x / x / x / x /
Iambic is a
line of verse .
x /
x / x /
This first is weak , then strong .
x / x / x / x /
If this light
rhyme you do rehearsal .
x /
x / x
/
You’re
sure to do no wrong .
Anapestic
foot [ x x / ] unstressed , unstressed , stressed .
x
x / x
x / x
x / x
x /
With two weak
and a strong we will learn anapest .
x
x / x
x / x
x /
As we take
this small verse right along .
x
x / x
x / x
x / x x /
Feel the beat
, mark the stress , anapest is the best
.
x
x / x
x / x
x /
With a rhythm
that can be a song .
Trochaic
foot [ / x ] stressed , unstressed .
/
x / x / x
/ x
Strong then
weak should bring no terror .
/
x / x
/ x
Verse that is
trochaic .
/ x / x
/ x /
x
Up then down –
you will not error –
/
x / x
/ x
Never be
prosaic .
Dactylic
foot [ / x x ] , stressed , unstressed , unstressed .
/
x x /
x x /
x x /
x x
He could write
verses like Alfred , Lord Tennyson ,
/
x x /
x x / x
x / x
x
Dactylic foot
that could march clear to Dennison .
/
x x /
x x /
x x /
x x
Rhythms
he kept and to rhyme he was dutiful –
/
x x /
x x /
x x /
x x
That’s why his
work was so strong and so beautiful .
Spondaic
foot [ // ] stressed , stressed .
x
/ x /
x / x /
When two
successive syllables
x / x x
/
x
x /
x /
With equal
strong stresses occur in verse ,
/ / /
x /
Strong ,
strong spondee foot .
/
x / x
/
Comes to mind
at first .
Pyrrhic
foot [ xx ] unstressed , unstressed .
Some experts
in scanning argue that true pyrrhic foot does not exist because every foot must
have an accented syllable .
After determining the type of foot
, you need to identify how many feet are in each line .
Traditionally
: one foot = monometer / two feet = diameter / three feet = trimeter / four
feet = tetrameter / five feet = pentameter / 6 feet = hexameter /
seven feet =
septameter / eight feet = octameter .
Ex . Look at
the first line of “ The Wife of Usher’s Well .”
There lived /
a wife / at Ush / er’s Well .
There are four
feet in this line : tetrameter .
Consequently ,
the meter or metrical pattern of the line is iambic tetrameter
[ unstressed , stressed ] foot ( iambic ) /
four feet [ tetrameter ] = iambic tetrameter.
Because “
iambic” and “ anapestic” meters end on a high stress [ rising stress ] , they are
often referred to as the “ rising meters” or rhythms , whereas dactylic and
trochaic are falling meters or rhythms as the end on a low stress . The meter
used , the metrical pattern can directly affect the mood , the tone and / or
the meaning .
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