282- ] English Literature
Andrew Crumey's Novels
The Secret Knowledge
The
Secret Knowledge (2013) is the seventh novel by Scottish writer Andrew Crumey.
It was his first since returning to his original UK publisher Dedalus Books,
and was awarded a grant by the Arts and Humanities Research Council. Part of
the writing was done while the author was visiting fellow at the Institute of
Advanced Study. It was longlisted for the Guardian's "Not the Booker"
prize.
Synopsis
In
1913, composer Pierre Klauer envisages marriage to his sweetheart and fame for
his new work, The Secret Knowledge. Then tragedy strikes. A century later,
concert pianist David Conroy hopes the rediscovered score might revive his own
flagging career. Music, history, politics and philosophy become intertwined in
a multi-layered story that spans a century. Revolutionary agitators, Holocaust
refugees and sixties’ student protesters are counterpointed with artists and
entrepreneurs in our own age of austerity. All play their part in revealing the
shocking truth that Conroy must finally face – the real meaning of The Secret
Knowledge.
Themes
Some
of the action is set in Scotland at the time of the Battle of George Square.
Other parts are set in France, Spain, Italy, Germany and the United States.
Specific
reference is made to the socialist Louis-Auguste Blanqui, and the philosophers
Walter Benjamin, Theodor Adorno and Hannah Arendt, who appear as characters in
the novel. A chapter set on Capri and based on Benjamin's love for Asja Lacis
is written in the collage style of One Way Street. Benjamin's suicide at
Portbou is also made part of the plot.
The
novel is, in part, concerned with the concepts of the multiverse and quantum
suicide, which have featured in previous novels by Crumey, and in articles and
conference talks. Reference is made to motifs from Crumey's earlier novels,
particularly the Rosier Corporation which appeared in Mobius Dick. The missing
wife of pianist David Conroy (called Laura) appears to be the same character of
that name, who appeared in Mobius Dick and is referenced again in The Great
Chain of Unbeing.
Reception
Publishers
Weekly called it an "intelligent work of speculative fiction" with
"heavy-handed melodrama" in places, but said "the philosophical
questions the book raises are clever and insightful."
Reviewing
it for the Historical Novel Society, Lucinda Byatt wrote: "Whether this
qualifies as historical fiction is a moot point: it’s set in multiple pasts...
Described as an “intellectual mystery”, the book explores the illusion of
progress in history, perhaps also in our individual lives, a tribute to
Benjamin’s own theories. Interestingly, the women are the most coherent and
linear characters: Yvette and Paige, in particular, but even the historical
figure, Hannah Arendt, who appears in the book alongside Theodor Adorno.
The
Sunday Herald reviewer Lesley McDowell called it a "novel of ideas... more
accessible than some may expect, and more gripping and more encompassing,
too."
James
Smart wrote in The Guardian, "With its enthusiasm for secret societies and
acts that echo through time, The Secret Knowledge mines the fruitful ground
between Cloud Atlas and Foucault's Pendulum, but fails to reach the heights of
either. The dialogue can be tooth-wrenchingly annoying... but some scenes – a
febrile union meeting, a loaded meeting between rival pianists – are
wonderful."
Sputnik Caledonia
Sputnik
Caledonia (2008) is a novel by British writer Andrew Crumey which won the
Northern Rock Foundation Writer's Award, the UK's largest literary prize at the
time.
It
depicts a Scottish boy who longs to be a spaceman, is transported to a parallel
communist Scotland where he takes part in a space mission to a black hole, and
returns to the real world in middle age, possibly as a ghost. The novel is in
three “Books”, with the central one (set in the alternate world) being longest,
predominantly serious in tone, while the outer sections are shorter and more
humorous. The title refers to the Russian Sputnik program and the alternative
name for Scotland, Caledonia, suggesting the idea of Scotland as a satellite
state of the Soviet Union.
The
book was shortlisted for the James Tait Black Memorial Prize for fiction,
losing to Sebastian Barry's The Secret Scripture. The other shortlisted authors
were Mohammed Hanif, Adam Mars-Jones and Toni Morrison. It was also shortlisted
in the fiction category of the Scottish Mortgage Investment Trust Book Awards,
losing to James Kelman's Kieron Smith, Boy.
Plot
Book
One
Robbie
Coyle, nine years old at the start of the book, lives in Kenzie in Scotland's
Central Belt in the early 1970s. He dreams of going into space; but because of
his father's anti-American, pro-Soviet views, he wants to be a cosmonaut rather
than an astronaut. He picks up an Eastern European radio station called Voice
of the Red Star, imagines it to be a telepathic signal from another planet, and
begs to be taken there.
Book
Two
Nineteen-year-old
Robert Coyle lives in the British Democratic Republic – a Communist state
founded after the overthrow of Nazi occupation in the “Great Patriotic War” –
and has arrived at the Installation, a secret military base in Scotland, to
take part in a space mission. A strange new object has been detected in the
Solar System, believed to be a black hole, and the volunteers are to explore it
telepathically. Robert has confused memories of the time before his arrival,
and the reader is left guessing the connection between Books One and Two.
Perhaps the Robbie of Book One has been transported to the other world as he
wished; or perhaps the Robert in Book Two is a “parallel” version of the
younger Robbie in Book One. The Installation itself is like a “black hole” in
the sense that people arrive from the outside, but nobody ever seems to leave -
except perhaps in death.
Book
Three
In
a present-day recognisable reality, Robbie's parents from Book One are now
pensioners. Their story alternates with that of “the kid”, a runaway
13-year-old obsessed with science fiction stories such as Doctor Who, and with
the idea that “in an infinite universe everything is possible”. He meets a
middle aged man (“the stranger”) who claims to be a spaceman on a mission. The
stranger could be the parallel-world Robert grown older - or a terrorist
engaged in identity theft. Resisting logical resolution, the novel reprises and
reworks themes that have recurred throughout the course of the book, creating
an aesthetic unity that is emotionally ambivalent: a juxtaposition of the comic
tone of Book One with the dark pessimism of Book Two.
Reception
Jonathan
Coe called Sputnik Caledonia "the most impressive achievement yet from a
still undervalued writer: in its combination of dystopian science fiction with
warm but unsentimental childhood memoir, it struck me as being firmly in the
tradition of - and worthy of comparison with - Alasdair Gray's Lanark."
In
The Scotsman David Stenhouse wrote that Sputnik Caledonia was one of "very
few" Scottish literary works that "actually does come close to
'envisioning' an alternative version of Scottish statehood".
Ken
MacLeod called it a "very fine novel", adding "it looks like SF.
But it can't be read as SF... In Sputnik Caledonia, the parallel world is a
metaphor of what is lost in every choice. That's why the book is literary
fiction and not SF, and is all the better for it."
Critical
analysis
David
Goldie in The Cambridge Companion to British Fiction Since 1945 considered
Sputnik Caledonia "reminiscent of Gray's Lanark in the way it doubles its
central character, Robbie Coyle, a Scottish boy fixated on space exploration,
with Robert Coyle, trainee cosmonaut in a parallel British People's Republic,
contrasting homegrown Bildungsroman with dystopian counterfactual
history."
Lisa
Harrison compared Sputnik Caledonia with Matthew Fitt's But'n'Ben A-Go-Go.
"Their fictive worlds are Scotland, though not as we know it - they each
present a Scotland stripped of stereotyping, thus reformed and redefined
through fiction."
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