191- ] English Literature
Charlotte Brontë – Summary
Charlotte
Brontë (21 April 1816 – 31 March 1855) is one of the most famous Victorian
women writers and poets. She was the eldest of the three Brontë sisters who
survived into adulthood and whose novels became classics of English literature.
She originally published her works under the name of Currer Bell, along with
her sisters who also had pseudonyms, but they admitted to them in 1848 and were
celebrated in London literary circles.
Her
most famous works are Jane Eyre, Villette and The Professor, which was
published after her death in 1855. She died during pregnancy of hyperemesis
gravidarum, a complication of pregnancy which causes excessive nausea and
vomiting.
Early
Life and Family
Charlotte
Brontë was born on 21 April 1816 in Market Street, Thornton, west of Bradford
in the West Riding of Yorkshire. She was the third of the six children of Maria
and Patrick Brontë, who was an Irish Anglican clergyman. Patrick was appointed
perpetual curate of St Michael and All Angels Church in the village of Haworth
in 1820.
Charlotte’s
five siblings, four sisters Maria, Elizabeth, Emily, Anne and brother Branwell,
were left to the care of her sister, Elizabeth Branwell, when their mother died
of cancer on 15 September 1821. Elizabeth Branwell stayed with the family until
her death in 1842, because Patrick’s attempts to remarry after his wife’s death
were unsuccessful.
Education
In
August 1824, when Charlotte was eight years old, her father sent her with
Emily, Maria, and Elizabeth to the Clergy Daughters’ School at Cowan Bridge in
Lancashire. Charlotte was of the belief that the school’s poor conditions
permanently affected her health and physical development, and also hastened the
deaths of both Maria and Elizabeth, who died of tuberculosis in June 1825.
Charlotte used the school as the basis for Lowood School in Jane Eyre.
After
the deaths of his older daughters, Patrick removed Charlotte and Emily from the
school. Their deaths affected Charlotte greatly, as she suddenly became the
eldest child in a motherless family and was forced her into a position of
leadership and responsibility.
Patrick
tutored his remaining children at home, all of which thrived in the
environment. Charlotte wrote her first known poem at the age of 13 in 1829, and
went on to write more than 200 poems in the course of her life. Many of her
poems were “published” in their homemade magazine Branwell’s Blackwood’s
Magazine. As children, Charlotte and Branwell wrote Byronic stories about their
jointly imagined country, Angria, and Emily and Anne wrote articles and poems
about Gondal.
Between
1831 and 1832, Charlotte continued her education at Roe Head School in
Mirfield. Although she was initially homesick and isolated from the other
students because of her differences from them, it was here where she met her
lifelong friends and correspondents Ellen Nussey and Mary Taylor. She was
considerably behind most of the other girls when she entered the school, but
quickly moved to the top of the class and stayed there until she left 18 months
later.
After
leaving Roe Head, in 1833 she wrote a novella, The Green Dwarf, using the name
Wellesley, which is around the time when her stories shifted from tales of the
supernatural to more realistic stories.
Early
Work
She
returned to Roe Head as a teacher from 1835 to 1838, however she was unhappy
and lonely as a teacher. Charlotte took out her sorrows in poetry, writing a
series of melancholic poems. These poems reflected her longing for home and for
Angria as well as her anxious need to reconcile her desire to write with the
necessity of continuing to teach to earn a living.
Gradually,
she was able to resume a pace of writing comparable to that of her earlier
productive times. In December of 1836, Charlotte decided she wanted to write
professionally, with the hope of earning her living as a publishing poet.
Therefore, she sought the advice from Robert Southey, then poet laureate of
England, to whom she sent a selection of her poems. However, he sent her a
discouraging response, stating:
“Literature
cannot be the business of a woman’s life: & it ought not to be. The more
she is engaged in her proper duties, the less leisure she will have for it,
even as an accomplishment & a recreation. To those duties you have not yet
been called, & when you are you will be less eager for celebrity.”
She
did not take his advice, although she kept the letter close. She left Roe Head
for good in December 1838 and, in 1939, took up the first of many positions as
governess to families in Yorkshire, a career she pursued until 1841.
From
May to July 1839 she was employed by the Sidgwick family at their summer
residence, Stone Gappe, in Lothersdale, where one of her charges was John
Benson Sidgwick (1835–1927). He was an unruly child who, on one occasion, threw
a Bible at Charlotte, an incident that may have been the inspiration for a part
of the opening chapter of Jane Eyre in which John Reed throws a book at the
young Jane. Brontë did not enjoy her work as a governess, noting her employers
treated her almost as a slave, constantly humiliating her.
In
1941, Brontë began negotiations for a loan from her Aunt Branwell to set up a
school that she and her sisters might operate. She declined the director of Roe
Head’s generous proposal that she replace her, turning down a fine opportunity
to take charge of an established school with a good reputation.
Brussels
In
1942, Charlotte and Emily Brontë left England in February 1842 to enrol as the
oldest students in a school run by Madame Claire Zoë Heger and her husband,
Constantin in Brussels. It was a school of Roman Catholic Belgians and so,
being both English and Protestant, the Brontë’s were isolated and didn’t feel
comfortable there, although they made considerable academic progress.
They
returned to Haworth in November 1842, following the death of Aunt Branwell caused
by internal obstruction in October 1842. Emily did not want to return to
Brussels after, so Charlotte returned on her own. Charlotte was deeply unhappy
during her second stay — she was homesick and deeply attached to Constantin
Héger. Héger, however, gave her attention and challenged her in her writing,
allowing her to return to the literary issues raised in her earliest poems with
a new sense of urgency.
Madame
Heger tried to put some distance between Héger and Charlotte and, therefore,
Charlotte withdrew from the Belgian school in January 1844 and returned to
England. In November, the Brontë sisters abandoned their plan for opening a
school in Haworth since not one prospective applicant had responded to their
advertisements. This caused Charlotte to fall into a depressive episode — she
was having no luck professionally, romantically or literarily.
Working
Life
First
Publication and Pseudonym
In
1845, Charlotte stumbled upon a notebook of Emily’s poems and urged her sister
to publish her poems with a selection of her own verse, to which were added
poems contributed by Anne. They self-published the joint collection of poems
under their assumed names Currer, Ellis and Acton Bell.
The
pseudonyms veiled the sisters’ sex while preserving their initials — Charlotte
was Currer Bell. “Bell” was the middle name of Haworth’s curate, Arthur Bell
Nicholls whom Charlotte later married, and “Currer” was the surname of Frances
Mary Richardson Currer who had funded their school.
The
works were published in Poems by Currer, Ellis, and Acton Bell (1846), which
the small London firm of Aylott & Jones agreed to print at the authors’
expense, a common practice for unknown writers. Charlotte took sole
responsibility for corresponding with their publisher and for seeing the Poems through
the press.
Unlike
her sisters’ contributions, nearly all of Charlotte poems in the 1846 volume
are reworkings of much earlier compositions, mostly from the period of
1837–1838. She revised them specifically for publication in this volume and not
only deleted all references to their original narrative contexts, as her
sisters did for their “Gondal poems”, but also changed them to suit her new
readership , invoking popular motifs and expressing sentiments that were
culturally resonate in 1846.
Because
Charlotte’s poems are longer than those of her sisters, she contributed only 19
to their 21 each, so that each writer is given approximately the same amount of
space in the book. Each poem is clearly credited to either “Currer,” “Ellis,”
or “Acton ,” and the contributions by the three are presented alternately, so
that they are equally spread throughout the volume. This invites comparison
between the three writers and makes Emily’s superiority as a poet noticeable.
However, it also obscures a coherence between Charlotte’s poems.
Though
Charlotte made every effort to publicise Poems, the volume sold poorly — only
two copies in the first year — and received only three reviews, which were,
however, favourable. Originally priced at four shillings, the volume was
republished by the publishers of Jane Eyre in 1848, and received more
insightful critical attention after the publication of Gaskell’s The Life of
Charlotte Brontë in 1857.
Death
Soon
after her wedding, Charlotte became pregnant but her health quickly declined.
She died on 31 March 1855, three weeks before her 39th birthday, along with her
unborn child. While her death was listed as tuberculosis, many have speculated
that she actually died form dehydration and malnourishment thanks to severe
morning sickness.
Charlotte
was buried in the family vault in the Church of St Michael and All Angels at
Haworth.
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