316- ] English Literature
Alex Garland
What is Alex Garland
known for?
What was Alex
Garland’s first successful novel?
How did Alex Garland
transition from novels to screenwriting and directing?
Alex Garland (born
May 26, 1970, London, England) is a British novelist, screenwriter, and
director known for such films as Ex Machina (2014), Annihilation (2018), Civil
War (2024), and Warfare (2025). His films often explore science fiction themes
and dystopian futures.
Early life
Garland was born in
London to Caroline and Nicholas Garland. His mother was a clinical psychologist
and psychoanalyst, and his father was a political cartoonist for newspapers.
Growing up around his father’s journalist friends, Garland initially wanted to
be a journalist and has fond memories of foreign correspondents coming back
from Cambodia or Vietnam with great stories and small gifts. “I wanted to be a
journalist, and I planned to be a journalist, and then I found that I couldn’t
write nonfiction,” he told GQ magazine in 2024. “I wanted to write nonfiction.
I still almost exclusively read nonfiction, but I couldn’t write it.” Garland
earned a degree in art history from the University of Manchester and initially
tried his hand at drawing comic books.
The Beach and
breakout success
In 1996 Garland
published his first novel, The Beach, at age 26. The book, which is about young
travelers from the United States and Europe who are living in a secluded island
paradise in Thailand, was a major success and reprinted 25 times in a single
year. In 2000 The Beach was adapted into a movie of the same name, directed by
British filmmaker Danny Boyle, with the screenplay by John Hodge, and starring
Leonardo DiCaprio. Garland admitted to feeling uncomfortable with the novel’s
popularity, saying that he never had great ambitions to be a novelist and that
he experienced what is now known as imposter syndrome. But when he stepped onto
the film set during the making of The Beach, Garland said, he felt much more at
home, preferring the collaborative process of filmmaking to the solitude of
writing books.
Early work in
filmmaking
After The Beach
Garland wrote the screenplay for the 2002 zombie movie 28 Days Later, reuniting
with Boyle as director. His second novel, The Tesseract (1998), was adapted
into a 2003 movie of the same name, for which he cowrote the screenplay. He
collaborated with Boyle again on Sunshine (2007), about astronauts attempting
to reignite a dying Sun. Garland then cowrote several more screenplays,
including Never Let Me Go (2010), based on Kazuo Ishiguro’s 2005 novel, and
Dredd (2012). In 2014 he wrote and directed Ex Machina, about a reclusive tech
genius who creates the first AI robot, named Ava. “I feel more attached to this
film, I feel more strongly about this film than anything I’ve worked on up till
now,” he told The Guardian soon after its release. “I think it’s the best-realized
thing I’ve done.” He subsequently cowrote and directed Annihilation (2018),
about a team of scientists exploring a mysterious zone of alien influence.
In 2020 Garland dived
further into science fiction with Devs, an eight-part streaming series on the
FX network, about the head of a tech company (played by Nick Offerman) who
builds a quantum computer capable of glimpsing both the distant past and the
future. Garland has expressed concern that society places too much trust in
tech leaders, noting that corporations are not subject to the same checks and
balances as governments, even though they can rival nation-states in power, and
Devs explores these thoughts.
Civil War, Warfare,
and 28 Years Later
Garland wrote and
directed one of the most talked about films of recent years, Civil War (2024),
which imagines a near-future in which the United States is in the throes of a
modern-day internecine war after 19 states have seceded. This time Offerman
plays an authoritarian three-term president, and Kirsten Dunst stars as a
veteran war photojournalist. In one of the film’s most memorable scenes, a
soldier played by Dunst’s husband, actor Jesse Plemons, snarls, “What kind of
American are you?”
Although the movie
was widely praised for its emotional impact, some critics were puzzled by the
origins of the conflict and the unlikely alliance of California and Texas. The
New York Times praised the movie as a “blunt, gut-twisting work of speculative
fiction,” whereas a “Critic’s Notebook” column in The Hollywood Reporter
offered a more critical take, under the headline “The Compellingly Packaged
Cowardice of Civil War.”
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