195- ] English Literature
Charlotte Bronte
The
Life of Charlotte Brontë
Elizabeth
Gaskell's biography The Life of Charlotte Brontë was published in 1857. It was
an important step for a leading female novelist to write a biography of
another, and Gaskell's approach was unusual in that, rather than analysing her
subject's achievements, she concentrated on private details of Brontë's life,
emphasising those aspects that countered the accusations of
"coarseness" that had been levelled at her writing. The biography is
frank in places, but omits details of Brontë's love for Héger, a married man,
as being too much of an affront to contemporary morals and a likely source of
distress to Brontë's father, widower, and friends. Mrs. Gaskell also provided
doubtful and inaccurate information about Patrick Brontë, claiming that he did
not allow his children to eat meat. This is refuted by one of Emily Brontë's
diary papers, in which she describes preparing meat and potatoes for dinner at
the parsonage. It has been argued that Gaskell's approach transferred the focus
of attention away from the 'difficult' novels, not just Brontë's, but all the
sisters', and began a process of sanctification of their private lives.
Nussey
letters
Brontë
held lifelong correspondence with her former schoolmate Ellen Nussey. 350 of
the some 500 letters sent by Brontë to Nussey survive, whereas all of Nussey's
letters to Brontë were burned at Nicholls's request. The surviving letters
provide most of the information known on Charlotte Brontë's life and are the
backbone of her autobiographies.
Brontë's
letters to Nussey seem to have romantic undertones:
What
shall I do without you? How long are we likely to be separated? Why are we to
be denied each other's society- I long to be with you . Why are we to be
divided? Surely, Ellen, it must be because we are in danger of loving each
other too well-
Ellen,
I wish I could live with you always. I begin to cling to you more fondly than
ever I did. If we had but a cottage and a competency of our own, I do think we
might live and love on till Death without being dependent on any third person
for happiness...
how
sorely my heart longs for you I need not say... Less than ever can I taste or
know pleasure till this work is wound up. And yet I often sit up in bed at
night, thinking of and wishing for you.]
Some
scholars believe it is possible that Charlotte Brontë was in a romantic or
sexual relationship with Ellen Nussey. Brontë would certainly have been aware
of female same-sex attraction as she lived near Anne Lister.
Héger
letters
On
29 July 1913 The Times of London printed four letters Brontë had written to
Constantin Héger after leaving Brussels in 1844. Written in French except for
one postscript in English, the letters broke the prevailing image of Brontë as
an angelic martyr to Christian and female duties that had been constructed by
many biographers, beginning with Gaskell. The letters, which formed part of a
larger and somewhat one-sided correspondence in which Héger frequently appears
not to have replied, reveal that she had been in love with a married man,
although they are complex and have been interpreted in numerous ways, including
as an example of literary self-dramatisation and an expression of gratitude
from a former pupil.In 1980 a commemorative plaque was unveiled at the Centre
for Fine Arts, Brussels, on the site of the Madam Heger's school, in honour of
Charlotte and Emily.
Historical
Significance
Following
her death, Charlotte’s first novel, The Professor, was published posthumously
in 1857. The fragment of a new novel she had been writing in her last years has
been twice completed by recent authors, the more famous version being Emma
Brown: A Novel from the Unfinished Manuscript by Charlotte Brontë by Clare
Boylan in 2003.
A
biography, The Life and Death Of Charlotte Brontë by Elizabeth Gaskell, was
published in 1857. This was somewhat revolutionary at the time, because it was
an important step for a leading female novelist to write a biography of
another.
Charlotte
was not a successful poet in her own day, and today she is still rightfully
known for her novels rather than for her poems. She has remained of huge
historical significance since her death, with her works being read, analysed
and enjoyed by readers across the globe. She has been recognised thanks to her
progressive beliefs and for allowing the “modern woman” to be heard,
particularly in a time when women were considered much less in comparison to
men. By writing about her stifled ideas and lack of acceptance in society, she
has spoken to generations of readers since her death.
Publications
Juvenilia
, The Young Men's Magazine, Number 1 – 3 (August 1830) , A Book of Ryhmes
(1829) , The Spell , The Secret , Lily Hart , The Foundling , Albion and
Marina , Tales of the Islanders , Tales of Angria (written 1838–1839 – a
collection of childhood and young adult writings including five short novels)
Mina
Laury , Stancliffe's Hotel , The Duke of Zamorna , Henry Hastings , Caroline
Vernon , The Roe Head Journal Fragments: , Farewell to Angria
The
Green Dwarf, A Tale of the Perfect Tense was written in 1833 under the
pseudonym Lord Charles Albert Florian Wellesley.[70] It shows the influence of
Walter Scott, and Brontë's modifications to her earlier gothic style have led
Christine Alexander to comment that, in the work, "it is clear that Brontë
was becoming tired of the gothic mode per se".
"At
the end of 1839, Brontë said goodbye to her fantasy world in a manuscript
called Farewell to Angria. More and more, she was finding that she preferred to
escape to her imagined worlds over remaining in reality – and she feared that
she was going mad. So she said goodbye to her characters, scenes and subjects.
[...] She wrote of the pain she felt at wrenching herself from her 'friends'
and venturing into lands unknown".
Novels
Jane
Eyre, published in 1847 , Shirley, published in 1849 , Villette, published in
1853 , The Professor, written before Jane Eyre, was first submitted together
with Wuthering Heights by Emily Brontë and Agnes Grey by Anne Brontë.
Subsequently, The Professor was resubmitted separately, and rejected by many
publishing houses. It was published posthumously in 1857
Emma,
unfinished; Brontë wrote only 20 pages of the manuscript, published
posthumously in 1860. In recent decades at least two continuations of this
fragment have appeared:
Emma,
by "Charlotte Brontë and Another Lady", published 1980; although this
has been attributed to Elizabeth Goudge, the actual author was Constance
Savery. , Emma Brown, by Clare Boylan, published 2003
Poetry
Bell,
Currer; Bell , Ellis; Bell, Acton (1846) . Poems .
Selected
Poems of the Brontës, Everyman Poetry (1997)
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