298- ] English Literature
Hohn Fowles
John Robert Fowles was born March 31, 1926 in Leigh-on-Sea, a
small town located about 40 miles from London in the county of Essex, England.
He recalls the English suburban culture of the 1930s as oppressively conformist
and his family life as intensely conventional. Of his childhood, Fowles says “I
have tried to escape ever since.”
Fowles attended Bedford School, a large boarding school designed
to prepare boys for university, from ages 13 to 18. After briefly attending the
University of Edinburgh, Fowles began compulsory military service in 1945 with
training at Dartmoor, where he spent the next two years. World War II ended
shortly after his training began so Fowles never came near combat, and by 1947
he had decided that the military life was not for him.
Fowles then spent four years at Oxford, where he discovered the
writings of the French existentialists. In particular he admired Albert Camus
and Jean-Paul Sartre, whose writings corresponded with his own ideas about
conformity and the will of the individual. He received a degree in French in
1950 and began to consider a career as a writer.
Several teaching jobs followed: a year lecturing in English
literature at the University of Poitiers, France; two years teaching English at
Anargyrios College on the Greek island of Spetsai; and finally, between 1954
and 1963, teaching English at St. Godric’s College in London, where he
ultimately served as the department head.
The time spent in Greece was of great importance to Fowles.
During his tenure on the island he began to write poetry and to overcome a
long-time repression about writing. Between 1952 and 1960 he wrote several
novels but offered none to a publisher, considering them all incomplete in some
way and too lengthy.
In late 1960 Fowles completed the first draft of The Collector
in just four weeks. He continued to revise it until the summer of 1962, when he
submitted it to a publisher; it appeared in the spring of 1963 and was an
immediate best-seller. The critical acclaim and commercial success of the book
allowed Fowles to devote all of his time to writing.
The Aristos, a collection of philosophical thoughts and musings
on art, human nature and other subjects, appeared the following year. Then in
1965, The Magus–drafts of which Fowles had been working on for over a decade–
was published. Among the seven novels that Fowles has written, The Magus has
perhaps generated the most enduring interest, becoming something of a cult
novel, particularly in the U.S.
With parallels to Shakespeare’s The Tempest and Homer’s The
Odyssey, The Magus is a traditional quest story made complex by the
incorporation of dilemmas involving freedom, hazard and a variety of
existential uncertainties. Fowles compared it to a detective story because of
the way it teases the reader: “You mislead them ideally to lead them into a
greater truth…it’s a trap which I hope will hook the reader,” he says.
The most commercially successful of Fowles’ novels, The French
Lieutenant’s Woman, appeared in 1969. It resembles a Victorian novel in
structure and detail, while pushing the traditional boundaries of narrative in
a very modern manner. Winner of several awards and made into a well-received
film starring Meryl Streep in the title role, it is the book that today’s
casual readers seem to most associate with Fowles.
In the 1970s Fowles worked on a variety of literary
projects–including a series of essays on nature–and in 1973 he published a
collection of poetry, Poems. He also worked on translations from the French,
including adaptations of Cinderella and the novella Ourika. His translation of
Marie de France’s 12th Century story Eliduc served as an inspiration for The
Ebony Tower, a novella and four short stories that appeared in 1974.
Daniel Martin, a long and somewhat autobiographical novel
spanning over 40 years in the life of a screenwriter, appeared in 1977, along
with a revised version of The Magus. These were followed by Mantissa (1982), a
fable about a novelist’s struggle with his muse; and A Maggot (1985), an 18th
century mystery which combines science fiction and history.
In addition to The Aristos, Fowles has written a variety of
non-fiction pieces including many essays, reviews, and forwards/afterwords to
other writers’ novels. He has also written the text for several photographic
compilations, including Shipwreck (1975), Islands (1978) and The Tree (1979).
Beginning in 1968, Fowles lived on the southern coast of England
in the small harbor town of Lyme Regis (the setting for The French Lieutenant’s
Woman). His interest in the town’s local history resulted in his appointment as
curator of the Lyme Regis Museum in 1979, a position he filled for a decade.
Wormholes, a book of essays, was published in May 1998. The
first comprehensive biography on Fowles, John Fowles–A Life in Two Worlds, was
published in 2004, and the first volume of his journals appeared the same year,
followed by volume two in 2006.
John Fowles died on November 5, 2005 after a long illness. Read an obituary and an appreciation by
clicking here.
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