151-] English Literature
Charlotte Smith- Summary
Charlotte
Smith, (born May 4, 1749, London, Eng.—died Oct. 28, 1806, Tilford, near
Farnham, Surrey), English novelist and poet, highly praised by the novelist Sir
Walter Scott. Her poetic attitude toward nature was reminiscent of William
Cowper’s in celebrating the “ordinary” pleasures of the English countryside.
Her radical attitudes toward conventional morality (the novel Desmond tells of
the innocent love of a man for a married woman) and political ideas of class
equality (inspired by the French Revolution) gained her notoriety, but her work
belongs essentially with that of the derivative 18th-century romantic tradition
of women novelists.
Smith’s
husband fled to France to escape his creditors. She joined him there, until,
thanks largely to her, he was able to return to England. In 1787, however, she
left him and began writing to support her 12 children. Elegiac Sonnets and
Other Essays, which she had published in 1784, had been well received, but
because novels promised greater financial rewards, she wrote, after some free
translations of French novels, Emmeline; or, The Orphan of the Castle (1788)
and Ethelinde; or, The Recluse of the Lake (1789). Desmond appeared in 1792 and
was followed by her best work, The Old Manor-House (1793). Toward the end of her
life, she turned to writing instructive books for children, the best being
Conversations Introducing Poetry for the Use of Children (1804).
Charlotte
Turner Smith (1749-1806), a major British, Romantic-era author, began her
publishing career with her popular and influential Elegiac Sonnets, published
in ten ever-expanding editions between 1784 and 1800. These innovative poems
initiated the Romantic sonnet revival, a major experimental verse movement to
which Samuel Taylor Coleridge, John Keats, Mary Robinson, Percy Bysshe Shelley,
and William Wordsworth all contributed. Fellow poet John Thewall ranked Smith’s
sonnets as highly as Shakespeare’s plays and Milton’s epics. In 1793, Smith
published The Emigrants, a long blank verse poem that depicts refugees fleeing
France following the French Revolution and the Reign of Terror.
Smith
published ten novels that shaped trends in gothic, sentimental, historical,
comedic, and protest fiction. Having begun to write fiction after the American
Revolution ended and continuing through the French Revolution and the War with
France, Smith commented on her historical moment through her characters and
international settings in novels such as Desmond (1792) and The Old Manor House
(1793). In addition, Smith, like her contemporaries Mary Wollstonecraft and
Mary Hays, depicted in her novels the material circumstances of women’s
oppression in England in novels including Emmeline (1788) and The Young
Philosopher (1798). Sir Walter Scott identified Smith as one of the finest
novelists of the eighteenth century, and Jane Austen looked to her as a model.
Based on the education of her own children at home, Smith also composed six
delightful children’s books that teach science, poetics, English history,
ethics, social observation, and art. She also wrote a play.
Smith ended her writing career as she began it–with poetry. As she was dying from uterine cancer at age 57, she wrote her final poem, Beachy Head, published posthumously. This thematically capacious poem offers an extended exploration of the natural and political history of the iconic landform Beachy Head on the southeast coast of England, as well as a meditation on happiness and purpose in life.
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