104-) English Literature

104-) English Literature 

Samuel Richardson Summary

Samuel Richardson, (baptized Aug. 19, 1689, Mackworth, near Derby, Derbyshire, Eng.—died July 4, 1761, Parson’s Green, near London), English novelist. After moving with his family to London at age 10, Richardson was apprenticed to a printer before setting up in business for himself in 1721. He soon became quite prosperous. In the 1730s he began to edit and write pamphlets, and he eventually hit on the idea of writing a book using a series of letters on the same subject. His major novels were the epistolary novel Pamela (1740), about a servant who avoids seduction and is rewarded by marriage; and his huge masterpiece, Clarissa, 7 vol. (1747–48), a tragedy with multiple narrators that develops a profoundly suggestive interplay of opposed voices. The History of Sir Charles Grandison (1753–54), which blends moral discussion and a comic ending, influenced later writers, especially Jane Austen.

Samuel Richardson

Samuel Richardson (baptized Aug. 19, 1689, Mackworth, near Derby, Derbyshire, Eng.—died July 4, 1761, Parson’s Green, near London), was an English writer and printer known for three epistolary novels: Pamela; or, Virtue Rewarded (1740), Clarissa: Or the History of a Young Lady (1748) and The History of Sir Charles Grandison (1753). Samuel Richardson, expanded the dramatic possibilities of the novel by his invention and use of the letter form (“epistolary novel”). He printed almost 500 works, including journals and magazines, working periodically with the London bookseller Andrew Millar. Richardson had been apprenticed to a printer, whose daughter he eventually married. He lost her along with their six children, but remarried and had six more children, of whom four daughters reached adulthood, leaving no male heirs to continue the print shop. As it ran down, he wrote his first novel at the age of 51 and joined the admired writers of his day. Leading acquaintances included Samuel Johnson and Sarah Fielding, the physician and Behmenist George Cheyne, and the theologian and writer William Law, whose books he printed. At Law's request, Richardson printed some poems by John Byrom. In literature, he rivalled Henry Fielding; the two responded to each other's literary styles.

Biography

Richardson, one of nine children, was probably born in 1689 in Mackworth, Derbyshire, to Samuel and Elizabeth Richardson. It is unsure where in Derbyshire he was born because Richardson always concealed the location, but it has recently been discovered that Richardson probably lived in poverty as a child.

His ancestors were of yeoman stock. His father, also Samuel, and his mother’s father, Stephen Hall, became London tradesmen, and his father, after the death of his first wife, married Stephen’s daughter, Elizabeth, in 1682. A temporary move of the Richardsons to Derbyshire accounts for the fact that the novelist was born in Mackworth. They returned to London when Richardson was 10. He had at best what he called “only Common School-Learning.” The perceived inadequacy of his education was later to preoccupy him and some of his critics.

Richardson was bound apprentice to a London printer, John Wilde. Sometime after completing his apprenticeship he became associated with the Leakes, a printing family whose presses he eventually took over when he set up in business for himself in 1721 and married Martha Wilde, the daughter of his master. Elizabeth Leake, the sister of a prosperous bookseller of Bath, became his second wife in 1733, two years after Martha’s death. His domestic life was marked by tragedy. All six of the children from his first marriage died in infancy or childhood. By his second wife he had four daughters who survived him, but two other children died in infancy. These and other bereavements contributed to the nervous ailments of his later life.

 The older Richardson was, according to the younger: a very honest man, descended of a family of middling note, in the country of Surrey, but which having for several generations a large number of children, the not large possessions were split and divided, so that he and his brothers were put to trades; and the sisters were married to tradesmen.His mother, according to Richardson, "was also a good woman, of a family not ungenteel; but whose father and mother died in her infancy, within half-an-hour of each other, in the London pestilence of 1665".

The trade his father pursued was that of a joiner (a type of carpenter, but Richardson explains that it was "then more distinct from that of a carpenter than now it is with us").: 1  In describing his father's occupation, Richardson stated that "he was a good draughtsman and understood architecture", and it was suggested by Samuel Richardson's son-in-law that the senior Richardson was a cabinetmaker and an exporter of mahogany while working at Aldersgate-street.: 1  The abilities and position of his father brought him to the attention of James Scott, 1st Duke of Monmouth.: 2  However, as Richardson claims, this was to Richardson senior's "great detriment" because of the failure of the Monmouth Rebellion, which ended in the death of Scott in 1685. After Scott's death, the elder Richardson was forced to abandon his business in London and live a modest life in Derbyshire.

Early life

The Richardsons were not exiled forever from London; they eventually returned, and the young Richardson was educated at Christ's Hospital grammar school. The extent that he was educated at the school is uncertain, and Leigh Hunt wrote years later:

It is a fact not generally known that Richardson... received what education he had (which was very little, and did not go beyond English) at Christ's Hospital. It may be wondered how he could come no better taught from a school which had sent forth so many good scholars; but in his time, and indeed till very lately, that foundation was divided into several schools, none of which partook of the lessons of the others; and Richardson, agreeably to his father's intention of bringing him up to trade, was most probably confined to the writing school, where all that was taught was writing and arithmetic.[6]

However, this conflicts with Richardson's nephew's account that "'it is certain that [Richardson] was never sent to a more respectable seminary' than 'a private grammar school' located in Derbyshire". 

Little is known of Richardson's early years beyond the few things that Richardson was willing to share.   Although he was not forthcoming with specific events and incidents, he did talk about the origins of his writing ability; Richardson would tell stories to his friends and spent his youth constantly writing letters.   One such letter, written when Richardson was almost 11, was directed to a woman in her 50s who was in the habit of constantly criticizing others. "Assuming the style and address of a person in years", Richardson cautioned her about her actions.   However, his handwriting was used to determine that it was his work, and the woman complained to his mother. The result was, as he explains, that "my mother chid me for the freedom taken by such a boy with a woman of her years" but also "commended my principles, though she censured the liberty taken".

After his writing ability was known, he began to help others in the community write letters.   In particular, Richardson, at the age of 13, helped many of the girls that he associated with to write responses to various love letters they received.   As Richardson claims, "I have been directed to chide, and even repulse, when an offence was either taken or given, at the very time that the heart of the chider or repulser was open before me, overflowing with esteem and affect".  Although this helped his writing ability, he in 1753 advised the Dutch minister Stinstra not to draw large conclusions from these early actions:

You think, Sir, you can account from my early secretaryship to young women in my father's neighbourhood, for the characters I have drawn of the heroines of my three works. But this opportunity did little more for me, at so tender an age, than point, as I may say, or lead my enquiries, as I grew up, into the knowledge of female heart.  He continued to explain that he did not fully understand females until writing Clarissa, and these letters were only a beginning.

Early career

The elder Richardson originally wanted his son to become a clergyman, but he was not able to afford the education that the younger Richardson would require, so he let his son pick his own profession.   He selected the profession of printing because he hoped to "gratify a thirst for reading, which, in after years, he disclaimed". At the age of 17, in 1706, Richardson was bound in seven-year apprenticeship under John Wilde as a printer. Wilde's printing shop was in Golden Lion Court on Aldersgate Street, and Wilde had a reputation as "a master who grudged every hour... that tended not to his profit". 

In his professional life Richardson was hardworking and successful. With the growth in prominence of his press went his steady increase in prestige as a member, an officer, and later master, of the Stationers’ Company (the guild for those in the book trade). During the 1730s his press became known as one of the three best in London, and with prosperity he moved to a more spacious London house and leased the first of three country houses in which he entertained a circle of friends that included Dr. Johnson, the painter William Hogarth, the actors Colley Cibber and David Garrick, Edward Young, and Arthur Onslow, speaker of the House of Commons, whose influence in 1733 helped to secure for Richardson lucrative contracts for government printing that later included the journals of the House.

In this same decade he began writing in a modest way. At some point, he was commissioned to write a collection of letters that might serve as models for “country readers,” a volume that has become known as Familiar Letters on Important Occasions. Occasionally he hit upon continuing the same subject from one letter to another, and, after a letter from “a father to a daughter in service, on hearing of her master’s attempting her virtue,” he supplied the daughter’s answer. This was the germ of his novel Pamela. With a method supplied by the letter writer and a plot by a story that he remembered of an actual serving maid who preserved her virtue and was, ostensibly, rewarded by marriage, he began writing the work in November 1739 and published it as Pamela; or, Virtue Rewarded a year later.

Most of the story is told by the heroine herself. On the death of Pamela’s mistress, her son, Mr. B, begins a series of stratagems designed to end in Pamela’s seduction. These failing, he abducts her and then uses an elaborate ruse that results in a threatened, if not attempted, rape. Pamela faints, and, when she recovers, Mr. B claims “that he had not offer’d the least Indecency”; he soon afterward offers marriage. In the second half of the novel Richardson shows Pamela winning over those who had disapproved of the misalliance. Though Pamela was immensely popular, Richardson was criticized by those who thought his heroine a calculating social climber or his own morality dubious. Pamela is, ultimately, a 15-year-old servant who, by Richardson’s telling, faces a dilemma because she wants to preserve her virtue without losing the man with whom she herself has fallen in love (and whose family employs her). More obliquely, because he wrote the novel from Pamela’s point of view, Richardson also seems to suggest that Mr. B is struggling with having fallen in love with a servant, who, traditionally, would have been merely a target for seduction or sexual violence. (In a clever twist, he is converted by her letters, which he has been intercepting and reading.) The author resolved the conflicts of both characters too facilely, perhaps, because he was firmly committed to the plot of the true story he had remembered. When the instantaneous popularity of Pamela led to a spurious continuation of her story, he wrote his own sequel, Pamela in her Exalted Condition (1742), a two-volume work that did little to enhance his reputation.

By 1744 Richardson seems to have completed a first draft of his second novel, Clarissa; or, The History of a Young Lady, but he spent three years trying to bring it within the compass of the seven volumes in which it was published. He first presents the heroine, Clarissa Harlowe, when she is discovering the barely masked motives of her family, who would force her into a loveless marriage to improve their fortunes. Outside the orbit of the Harlowes stands Lovelace, nephew of Lord M and a romantic who held the code of the Harlowes in contempt. In her desperate straits, Clarissa appraises too highly the qualities that set Lovelace beyond the world of her family, and, when he offers protection, she runs off with him. She is physically attracted by if not actually in love with Lovelace and is responsive to the wider horizons of his world, but she is to discover that he wants her only on his own terms. In Lovelace’s letters to his friend Belford, Richardson shows that what is driving him to conquest and finally to rape is really her superiority. In the correspondence of Clarissa and her friend Anna Howe, Richardson shows the distance that separates her from her confidant, who thinks her quixotic in not accepting a marriage; but marriage as a way out would have been a sacrifice to that same consciousness of human dignity that had led her to defy her family. As the novel comes to its long-drawn-out close, she is removed from the world of both the Harlowes and the Lovelaces, and dies, a child of heaven. In providing confidants for his central characters and in refusing to find a place in the social structure into which to fit his sorely beset heroine, Richardson made his greatest advances over Pamela. He was determined, as his postscript indicates, to write a novel that was also a tragedy.

Richardson’s third novel was his bow to requests for the hero as a good man, a counter-attraction to the errant hero of Henry Fielding’s Tom Jones (1749). Fielding had been among those who thought Pamela a scheming social climber, as he had shown in his parody An Apology for the life of Mrs. Shamela Andrews (1741). In spite of Fielding’s critical praise of Clarissa and the friendship that later developed between Richardson and Fielding’s sister, Sarah, Richardson never forgave the author of what he stigmatized as “that vile Pamphlet Shamela.” In The History of Sir Charles Grandison (1753–54), he provides a hero who is a model of benevolence. He faces little that a good heart cannot remedy and extricates himself from the nearest thing to a dilemma that he has to encounter: a “divided love” between an English woman, Harriet Byron, and an Italian, Signora Clementina. He is saved for Harriet by the last-minute refusal of the Roman Catholic Clementina to marry a firmly committed English churchman. The uneasy minds of Clementina and Harriet are explored with some penetration, but Sir Charles faces nothing in his society or within himself that requires much of a struggle. Furthermore, his dilemma is not so central to the novel as were those of Pamela and Clarissa. He is surrounded with a large cast of characters who have their parts to play in social comedy that anticipates the novel of manners of the late 18th century.

Richardson was an indefatigable reviser of his own work, and the various editions of his novels differ greatly. Much of his revision was undertaken in anxious, self-censoring response to criticism; the earliest versions of his novels are generally the freshest and most daring.

Richardson’s Pamela is often credited with being the first English novel. Although the validity of this claim depends on the definition of the term novel, it is not disputed that Richardson was innovative in his concentration on a single action. By telling the story in the form of letters, he provided if not the “stream” at least the flow of consciousness of his characters, and he pioneered in showing how his characters’ sense of class differences and their awareness of the conflict between sexual instincts and the moral code created dilemmas that could not always be resolved. These characteristics reappear regularly in the subsequent history of the novel. Above all, Richardson was the writer who made the novel a respectable genre.

Richardson had disciples when he died. Some of them show the influence of Clarissa, which seems to have been most responsible for the cult of Richardson that arose on the European continent. It was Grandison, however, that set the tone of most of Richardson’s English followers and for Jane Austen, who was said to have remembered “every circumstance” in this novel, everything “that was ever said or done.” By the end of the 18th century, Richardson’s reputation was on the wane both in England and abroad. However, it was reborn in the late 20th century, when Clarissa was rediscovered as one of the great psychological novels of European literature.

While working for Wilde, he met a rich gentleman who took an interest in Richardson's writing abilities and the two began to correspond with each other. When the gentleman died a few years later, Richardson lost a potential patron, which delayed his ability to pursue his own writing career. He decided to devote himself completely to his apprenticeship, and he worked his way up to a position as a compositor and a corrector of the shop's printing press. In 1713, Richardson left Wilde to become "Overseer and Corrector of a Printing-Office".  This meant that Richardson ran his own shop, but the location of that shop is unknown.   It is possible that the shop was located in Staining Lane or may have been jointly run with John Leake in Jewin Street.  

In 1719, Richardson was able to take his freedom from being an apprentice and was soon able to afford to set up his own printing shop, which he did after he moved near the Salisbury Court district close to Fleet Street.   Although he claimed to business associates that he was working out of the well-known Salisbury Court, his printing shop was more accurately located on the corner of Blue Ball Court and Dorset Street in a house that later became Bell's Building.   On 23 November 1721, Richardson married Martha Wilde, the daughter of his former employer. The match was "prompted mainly by prudential considerations", although Richardson would claim later that there was a strong love-affair between Martha and him.   He soon brought her to live with him in the printing shop that served also as his home.  

A key moment in Richardson's career came on 6 August 1722 when he took on his first apprentices: Thomas Gover, George Mitchell, and Joseph Chrichley.   He would later take on William Price (2 May 1727), Samuel Jolley (5 September 1727), Bethell Wellington (2 September 1729), and Halhed Garland (5 May 1730).  

One of Richardson's first major printing contracts came in June 1723 when he began to print the bi-weekly The True Briton for Philip Wharton, 1st Duke of Wharton. This was a Jacobite political paper which attacked the government and was soon censored for printing "common libels". However, Richardson's name was not on the publication, and he was able to escape any of the negative fallout, although it is possible that Richardson participated in the papers as far as actually writing one himself.   The only lasting effect from the paper would be the incorporation of Wharton's libertine characteristics in the character of Lovelace in Richardson's Clarissa, although Wharton would be only one of many models of libertine behaviour that Richardson would find in his life.   In 1724, Richardson befriended Thomas Gent, Henry Woodfall, and Arthur Onslow, the latter of those would become the Speaker of the House of Commons.  

Over their ten years of marriage, the Richardsons had five sons and one daughter – three of the boys were successively named Samuel after their father, but all three died young. Soon after the death of William, their fourth child, Martha died on 25 January 1731. Their youngest son, Samuel, was to live past his mother for a year longer, but succumbed to illness in 1732. After his final son died, Richardson attempted to move on with his life. He married Elizabeth Leake, whose father was a printer, and the two moved into another house on Blue Ball Court. However, Elizabeth and his daughter were not the only ones living with him because Richardson allowed five of his apprentices to lodge in his home.   Elizabeth had six children (five daughters and one son) with Richardson; four of their daughters, Mary, Martha, Anne, and Sarah, reached adulthood and survived their father. Their son, another Samuel, was born in 1739 and died in 1740.  

In 1733, Richardson was granted a contract with the House of Commons, with help from Onslow, to print the Journals of the House.   The 26 volumes of the work soon improved his business.   Later in 1733, he wrote The Apprentice's Vade Mecum, urging young men like himself to be diligent and self-denying.   The work was intended to "create the perfect apprentice". Written in response to the "epidemick Evils of the present Age", the text is best known for its condemnation of popular forms of entertainment including theatres, taverns and gambling.   The manual targets the apprentice as the focal point for the moral improvement of society, not because he is most susceptible to vice, but because, Richardson suggests, he is more responsive to moral improvement than his social betters.[9]: 8  During this time, Richardson took on five more apprentices: Thomas Verren (1 August 1732), Richard Smith (6 February 1733), Matthew Stimson (7 August 1733), Bethell Wellington (7 May 1734), and Daniel Green (1 October 1734).   His total staff during the 1730s numbered seven, as his first three apprentices were free by 1728, and two of his apprentices, Verren and Smith, died soon into their apprenticeship.   The loss of Verren was particularly devastating to Richardson because Verren was his nephew and his hope for a male heir that would take over the press.