Grammar American & British

Sunday, July 10, 2022

1 - ] SAT - The Critical Reading Question

1 - ] SAT - The Critical Reading Question 

The Critical Reading Question

SAT critical reading questions test your ability to understand what you read - both content and technique . One passage on the test will be narrative : a passage from a novel , a short story , an autobiography ,or a personal essay . One will deal with the sciences ( including medicine , botany , zoology , chemistry , physics , geology , astronomy ) ; another with the humanities ( including art , literature , music , philosophy , folklore ) ; a third , with the social sciences ( including history , economics , sociology , government .) Some passages may be what the College Board calls argumentative ; these passages present a definite point of view on a subject . One passage will most likely be ethnic in content : whether it is a history passage , a personal narrative ,or a passage on music , art , or literature , it will deal with concerns of a particular minority group .

Your SAT test will contain three verbal sections ( not counting any experimental verbal part ) . They will most likely follow these three basic patterns .

1 . 25-Question Critical Reading Section 

Questions 1 - 10      sentence completion questions

Questions 11 - 25    reading comprehension questions

2 . 25-Question Critical Reading Section

Questions 1 - 9        sentence completion questions

Questions 10 - 25    reading comprehension questions

3 . 16-Question Critical Reading Section

Questions 1 - 3        reading completion questions

Questions 4 - 16      reading comprehension questions on paired passages

Do not worry if the test you take doesn’t exactly match the above model . The SAT makes occasionally seem to be playing games , but they are just fine-tuning their new format .

Unlike the sentence completion , the questions that come after each reading passage are not arranged in order of difficulty . They are arranged to suit the way the passage’s content is organized . (A question based on information found at the beginning of the passage will generally come before a question based on information at the passage’s end . ) If you are stumped by a tough reading question , do not skip the other questions on that passage . A tough question may be just one question away from an easy one .  

Exercise A

Each passage below is followed by questions based on its content . Answer all questions following a passage on the basis of what is [stated] or [implied] in that passage .

The following passage is taken from Great Expectations by Charles Dickens . In it , the hero , Pip , recollects a dismal period in his youth during which he for a time lost hope of ever bettering his fortunes .

          It is a most miserable thing to feel ashamed of home . There may be black ingratitude in the thing , and the punishment may  be retributive and well deserved ; but , that it is a miserable thing , I can testify . Home had never been a very pleasant place to me , because of my sister’s temper . But Joe had sacrificed it and I believed in it . I had believed in the best parlor as a most elegant salon ; I had believed in the front door as a mysterious portal of the Temple of State whose solemn opening was attended with a sacrifice of roast fowls ; I had believed in the kitchen as a chaste though not magnificent apartment ; I had believed in the forge as the glowing road to manhood . Now , it was all coarse and common , and I would not have had Miss Havisham and Estella see it on any account .

            Once , it had seemed to me that when I should at last roll up my shirt sleeves and go into the forge , Joe’s ’prentice , I should be distinguished and happy . Now the reality was in my hold , I only felt that I was dusty with the dust of small coal , and that I had a weight upon my daily remembrance to which the anvil was a feather . There have been occasions in my later life ( I suppose as in most lives ) when I have felt for a time as if a thick curtain had fallen on all its interest and romance , to shut me out from any thing save dull endurance any more . Never has that curtain dropped so heavy and blank , as when any way in life lay stretched out straight before me through the newly entered road of apprenticeship to Joe .

            I remember that at a later period of my “time,” I used to stand about the churchyard on Sunday evenings , when night was falling , comparing my own perspective with the windy marsh view , and making out some likeness between them by thinking how flat and low both were , and how on both there came an unknown way and a dark mist and then the sea . I was quite as dejected on the first working-day of my apprenticeship as in that after time ; but I am glad to know that I never breathed a murmur to Joe while my indentures lasted . It is about the only thing I am glad to know of myself in the connection .

            For , though it includes what I proceed to add , all the merit of what I proceed to add was Joe’s . It was not because I was faithful , but because Joe was faithful , that I never ran away and went for a soldier or a sailor . It was not because I had a strong sense of the virtue of industry m but because Joe had a strong sense of the virtue of industry , that I worked with tolerable zeal against the grain . It is not possible to know how far the influence of any amiable honest-hearted duty=going man flies out into the world ; but it is very possible to know how it has touched one’s self in going by , and I know right well that any good that intermixed itself with my apprenticeship came of plain contented Joe , and not of restless aspiring discontented me .

1 . The passage as a whole is best described as  

(A) an analysis of the reasons behind a change in attitude

(B) an account of a young man’s reflections on his emotional state

(C) a description of a young man’s awakening to the harsh conditions of working class life

(D) a defense of a young man’s longings for romance and glamour

(E) a criticism of young people’s ingratitude to their elders

2 . It may be inferred from the passage that the young man has been apprenticed to a

(A) cook (B) forger (C) coal miner (D) blacksmith (E) grave digger

3 . In the passage , Joe is portrayed most specifically as

(A) distinguished (B) virtuous (C) independent (D) homely (E) coarse

4 . The passage that the narrator’s increasing discontent with his home during his apprenticeship was caused by

(A) a new awareness on his part of how his home would appear to others

(B) the increasing heaviness of the labor involved

(C) the unwillingness of Joe to curb his sister’s temper

(D) the narrator’s lack of an industrious character

(E) a combination of simple ingratitude and sinfulness

5 . According to the passage , the narrator gives himself a measure of credit for

(A) working diligently despite his unhappiness

(B) abandoning his hope of a military career

(C) keeping his mental position secret from Miss Havisham

(D) concealing his despondency from Joe

(E) surrendering his childish beliefs

---------------------------------------------------------------------------------------------------------------------

The following passage is excerpted from the short story “Clay” in Dubliners by James Joyce . In this passage , tiny unmarried Maria oversees the washerwomen , all the while thinking of the treat in store for her : a night off .

            The matron had given her leave to go out as soon as the women’s tea was over and Maria looked forward to her evening out . The kitchen was spick and span : the cook said you could see yourself in the big copper boilers . The fire was nice and bright and on one of the side-tables were four very big barmbracks . These barmbracks seemed uncut ; but if you went closer you would see that they had been cut into long thick even slices and were ready to be handed round at tea . Maria had cut them herself .

            Maria was a very , very small person indeed but she had a very long nose and a very long chin . She talked a little through her nose , always soothingly : “Yes , my dear ,” and “No , my dear.” She was always sent for when the woman quarreled over their tubs and always succeeded in making peace .One day the matron had said to her :

            ‘Maria , you are a veritable peace-maker !”

            And the sub-matron and two of the Board ladies had heard the compliment . And Ginger Mooney was always saying what she wouldn’t do to the dummy who had charge of the irons if it wasn’t for Maria . Everyone was so fond of Maria .

            When the cook told her everything was ready , she went into the women’s room and began to pull the big bell . In a few minutes the women began to come in by twos and threes , wiping their steaming hands in their petticoats and pulling down the sleeves of their blouses over their red steaming arms . They settled down before their huge mugs which the cook and the dummy filled up with hot tea , already mixed with milk and sugar in huge tin cans . Maria superintended the distribution of the barmbrack and saw that every woman got her four slices . There was a great deal of laughing and joking during the meal . Lizzie Fleming a\said Maria was sure to get the ring and , though Fleming had said that for so many Hallow Eves , Maria had to laugh and say she didn’t want any ring or man either , and when she laughed her grey-green eyes sparkled with disappointed shyness and the tip of her nose nearly met the tip of her chin . Then Ginger Mooney lifted her mug of tea and proposed Maria’s health while all the other women clattered with their mugs on the table , and said she was sorry she hadn’t a sup of porter to drink it in . And Maria laughed again till the tip of her nose nearly met the tip of her chin and till her minute body nearly shook itself asunder because she knew that Mooney meant well though , of course , she had the notions of a common woman .

6 . The author’s primary purpose in the second paragraph is to      

(A) introduce the character of a spinster

(B) describe working conditions in a public institution

(C) compare two women of different social classes

(D) illustrate the value of peace-makers in society

(E) create suspense about Maria’s fate

7 . The language of the passage most resembles the language of

(A) a mystery novel

(B) an epic

(C) a fairy tale

(D) institutional board reports

(E) a sermon

8. It can be inferred from the passage that Maria would most likely view the matron as which of the following ?

(A) A political figurehead

(B) An inept administrator

(C) A demanding taskmaster

(D) An intimate friend

(E) A benevolent superior

9 . We may infer from the care with which Maria has cut the barmbracks ( in paragraph one lines 4 - 6 ) that

(A) she fears the matron

(B) she is in a hurry to leave

(C) she expects the Board members for tea

(D) it is a dangerous task

(E) she takes pride in her work

10 . It can be inferred from the passage that all the following are characteristic of Maria EXCEPT

(A) a deferential nature

(B) eagerness for compliments

(C) respect for authority

(D) dreams of matrimony

(E) reluctance to compromise

---------------------------------------------------------------------------------------------------------------------

The following passage is taken from Jane Austen’s novel Mansfield Park . This excerpt presents Sir Thomas Bertram , owner of Mansfield Park , who has just joined the members of his family .

            Sir Thomas was indeed the life of the party , who at his suggestion now seated themselves round the fire . He had the best right to be the talker ; and the delight of his sensations in being again in his own house , to the center of his family , after such a separation , made him communicative and chatty in a very unusual degree ; and he was ready to answer every question of his two sons almost before it was put . All the little particulars of his proceedings and events , his arrivals and departures , were most promptly delivered , as he sat by Lady Bertram and looked with heartfelt satisfaction at the faces around him - interrupting himself more than once , however , to remark on his good fortune in finding them all at home - coming unexpectedly as he did - all collected together exactly as he could have wished , but dared not depend on .

            By not one of the circle was he listened to with such unbroken unalloyed enjoyment as by his wife , whose feelings were so warmed by his sudden arrival , as to place her nearer agitation than she had been for the last twenty years . She had been almost fluttered for a few minutes , and still remained so sensibly animated as to put away her work , move Pug from her side , and give all her attention and all the rest of her sofa to her husband . She had no anxieties for anybody to cloud her pleasure ; her own time had been irreproachably spent during his absence ; she had done a great deal of carpet work and made many yards of fringe ; and she would have answered as freely for the good conduct and useful pursuits of all the young people as for her own . It was so agreeable to her to see him again , and hear him talk ,to have her ear amused and her whole comprehension filled by his narratives , that she began particularly to feel how dreadfully she must have missed him , and how impossible it would have been for her to bear a lengthened absence .

            Mrs. Norris was by no means to be compared in happiness to her sister . Not that she was incommoded by many fears of Sir Thomas’s disapprobation when the present state of his house should be known , for her judgment had been so blinded , that she could hardly be said to show any sign of alarm ; but she was vexed by the manner of his return . It had left her nothing to do . Instead of being sent for out of the room , and seeing him first , and having to spread the happy news through the house . Sir Thomas , with a very reasonable dependence perhaps on the nerves of his wife and children , had sought no confidant but the butler , and had been following him almost instantaneously into the drawing room . Mrs. Norris felt herself defrauded of an office on which she had always depended , whether his arrival or his death were to be the thing unfolded ;and was now trying to be in a bustle without having any thing to bustle about . Would Sir Thomas have consented to eat , she might have gone to the house-keeper with troublesome directions ; but Sir Thomas resolutely declined all dinner ; he would take nothing , nothing till tea came - he would rather wait for tea . Still Mrs. Norris was at intervals urging something different ; and in the most interesting moment of his passage to England , when the alarm of  a French privateer was at the height , she burst through his recital with the proposal of soup . “Sure my dear Sir Thomas , a basin of soup would be a much better thing for you than tea . Do have a basin of soup.”

            Sir Thomas could not be provoked . “Still the same anxiety for everybody’s comfort , my dear Mrs. Norris .” was his answer . “But indeed I would rather have nothing but

tea .”  

11 . We can infer from the opening paragraph that Sir Thomas is customarily

(A) unwelcome at home

(B) tardy in business affairs

(C) dissatisfied with life

(D) more restrained in speech

(E) lacking in family feeling

12 . The passage suggests that Sir Thomas’s sudden arrival

(A) was motivated by concern for his wife

(B) came as no surprise to Lady Bertram

(C) was timed by him to coincide with a family reunion

(D) was expected by the servants

(E) was received with mixed emotions

13 . Which of the following titles best describes the passage ?

(A) An Unexpected Return

(B) The Conversation of the Upper Class

(C) Mrs. Norris’s Grievance

(D) A Romantic Reunion

(E) An Account of a Voyage Abroad

14 . The author’s tone in her description of Lady Bertram’s sensations ( the first five lines of paragraph two ) is 

(A) markedly scornful

(B) mildly bitter

(C) gently ironic

(D) manifestly indifferent

(E) warmly sympathetic

15 . By stressing that Lady Bertram “had no anxieties for anybody to cloud her pleasure” the author primarily intends to imply that

(A) Lady Bertram was hardhearted in ignoring the sufferings of others

(B) it was unusual for Lady Bertram to be so unconcerned

(C) others in the company had reason to be anxious

(D) Sir Thomas expected his wife to be pleased to see him

(E) Lady Bertram lived only for pleasure

16 . Sir Thomas’s attitude toward Mrs. Norris can best be described as one of

(A) sharp irritation

(B) patient forbearance

(C) solemn disapproval

(D) unreasoned alarm

(E) unmixed delight

17 . The office of which Mrs. Norris feels herself defrauded is most likely that of

(A) butler (B) housekeeper (C) wife (D) world traveler (E) message-bearer

-------------------------------------------------------------------------------------------------------------------

The following passage is taken from Edith Wharton’s Novel , The Age of Innocence . In this excerpt , the American hero has an unexpected encounter during the course of a visit to the Louvre Museum in Paris .

            Newman promised himself to pay Mademoiselle Noemie another visit at the Louvre. He was curious about the progress of his copies , but it must be added that he was still more curious about the progress of the young lady herself . He went one afternoon to the great museum. and wandered through several of the rooms in fruitless quest of her . H was bending his steps tp the long hall of the Italian masters , when suddenly he found himself face to face with Valentin de Bellegarde . The young Frenchman greeted him with ardor , and assured him that he was a godsend . He himself was in the worst of humors and he wanted someone to contradict .

            “In a bad humor among all these beautiful thing ?” said Newman “I thought you were so fond of pictures , especially the old black ones . There are two or three here that ought to keep you in spirits .”

            “Oh ,today ,” answered Valentin , “I am not in a mood for pictures , and the more beautiful they are the less I like them . Their great staring eyes and fixed positions irritate me . I feel as if I were at some big , dull party , in a room full of people I shouldn’t wish to speak to . What should I care for their beauty ? It’s a bore , and , worse still , it’s a reproach. I have a great many ennuis ; I feel vicious .”

            “If the Louvre has so little comfort for you , why in the world did you come here ?” Newman asked .

            “That is one of my ennuis . I came to meet my cousin - a dreadful English cousin , a member of my mother’s family - who is in Paris for a week with her husband , and who wishes me to point out the ‘principal beauties.’ Imagine a woman who wears a green crepe bonnet in December and has straps sticking out of the ankles of her interminable boots ! My mother begged I would do something to oblige them . I have undertaken to play valet de place this afternoon . They were to have met me here at two o’clock , and I have been waiting for them twenty minutes . Why doesn’t she arrive ? She has at least a pair of feet to carry her . I don’t know whether to be furious at their playing me false ,or delighted to have escaped them .”

            “I think in your place I would be furious ,” said Newman , “because they may arrive yet , and then your fury will still be of no use to you . Whereas if you were delighted and they were afterwards to turn up , you might not know what to do with your delight .”

            “You give me excellent advice , and I already feel better . I will be furious ; I will let them go to the deuce and I myself will go with you -- unless by chance you too have a rendezvous .”

18 . The passage indicates that Newman has gone to the Louvre in order to   

(A) meet Valentin

(B) look at the paintings

(C) explore Paris

(D) keep an appointment

(E) see Mademoiselle Noemie

19 . According to the passage , Valentin is unhappy about being at the Louvre because he

(A) hates the paintings of the Italian masters

(B) has accidentally met Newman in the long hall

(C) wishes to be at a party

(D) feels that beauty should be that of nature

(E) is supposed to guide his cousin through it

20 . It can be inferred from the passage that Valentin is expressing his annoyance in the underlined lines by

(A) walking out of the Louvre in a fit of temper

(B) making insulting remarks about a woman

(C) not accepting Newman’s advice

(D) criticizing the paintings

(E) refusing to do as his mother wishes

21 . With which of the following statements would Valentin most likely agree ?

I . Clothes make the man .

II . Blood is thicker than water .

III . Better late than never .

(A) I only (B) II only (C) III only (D) I and II only (E) I , II , and III

22 . Newman’s role in the conversation is that of

(A) a heckler (B) a gossiper (C) a confidant (D) an enemy (E) a doubter

Answer Key

1 . B 2 . D 3 . B 4 . A 5 . D 6 . A 7 . C 8 . E 9 . R 10 . E 11 . D 12 . E 13 . A 14 . C 15 . C 16 . B 17 . E 18 . E 19 . E 20 . B 21. D 22 . C   

SAT Word Lists

SAT Word Lists 

The SAT High-Frequency Word list

  

abridge                  

abstemious

abstract

abstruse

accessible

acclaim

acknowledge

adulation

adversary

adversity

advocate

aesthetic

affable

affirmation

alleviate

aloof

altruistic

ambiguous

ambivalence

analogous

anarchist

anecdote

animosity

antagonism

antidote

antiquated

apathy

appease

apprehension

arbitrary

archaic

arrogance

articulate

artifact

artisan

ascendancy

ascetic

aspire

astute

attribute [ verb]

augment

austere

authoritarian

autonomous

aversion

belle

benevolent

bolster

braggart

brevity

cajole

calculated

candor

capricious

censorious

censure

coercion

commemorate

compile

complacency

compliance

composure

comprehensive

concede

conciliatory

concise

concur

condone

conflagration

confound

consensus

constraint

contend

contentious

contrast [ verb ]

conviction

cordial

corroborate

credulity

criterion

cryptic

cursory

curtail

decorum

deference

degradation

delineate

denounce

deplore

depravity

deprecate

deride

derivative

despondent

detached

deterrent

detrimental

devious

devise

diffuse

digression

diligence

diminution

discerning

disclose

discordant

discount [ verb ]

discrepancy

discriminating

disdain

disinclination

dismiss

disparage

disparity

disperse

disputatious

disseminate

dissent

divergent

doctrine

document[verb]

dogmatic

dubious

duplicity

eclectic

egotism

elated

eloquence

elusive

embellish

emulate

endorse

enhance

enigma

enmity

ephemeral

equivocal

erroneous

erudite

esoteric

eulogy

euphemism

exacerbate

exalt

execute

exemplary

exemplify

exhaustive

exhilarating

exonerate

expedient

expedite

explicit

exploit [ verb ]

extol

extraneous

extricate

exuberance

facilitate

fallacious

fanaticism

fastidious

feasible

fervor

flagrant

frivolous

frugality

furtive

garrulous

glutton

gratify

gratuitous

gravity

gregarious

guile

gullible

hamper [ verb ]

hardy

haughtiness

hedonist

heresy

hierarchy

homogeneous

hypocritical

idiosyncrasy

illusory

immutable

impair

impeccable

impede

implausible

implement [ verb ]

impudence

inadvertent

inane

incisive

incite

inclusive

incongruous

inconsequential

incorrigible

indict

indifferent

indiscriminate

induce

inert

ingenious

inherent

innate

innocuous

innovation

insipid

instigate

insularity

integrity

intervene

intimidate

intrepid

inundate

invert

ironic

lament

laud

lavish [ adj. ]

lethargic

levity

linger

listless

lofty

malicious

marred

materialism

methodical

meticulous

miserly

mitigate

morose

mundane

negate

nonchalance

notoriety

novelty

nurture

obliterate

oblivion

obscure [ verb ]

obstinate

ominous

opaque

opportunist

optimist

opulence

orator

ostentatious

pacifist

partisan

peripheral

perpetuate

pervasive

pessimism

phenomena

philanthropist

piety

placate

ponderous

pragmatic

preclude

precocious

predator

presumptuous

pretentious

prevalent

prodigal

profane

profound

profusion

proliferation

prolific

provincial

proximity

prudent

qualified

quandary

ramble

rancor

ratify

rebuttal

recluse

recount

rectify

redundant

refute

relegate

remorse

renounce

repel

reprehensible

reprimand

reprove

repudiate

reserve [ noun ]

resigned

resolution

resolve [ noun ]

restraint

reticence

retract

reverent

rhetorical

rigor

robust

sage

sanction [verb]

satirical

saturate

scanty

scrupulous

scrutinize

seclusion

servile

skeptic

sluggish

somber

sporadic

squander

stagnant

static [adj. ]

submissive

subordinate[adj.]

subside

substantiate

succinct

superficial

superfluous

surpass

surreptitious

susceptible

sustain

sycophant

taciturn

temper [ verb ]

tentative

terse

thrive

tranquility

transient

trite

turbulence

turmoil

undermine

uniformity

unwarranted

usurp

vacillate

venerate

verbose

vigor

vilify

vindicate

virtuoso

volatile

whimsical

zealot

 

The SAT Hot Prospects Word List

  

abate

accolade

acquiesce

arid

acrimony

aggregate [ verb

amorphous

anachronistic

anomaly

antediluvian

antipathy

apocryphal

arable

ardent

assiduous

assuage

atrophy

audacious

avarice

avert

aviary

beguile

bequeath

bleak

blighted

bombastic

buttress

cacophonous

cardiologist

carping

certitude

charlatan

circumlocution

cliché

coalesce

colloquial

combustible

complementary

confluence

conjecture

converge

corrode

corrugated

culpable

debilitate

debunk

dehydrate

deleterious

depose

desiccate

diffidence

dilatory

discourse

discrepancy

disquiet

distend

dupe

ebullient

edify

efface

effervesce

elegy

elicit

elucidate

emaciated

emend

equanimity

equitable

evanescent

excerpt

fallow

falter

fathom [verb]

fell [ verb ]

fitful

florid

foolhardy

glacial

hackneyed

hyperbole

iconoclastic

ignominy

illicit

impecunious

impregnable

incidental

incontrovertible

indefatigable

indolent

ineffable

inexorable

insolvent

insuperable

intractable

irreproachable

jocular

labyrinth

laconic

laggard

lampoon

lassitude

lithe

lurid

luxuriant

meander

mercenary [adj. ]

mercurial

mirth

misanthrope

misnomer

mollify

mosaic

munificent

nefarious

nuance

obdurate

odious

omate

pariah

parody

parsimony

paucity

penury

perfunctory

pernicious

pitfall

pithy

polemical

prattle

precarious

profligate [ adj.]

quagmire

quell

querulous

quiescent

rant

rarefy

raucous

ravenous

raze

recant

remission

replete

repugnant

rescind

respite

resplendent

savory

sedentary

soporific

spurious`

spurn

steadfast

stolid

strident

stupefy

supplant

surfeit

swagger

tantamount

tenacity

terrestrial

threadbare

tirade

torpor

trepidation

trifling

truncate

unkempt

unprecedented

vaporize

viable

virulent

voluble

witticism

 

 

150-] English Literature

150-] English Literature Letitia Elizabeth Landon     List of works In addition to the works listed below, Landon was responsible for nume...