeland (1914) , Hors de Saison (1913) , If I Were God (1899) , In a Year (1901) , In and Out (1911) ,

Je Vis en Espoir (1897) , Memory (1913) , Moods (1913) , My Confession (1912) , My Little Palmist (1914) , Of Man of the Future (1915) , Oh You Everybody's Girl , On the Face of the Earth You are the One (1915) , Rainbows End (1914) , Republican Rallying Song (1916) , Sonnet (1901) , The Gift of God (1905) , The Klondyker's Dream (1914) , The Lover's Liturgy 1913) , The Mammon Worshippers (1911) , The Republican Battle-Hymn (1905) , The Return of Ulysses (1915) , The Sea Sprite and the Shooting Star (1916) , The Socialist's Dream (1912) , The Song of the Flames (1903) , The Way of War (1906) , The Worker and the Tramp (1911) , Tick! Tick! Tick! (1915) , Too Late (1912) , Weasel Thieves (1913) , When All the World Shouted my Name (1905) , Where the Rainbow Fell (1902) , Your Kiss (1914)