278- ] English Literature , Andrew Crumey

278-] English Literature

Andrew Crumey

Andrew Crumey

Born in Glasgow in 1961, Andrew Crumey studied theoretical physics at St Andrew's University and Imperial College, getting a PhD for work on nonlinear Schrödinger equations.

A research trip to Poland inspired his first novel, Music, in a Foreign Language, set in an alternative post-Communist Britain. It won the Saltire Society First Book Of The Year Award in 1994 and was quickly followed by Pfitz (1995) and D'Alembert's Principle (1996).

Giving up physics for writing, he was literary editor of Scotland on Sunday newspaper for six years, a time that saw Mr Mee (2000) and Mobius Dick (2004) appear.

Following the success of Sputnik Caledonia (2008) he took up part-time lecturing posts in creative writing at Newcastle University and Northumbria University. He was also a visiting fellow at Durham Institute of Advanced Study.

Music has always been a major influence in his work; The Secret Knowledge (2013) is about a piano piece with that title, and The Great Chain of Unbeing (2018) has an episode featuring Beethoven. That book was shortlisted for the Saltire Fiction Book Of The Year award, and paved the way for Beethoven's Assassins (2023).

Analysis

Campus/Academic Novels and 'Built-In' Nostalgia (Corina Selejan)

Narrative Complexity and the Case of Pfitz: An Update for the ‘Systems Novel’ (Toon Staes)

Uncovering Caledonia: An Introduction to Scottish Studies (Milena Kaličanin)

'Everything is Connected to Everything Else.' Holism in Andrew Crumey’s Sputnik Caledonia (Sonia Front)

Thinking through Thinking through Fiction: a round table (Amy Sackville)

Harmonic monads: Reading contemporary Scottish fiction through the enlightenment (T.C. Baker)

Shapes of Time in British Twenty-First Century Quantum Fiction (Sonia Front)

Reading the Multiple Drafts Novel (Stephen J. Burn)

Scotland as Science Fiction (Caroline McCracken-Flesher)

A Dialogue on Creative Thinking and the Future of the Humanities (Andrew Crumey and Mikhail Epstein)

The representation of science and scientists in British fiction 1980-2001 (Stefania Cassar)

Andrew Crumey

Andrew Crumey is a novelist and critic whose work reflects his academic background in theoretical physics and his interest in the history of ideas. As lecturer in creative writing at Newcastle University he is concerned with the philosophy of fiction and the relationship between literature and science.

Born in Glasgow in 1961 he gained his PhD from Imperial College, London, for work on integrable dynamical systems, and was post-doctoral research associate in the department of applied mathematics at Leeds University (1989-92). His first novel, Music, in a Foreign Language (1994), set in a dystopian communist Britain, won the Saltire Society Prize for Best First Book and marked the beginning of a series of works exploring themes in real and imaginary history.

His interest in the philosophes of the 18th century led to the novels Pfitz (1995) and D’Alembert’s Principle (1996); the former a New York Times Notable book, the latter nominated for the Booker Prize. Mr Mee (2000), longlisted for both the Booker Prize and IMPAC Award, combined portrayals of Rousseau and Proust with the story of a lost encyclopaedia describing an alternative universe.

A regular book reviewer for Scotland on Sunday since 1996, he was the newspaper’s literary editor from 2000 to 2006, and has written for other papers including the Guardian, Independent, Telegraph and Financial Times. He has served on various judging panels and advisory committees including the Scottish Arts Council Book Awards and the Macallan Short Story Competition, and has participated in international events such as the Genoa Science Festival and Moscow Book Fair, conferences on mathematics and literature (e.g. MathKnow), and broadcasts including Radio 3 The Essay and the Radio 4 series Relatively Einstein. His fiction has been translated into thirteen languages, and he has been recipient of a Northern Arts Writers Award and Arts Council Writers Award.

His novel Mobius Dick (2004), a finalist for the Commonwealth Writers Prize, brought to focus his interest in the scientific and cultural significance of multiple realities (particularly Everett’s Many Worlds interpretation of quantum mechanics). He further developed this in Sputnik Caledonia (2008), for which he won the Northern Rock Foundation Writers Award; it was also shortlisted for the James Tait Black Memorial Prize and Scottish Book of the Year, and longlisted for the Arthur C Clarke Award.

Teaching on the MA and PhD creative writing programmes at Newcastle University since 2007, he has a particular interest in the theories of Bakhtin and Benjamin. In 2010 he conducted an AHRC-funded practice-led research project, “Quantum Suicide: Walter Benjamin and the multiverse”, centred on Benjamin’s interest in Louis-Auguste Blanqui (1805-81), whose pseudo-scientific cosmology of multiple realities and alternative histories was equivalent, in Benjamin’s view, to Nietzsche’s eternal recurrence, and should be seen as a product of nineteenth-century capitalism.

During his time at IAS, Andrew Crumey will work on a novel arising from this research, and wishes in particular to study the concept of “prophecy” as it arises in fiction and science.