222- ] English Literature - George Orwell

222- ] English Literature

George Orwell 

Eric Arthur Blair (25 June 1903 – 21 January 1950) was an English novelist, poet, essayist, journalist and critic who wrote under the pen name of George Orwell. His work is characterised by lucid prose, social criticism, opposition to all totalitarianism (both authoritarian communism and fascism), and support of democratic socialism.

Orwell is best known for his allegorical novella Animal Farm (1945) and the dystopian novel Nineteen Eighty-Four (1949), although his works also encompass literary criticism, poetry, fiction and polemical journalism. His non-fiction works, including The Road to Wigan Pier (1937), documenting his experience of working-class life in the industrial north of England, and Homage to Catalonia (1938), an account of his experiences soldiering for the Republican faction of the Spanish Civil War (1936–1939), are as critically respected as his essays on politics, literature, language and culture.

Orwell's work remains influential in popular culture and in political culture, and the adjective "Orwellian"—describing totalitarian and authoritarian social practices—is part of the English language, like many of his neologisms, such as "Big Brother", "Thought Police", "Room 101", "Newspeak", "memory hole", "doublethink", and "thoughtcrime". In 2008, The Times named Orwell the second-greatest British writer since 1945.

Life

Early years

Orwell's birthplace in Motihari, Bihar, India

Eric Arthur Blair was born on 25 June 1903 in Motihari, Bengal Presidency (now Bihar), British India, into what he described as a "lower-upper-middle class" family. His great-great-grandfather, Charles Blair, was a wealthy slaveowning country gentleman and absentee owner of two Jamaican plantations; hailing from Dorset, he married Lady Mary Fane, daughter of the 8th Earl of Westmorland. His grandfather, Thomas Richard Arthur Blair, was an Anglican clergyman. Orwell's father was Richard Walmesley Blair, who worked as a Sub-Deputy Opium Agent in the Opium Department of the Indian Civil Service, overseeing the production and storage of opium for sale to China. His mother, Ida Mabel Blair (née Limouzin), grew up in Moulmein, Burma, where her French father was involved in speculative ventures. Eric had two sisters: Marjorie, five years older; and Avril, five years younger. When Eric was one year old, his mother took him and Marjorie to England. In 2014 restoration work began on Orwell's birthplace and ancestral house in Motihari.

In 1904, Ida settled with her children at Henley-on-Thames in Oxfordshire. Eric was brought up in the company of his mother and sisters and, apart from a brief visit in mid-1907, he did not see his father until 1912. Aged five, Eric was sent as a day student to a convent school in Henley-on-Thames. It was a Catholic convent run by French Ursuline nuns. His mother wanted him to have a public school education, but his family could not afford it. Through the social connections of Ida's brother Charles Limouzin, Blair gained a scholarship to St Cyprian's School in Eastbourne, East Sussex. Arriving in September 1911, he boarded for the next five years, returning home only for holidays. Although he knew nothing of the reduced fees, he "soon recognised that he was from a poorer home". Blair hated the school and many years later wrote an essay "Such, Such Were the Joys", published posthumously, based on his time there. At St Cyprian's, Blair first met Cyril Connolly, who became a writer and who, as the editor of Horizon, published several of Orwell's essays.

Before the First World War, the family moved 2 miles (3 km) south to Shiplake, Oxfordshire, where Eric became friendly with the Buddicom family, especially their daughter Jacintha. When they first met, he was standing on his head in a field. Asked why, he said, "You are noticed more if you stand on your head than if you are right way up." Growing up together, Buddicom and Blair became idealistic adolescent sweethearts, reading and writing poetry together, and dreaming of becoming famous writers. Blair also enjoyed shooting, fishing and birdwatching with Jacintha's brother and sister.

While at St Cyprian's, Blair wrote two poems that were published in the Henley and South Oxfordshire Standard. He came second to Connolly in the Harrow History Prize, had his work praised by the school's external examiner, and earned scholarships to Wellington and Eton. But inclusion on the Eton scholarship roll did not guarantee a place, and none was immediately available. He chose to stay at St Cyprian's until December 1916, in case a place at Eton became available.

In January, Blair took up the place at Wellington, where he spent the Spring term. In May 1917 a place became available as a King's Scholar at Eton. At this time the family lived at Mall Chambers, Notting Hill Gate. Blair remained at Eton until December 1921, when he left midway between his 18th and 19th birthdays. Wellington was "beastly", Blair told Jacintha, but he said he was "interested and happy" at Eton. His principal tutor was A. S. F. Gow, Fellow of Trinity College, Cambridge , who gave him advice later in his career. Blair was taught French by Aldous Huxley. Steven Runciman, who was at Eton with Blair, noted that he and his contemporaries appreciated Huxley's linguistic flair.

Blair's performance reports suggest he neglected his studies, but he worked with Roger Mynors to produce a college magazine, The Election Times, joined in the production of other publications—College Days and Bubble and Squeak—and participated in the Eton Wall Game. His parents could not afford to send him to university without another scholarship, and they concluded from his poor results he would not be able to win one. Runciman noted he had a romantic idea about the East, and the family decided Blair should join the Imperial Police, the precursor of the Indian Police Service. For this he had to pass an entrance examination. In December 1921 he left Eton and travelled to join his retired father, mother, and younger sister Avril, who that month had moved to 40 Stradbroke Road, Southwold, Suffolk, the first of their four homes in the town. Blair was enrolled at a crammer there called Craighurst, and brushed up on his Classics, English, and History. He passed the exam, coming seventh out of the 26 who passed.

Policing in Burma

Blair's maternal grandmother lived at Moulmein, so he chose a posting in Burma, then still a province of British India. In October 1922 he sailed on board SS Herefordshire to join the Indian Imperial Police in Burma. A month later, he arrived at Rangoon and travelled to the police training school in Mandalay. He was appointed an Assistant District Superintendent (on probation) on 29 November 1922, at the pay of Rs. 525 per month. After a short posting at Maymyo, Burma's principal hill station, he was posted to the frontier outpost of Myaungmya in the Irrawaddy Delta at the beginning of 1924.

Working as an imperial police officer gave him considerable responsibility while most of his contemporaries were still at university in England. When he was posted farther east in the Delta to Twante as a sub-divisional officer, he was responsible for the security of some 200,000 people. At the end of 1924, he was posted to Syriam, closer to Rangoon. Syriam had the refinery of the Burmah Oil Company, "the surrounding land a barren waste, all vegetation killed off by the fumes of sulphur dioxide pouring out day and night from the stacks of the refinery." But the town was near Rangoon, a cosmopolitan seaport, and Blair went into the city as often as he could, "to browse in a bookshop; to eat well-cooked food; to get away from the boring routine of police life". In September 1925 he went to Insein, the home of Insein Prison. By this time, Blair had completed his training and was receiving a monthly salary of Rs. 740, including allowances.

Blair recalled he faced hostility from the Burmese, "in the end the sneering yellow faces of young men that met me everywhere, the insults hooted after me when I was at a safe distance, got badly on my nerves". He recalled that "I was stuck between my hatred of the empire I served and my rage against the evil-spirited little beasts who tried to make my job impossible".

In Burma, Blair acquired a reputation as an outsider. He spent much of his time alone, reading or pursuing non-pukka activities, such as attending the churches of the Karen ethnic group. A colleague, Roger Beadon, recalled that Blair was fast to learn the language and that before he left Burma, "was able to speak fluently with Burmese priests in 'very high-flown Burmese'." Blair made changes to his appearance in Burma that remained for the rest of his life, including adopting a pencil moustache. Emma Larkin writes in the introduction to Burmese Days:

While in Burma, he acquired a moustache similar to those worn by officers of the British regiments stationed there. [He] also acquired some tattoos; on each knuckle he had a small untidy blue circle. Many Burmese living in rural areas still sport tattoos like this—they are believed to protect against bullets and snake bites.

In April 1926 he moved to Moulmein, where his maternal grandmother lived. At the end of that year, he was assigned to Katha in Upper Burma, where he contracted dengue fever in 1927. Entitled to a leave in England that year, he was allowed to return in July due to his illness. While on holiday with his family in Cornwall in September 1927, he reappraised his life. Deciding against returning to Burma, he resigned from the Indian Imperial Police to become a writer, with effect from 12 March 1928. He drew on his experiences in the Burma police for the novel Burmese Days (1934) and the essays "A Hanging" (1931) and "Shooting an Elephant" (1936).

London and Paris

In England, he settled back in the family home at Southwold, renewing acquaintance with local friends and attending an Old Etonian dinner. He visited his old tutor Gow at Cambridge for advice on becoming a writer. In 1927 he moved to London. Ruth Pitter, a family acquaintance, helped him find lodgings, and by the end of 1927 he had moved into rooms in Portobello Road; a blue plaque commemorates his residence there. Pitter's involvement in the move "would have lent it a reassuring respectability in Mrs. Blair's eyes." Pitter had a sympathetic interest in Blair's writing, pointed out weaknesses in his poetry, and advised him to write about what he knew. In fact he decided to write of "certain aspects of the present that he set out to know" and ventured into the East End of London—the first of the occasional sorties he would make intermittently over a period of five years to discover the world of poverty and the down-and-outers who inhabit it.

In imitation of Jack London, whose writing he admired (particularly The People of the Abyss), Blair started to explore the poorer parts of London. On his first outing he set out to Limehouse Causeway, spending his first night in a common lodging house, possibly George Levy's "kip". For a while he "went native" in his own country, dressing like a tramp, adopting the name P.S. Burton; he recorded his experiences of the low life for use in "The Spike", his first published essay in English, and in the second half of his first book, Down and Out in Paris and London (1933).

In early 1928 he moved to Paris. He lived in the rue du Pot de Fer, a working class district in the 5th arrondissement. His aunt Ellen (Nellie) Kate Limouzin also lived in Paris (with the Esperantist Eugène Lanti) and gave him social and, when necessary, financial support. He began to write novels, including an early version of Burmese Days, but nothing else survives from that period. He was more successful as a journalist and published articles in Monde, a political/literary journal edited by Henri Barbusse (his first article as a professional writer, "La Censure en Angleterre", appeared in that journal on 6 October 1928); G. K.'s Weekly, where his first article to appear in England, "A Farthing Newspaper", was printed on 29 December 1928; and Le Progrès Civique (founded by the left-wing coalition Le Cartel des Gauches). Three pieces appeared in successive weeks in Le Progrès Civique: discussing unemployment, a day in the life of a tramp, and the beggars of London, respectively. "In one or another of its destructive forms, poverty was to become his obsessive subject—at the heart of almost everything he wrote until Homage to Catalonia."

He fell seriously ill in February 1929 and was taken to the Hôpital Cochin, a free hospital where medical students were trained. His experiences there were the basis of his essay "How the Poor Die", published in 1946 (though he chose not to identify the hospital). Shortly afterwards, he had all his money stolen from his lodging house. Whether through necessity or to collect material, he undertook menial jobs such as dishwashing in a fashionable hotel on the rue de Rivoli, which he later described in Down and Out in Paris and London. In August 1929, he sent a copy of "The Spike" to John Middleton Murry's New Adelphi magazine in London. The magazine was edited by Max Plowman and Sir Richard Rees, and Plowman accepted the work for publication.

Southwold

In December 1929 after nearly two years in Paris, Blair returned to England and went directly to his parents' house in Southwold, a coastal town in Suffolk, which remained his base for the next five years. The family was well established in the town, where his sister Avril ran a tea-house. He became acquainted with many local people, including Brenda Salkeld, the clergyman's daughter who worked as a gym-teacher at St Felix Girls' School. Although Salkeld rejected his offer of marriage, she remained a friend and regular correspondent for many years. He also renewed friendships with older friends, such as Dennis Collings, whose girlfriend Eleanor Jacques was also to play a part in his life.

In early 1930 he stayed briefly in Bramley, Leeds, with his sister Marjorie and her husband Humphrey Dakin. Blair was writing reviews for Adelphi and acting as a private tutor to a disabled child at Southwold. He then became tutor to three young brothers, one of whom, Richard Peters, later became a distinguished academic.

His history in these years is marked by dualities and contrasts. There is Blair leading a respectable, outwardly eventless life at his parents' house in Southwold, writing; then in contrast, there is Blair as Burton (the name he used in his down-and-out episodes) in search of experience in the kips and spikes, in the East End, on the road, and in the hop fields of Kent.

He went painting and bathing on the beach, and there he met Mabel and Francis Fierz, who later influenced his career. Over the next year he visited them in London, often meeting their friend Max Plowman. He also often stayed at the homes of Ruth Pitter and Richard Rees, where he could "change" for his sporadic tramping expeditions. One of his jobs was domestic work at a lodgings for half a crown (two shillings and sixpence, or one-eighth of a pound) a day.

Blair now contributed regularly to Adelphi, with "A Hanging" appearing in August 1931. From August to September 1931 his explorations of poverty continued, and, like the protagonist of A Clergyman's Daughter, he followed the East End tradition of working in the Kent hop fields. He kept a diary about his experiences there. Afterwards, he lodged in the Tooley Street kip, but could not stand it for long, and with financial help from his parents moved to Windsor Street, where he stayed until Christmas. "Hop Picking", by Eric Blair, appeared in the October 1931 issue of New Statesman, whose editorial staff included his old friend Cyril Connolly. Mabel Fierz put him in contact with Leonard Moore, who became his literary agent in April 1932.

At this time Jonathan Cape rejected A Scullion's Diary, the first version of Down and Out. On the advice of Richard Rees, he offered it to Faber & Faber, but their editorial director, T. S. Eliot, also rejected it. Blair ended the year by deliberately getting himself arrested, so that he could experience Christmas in prison, but after he was picked up and taken to Bethnal Green police station in the East End of London the authorities did not regard his "drunk and disorderly" behaviour as imprisonable, and after two days in a cell he returned home to Southwold.

Teaching career

In April 1932 Blair became a teacher at The Hawthorns High School, a school for boys, in Hayes, west London. This was a small private school, and had only 14 or 16 boys aged between ten and sixteen, and one other master. While at the school he became friendly with the curate of the local parish church and became involved with activities there. Mabel Fierz had pursued matters with Moore, and at the end of June 1932, Moore told Blair that Victor Gollancz was prepared to publish A Scullion's Diary for a £40 advance, through his recently founded publishing house, Victor Gollancz Ltd, which was an outlet for radical and socialist works.

At the end of the summer term in 1932, Blair returned to Southwold, where his parents had used a legacy to buy their own home. Blair and his sister Avril spent the holidays making the house habitable while he also worked on Burmese Days. He was also spending time with Eleanor Jacques, but her attachment to Dennis Collings remained an obstacle to his hopes of a more serious relationship.

"Clink", an essay describing his failed attempt to get sent to prison, appeared in the August 1932 number of Adelphi. He returned to teaching at Hayes and prepared for the publication of his book, now known as Down and Out in Paris and London. He wished to publish under a different name to avoid any embarrassment to his family over his time as a "tramp". In a letter to Moore (dated 15 November 1932), he left the choice of pseudonym to Moore and to Gollancz. Four days later, he wrote to Moore, suggesting the pseudonyms P. S. Burton (a name he used when tramping), Kenneth Miles, George Orwell, and H. Lewis Allways. He finally adopted the pen name George Orwell because "It is a good round English name." The name George was inspired by the patron saint of England, and Orwell after the River Orwell in Suffolk which was one of Orwell's favourite locations.

Down and Out in Paris and London was published by Victor Gollancz in London on 9 January 1933 and received favourable reviews, with Cecil Day-Lewis complimenting Orwell's "clarity and good sense", and The Times Literary Supplement comparing Orwell's eccentric characters to the characters of Dickens. Down and Out was modestly successful and was next published by Harper & Brothers in New York.

In mid-1933 Blair left Hawthorns to become a teacher at Frays College, in Uxbridge, west London. This was a much larger establishment with 200 pupils and a full complement of staff. He acquired a motorcycle and took trips through the surrounding countryside. On one of these expeditions he became soaked and caught a chill that developed into pneumonia. He was taken to a cottage hospital in Uxbridge, where for a time his life was believed to be in danger. When he was discharged in January 1934, he returned to Southwold to convalesce and, supported by his parents, never returned to teaching.

He was disappointed when Gollancz turned down Burmese Days, mainly on the grounds of potential suits for libel, but Harper were prepared to publish it in the United States. Meanwhile, Blair started work on the novel A Clergyman's Daughter, drawing upon his life as a teacher and on life in Southwold. Eventually in October, after sending A Clergyman's Daughter to Moore, he left for London to take a job that had been found for him by his aunt Nellie Limouzin.

Hampstead

His job was as a part-time assistant in Booklovers' Corner, a second-hand bookshop in Hampstead run by Francis and Myfanwy Westrope, who were friends of Nellie Limouzin in the Esperanto movement. The Westropes were friendly and provided him with comfortable accommodation at Warwick Mansions, Pond Street. He was sharing the job with Jon Kimche, who also lived with the Westropes. Blair worked at the shop in the afternoons and had his mornings free to write and his evenings free to socialise. These experiences provided background for the novel Keep the Aspidistra Flying (1936). As well as the various guests of the Westropes, he was able to enjoy the company of Richard Rees and the Adelphi writers and Mabel Fierz. The Westropes and Kimche were members of the Independent Labour Party, although at this time Blair was not seriously politically active. He was writing for the Adelphi and preparing A Clergyman's Daughter and Burmese Days for publication.

At the beginning of 1935 he had to move out of Warwick Mansions, and Mabel Fierz found him a flat in Parliament Hill. A Clergyman's Daughter was published on 11 March 1935. In early 1935 Blair met his future wife Eileen O'Shaughnessy, when his landlady, Rosalind Obermeyer, who was studying for a master's degree in psychology at University College London, invited some of her fellow students to a party. One of these students, Elizaveta Fen, recalled Blair and his friend Richard Rees "draped" at the fireplace, looking, she thought, "moth-eaten and prematurely aged." Around this time, Blair had started to write reviews for The New English Weekly.

In June, Burmese Days was published and Cyril Connolly's positive review in the New Statesman prompted Blair to re-establish contact with his old friend. In August, he moved into a flat, at 50 Lawford Road, Kentish Town, which he shared with Michael Sayers and Rayner Heppenstall. The relationship was sometimes awkward and Blair and Heppenstall even came to blows, though they remained friends and later worked together on BBC broadcasts. Blair was now working on Keep the Aspidistra Flying, and also tried unsuccessfully to write a serial for the News Chronicle. By October 1935 his flatmates had moved out and he was struggling to pay the rent on his own. He remained until the end of January 1936, when he stopped working at Booklovers' Corner. In 1980, English Heritage honoured Orwell with a blue plaque at his Kentish Town residence.

  

221- ] English Literature - George Orwell

221- ] English Literature

George Orwell 

Biography

George Orwell was an English novelist, essayist, and critic most famous for his novels Animal Farm (1945) and Nineteen Eighty-Four (1949).

The following biography was written by D.J. Taylor. Taylor is an author, journalist and critic. His biography, Orwell: The Life won the 2003 Whitbread Biography Award. His new biography, Orwell: The New Life was published in 2023. D.J. Taylor is a member of the Orwell Council.

Orwell: A (Brief) Life, by D.J. Taylor

GEORGE ORWELL, the pen-name of Eric Arthur Blair, was born on 25 June 1903 in Motihari, Bengal, where his father, Richard Walmesley Blair, was working as an Opium Agent in the Indian Civil Service, into what – with the uncanny precision he brought to all social judgments – he described as ‘the lower-upper-middle classes’. In fact the Blairs were remote descendants of the Fane Earls of Westmoreland. Like many a child of the Raj, Orwell was swiftly returned to England and brought up almost exclusively by his mother. The Thames Valley locales in which the family settled provided the background to his novel Coming Up For Air (1939).

Happily for the family finances – never flourishing – Orwell was a studious child. From St Cyprian’s preparatory school in Eastbourne, a legendary establishment that also educated Cyril Connolly and Cecil Beaton, he won a King’s Scholarship to Eton College, arriving at the school in May 1917. Orwell left a caustic memoir of his time at St Cyprian’s (‘Such, Such Were The Joys’) but also remarked that ‘No one can look back on his schooldays and say with truth that they were altogether unhappy.’ At Eton he frankly slacked, leaving the school in December 1921 after only a term in the sixth form. The following June he passed the entrance examination of the Indian Imperial Police and was accepted into its Burma division.

Orwell’s five-year stint in Burma is often seen as a mournful period of parentally-ordained exile. However both sides of his family were professionally attached to the Eastern Empire, and his stated reason for applying for the Burma posting was that he had relatives there. Almost nothing is known of Orwell’s time in the province, other than that it offered the material for two of his best-known essays, ‘A Hanging’ and ‘Shooting an Elephant’ and his first novel Burmese Days (1934). It also ruined his health. Although disillusioned by the Imperial ‘racket’ he had helped to administer, he left Burma in June 1927 on a medical certificate. The decision to resign from the Burma Police was taken after his return.

For the next five years he led a vagrant life. Some of this time was spent at his parents’ home in Southwold, Suffolk. There were periods teaching in private schools, living in Paris and masquerading as a tramp, the background to his first published work, Down and Out in Paris and London (1933). His professional alias, which combined the name of the reigning monarch with a local river, was adopted shortly before publication. His teaching career was brought to a close by a bout of pneumonia and at the end of 1934, having used a long, recuperative stay in Southwold to complete a second novel, A Clergyman’s Daughter (1935), he decamped to London to work in a Hampstead bookshop. This was a productive period. Here he met and married his first wife, Eileen O’Shaughnessy, and wrote a third novel, partly based on his book-trade experiences,Keep the Aspidistra Flying (1936).

The Orwells began their married life in a tiny cottage in Wallington, Hertfordshire, where Orwell worked up the material gathered on a recent tour of the industrial north into The Road to Wigan Pier (1937). Although the book’s second half consists of a long, inflammatory polemic on Socialism, Orwell’s political views were still not fully formed. The defining political experience of his life, alternatively, was the six months he spent in Spain, in 1937, as a Republican volunteer against Franco. He was wounded in the throat – the bullet passing within a few millimetres of his carotid artery – and was present in Barcelona when Soviet-sponsored hit-squads attempted to suppress the Trotskyist POUM militia, of which he had been a member. Spain made Orwell ‘believe in Socialism for the first time’, as he put it, while instilling an enduring hatred of totalitarian political systems.

Homage to Catalonia, an account of his time in Spain, was published in April 1938. He spent most of the next year recuperating, both in England and Morocco, from a life-threatening lung haemorrhage. At this stage Orwell was determined to oppose the looming international conflict, only changing his mind on the announcement of the Russo-German pact in August 1939. Initially Orwell had high hopes of the war, which he believed would instil a sense of Socialist purpose: this view was developed in the pamphlet essay The Lion and the Unicorn: Socialism and the English Genius (1941). Rejected for military service on health grounds, he became a talks producer in the BBC’s Eastern Service, a job he came to dislike. The BBC’s atmosphere, he complained, ‘is something between a girls’ school and a lunatic asylum, and all we are doing at present is useless, or slightly worse than useless’. In 1943 he secured a more congenial billet as literary editor of the left-wing weekly magazine Tribune, to which he also contributed a column under the heading ‘As I Please’.

Animal Farm, his bitter satire of the Soviet experiment, was written by the middle of 1944. Publishers’ timidity, and the covert pressure exerted by a Russian spy working for the Ministry of Information, delayed its appearance until August 1945. By this time Orwell’s personal life was in ruins. Five months previously Eileen had died of heart failure during a routine operation. The couple had previously adopted a small boy, Richard Horatio Blair, whom Orwell, with the help of his sister Avril, determined to raise on his own.

Through his friend David Astor, he had already begun to explore the possibility of living on the remote Scottish island of Jura. Much of the last half-decade of his life was spent in the Inner Hebrides struggling against worsening health to complete his final novel, Nineteen Eighty-Four. After finishing a final draft at the end of 1948 he suffered a complete physical collapse and was taken away to a nursing home in the Cotswolds suffering from advanced tuberculosis. The novel’s enormous international success, on publication in June 1949, came too late for its author. He was transferred to University College Hospital in September and died there on 21 January 1950, aged 46. Shortly before his death he made an unexpected second marriage to Sonia Brownell, an editorial assistant on the literary magazine Horizon. Sitting down to read his obituaries on the day of his funeral, his friend Malcolm Muggeridge thought that he saw in them ‘how the legend of a human being is created’.

D. J. Taylor was born in Norwich in 1960. He is the author of five novels, including English Settlement, which won a Grinzane Cavour prize, Trespass and The Comedy Man. He is also well-known as a critic and reviewer, and is the author of A Vain Conceit: British Fiction in the 1980s, and an acclaimed biography, Thackeray. His critically acclaimed Orwell biography, Orwell: The Life (2003) won the Whitbread Biography Award, and he gave the 2005 Orwell Lecture entitled ‘Projections of the Inner “I”: George Orwell’s Fiction’. He is married with three children and lives in Norwich. Orwell: The New Life was published in 2023.

  

220- ] English Literature - George Orwell

220- ] English Literature

George Orwell

Summary 

George Orwell (born June 25, 1903, Motihari, Bengal, India—died January 21, 1950, London, England) was an English novelist, essayist, and critic famous for his novels Animal Farm (1945) and Nineteen Eighty-four (1949). The latter of these is a profound anti-utopian novel that examines the dangers of totalitarian rule.

Born Eric Arthur Blair, Orwell never entirely abandoned his original name, but his first book, Down and Out in Paris and London, appeared in 1933 as the work of George Orwell (the surname he derived from the beautiful River Orwell in East Anglia). In time his nom de plume became so closely attached to him that few people but relatives knew his real name was Blair. The change in name corresponded to a profound shift in Orwell’s lifestyle, in which he changed from a pillar of the British imperial establishment into a literary and political rebel.

Early life

He was born in Bengal, India, into the class of sahibs. His father was a minor British official in the Indian civil service; his mother, of French extraction, was the daughter of an unsuccessful teak merchant in Burma (Myanmar). Their attitudes were those of the “landless gentry,” as Orwell later called lower-middle-class people whose pretensions to social status had little relation to their income. Orwell was thus brought up in an atmosphere of impoverished snobbery. After returning with his parents to England, he was sent in 1911 to a preparatory boarding school on the Sussex coast, where he was distinguished among the other boys by his poverty and his intellectual brilliance. He grew up a morose, withdrawn, eccentric boy, and he was later to tell of the miseries of those years in his posthumously published autobiographical essay, Such, Such Were the Joys (1953).

Orwell won scholarships to two of England’s leading schools, Wellington and Eton, and briefly attended the former before continuing his studies at the latter, where he stayed from 1917 to 1921. Aldous Huxley was one of his masters, and it was at Eton that Orwell published his first writing in college periodicals. Instead of matriculating at a university, Orwell decided to follow family tradition and, in 1922, went to Burma as assistant district superintendent in the Indian Imperial Police. He served in a number of country stations and at first appeared to be a model imperial servant. Yet from boyhood he had wanted to become a writer, and when he realized how much against their will the Burmese were ruled by the British, he felt increasingly ashamed of his role as a colonial police officer. Later he was to recount his experiences and his reactions to imperial rule in his novel Burmese Days and in two brilliant autobiographical sketches, “Shooting an Elephant” and “A Hanging,” classics of expository prose.

Against imperialism

In 1927 Orwell, on leave to England, decided not to return to Burma, and on January 1, 1928, he took the decisive step of resigning from the imperial police. Already in the autumn of 1927 he had started on a course of action that was to shape his character as a writer. Having felt guilty that the barriers of race and caste had prevented his mingling with the Burmese, he thought he could expiate some of his guilt by immersing himself in the life of the poor and outcast people of Europe. Donning ragged clothes, he went into the East End of London to live in cheap lodging houses among laborers and beggars; he spent a period in the impoverished sections of Paris and worked as a dishwasher in French hotels and restaurants; he tramped the roads of England with professional vagrants and joined the working-class people of London in their annual exodus to work in the hopfields of Kent.

Those experiences gave Orwell the material for Down and Out in Paris and London, in which actual incidents are rearranged into something like fiction. The book’s publication in 1933 earned him some initial literary recognition. Orwell’s first novel, Burmese Days (1934), established the pattern of his subsequent fiction in its portrayal of a sensitive, conscientious, and emotionally isolated individual who is at odds with an oppressive or dishonest social environment. The main character of Burmese Days is a minor administrator who seeks to escape from the dreary and narrow-minded chauvinism of his fellow British colonialists in Burma. His sympathies for the Burmese, however, end in an unforeseen personal tragedy. The protagonist of Orwell’s next novel, A Clergyman’s Daughter (1935), is an unhappy spinster who achieves a brief and accidental liberation in her experiences among some agricultural laborers. Keep the Aspidistra Flying (1936) is about a literarily inclined bookseller’s assistant who despises the empty commercialism and materialism of middle-class life but who in the end is reconciled to bourgeois prosperity by his forced marriage to the girl he loves.

Orwell’s revulsion against imperialism led not only to his personal rejection of the bourgeois lifestyle but to a political reorientation as well. Immediately after returning from Burma he called himself an anarchist and continued to do so for several years; during the 1930s, however, he began to consider himself a socialist, though he was too libertarian in his thinking ever to take the further step—so common in the period—of declaring himself a communist.

From The Road to Wigan Pier to World War II

Orwell’s first socialist book was an original and unorthodox political treatise titled The Road to Wigan Pier (1937). It begins by describing his experiences when he went to live among the destitute and unemployed miners of northern England, sharing and observing their lives; it ends in a series of sharp criticisms of existing socialist movements. It combines mordant reporting with a tone of generous anger that was to characterize Orwell’s subsequent writing.

By the time The Road to Wigan Pier was in print, Orwell was in Spain; he went to report on the Civil War there and stayed to join the Republican militia, serving on the Aragon and Teruel fronts and rising to the rank of second lieutenant. He was seriously wounded at Teruel, with damage to his throat permanently affecting his voice and endowing his speech with a strange, compelling quietness. Later, in May 1937, after having fought in Barcelona against communists who were trying to suppress their political opponents, he was forced to flee Spain in fear of his life. The experience left him with a lifelong dread of communism, first expressed in the vivid account of his Spanish experiences, Homage to Catalonia (1938), which many consider one of his best books.

Returning to England, Orwell showed a paradoxically conservative strain in writing Coming Up for Air (1939), in which he uses the nostalgic recollections of a middle-aged man to examine the decency of a past England and express his fears about a future threatened by war and fascism. When World War II did come, Orwell was rejected for military service, and instead he headed the Indian service of the British Broadcasting Corporation (BBC). He left the BBC in 1943 and became literary editor of the Tribune, a left-wing socialist paper associated with the British Labour leader Aneurin Bevan. At this period Orwell was a prolific journalist, writing many newspaper articles and reviews, together with serious criticism, like his classic essays on Charles Dickens and on boys’ weeklies and a number of books about England (notably The Lion and the Unicorn, 1941) that combined patriotic sentiment with the advocacy of a libertarian, decentralist socialism very much unlike that practiced by the British Labour Party.

Animal Farm and Nineteen Eighty-four

In 1944 Orwell finished Animal Farm, a political fable based on the story of the Russian Revolution and its betrayal by Joseph Stalin. In the book a group of barnyard animals overthrow and chase off their exploitative human masters and set up an egalitarian society of their own. Eventually the animals’ intelligent and power-loving leaders, the pigs, subvert the revolution and form a dictatorship whose bondage is even more oppressive and heartless than that of their former human masters. (“All animals are equal, but some animals are more equal than others.”) At first Orwell had difficulty finding a publisher for the small masterpiece, but when it appeared in 1945, Animal Farm made him famous and, for the first time, prosperous.

Animal Farm was one of Orwell’s finest works, full of wit and fantasy and admirably written. It has, however, been overshadowed by his last book, Nineteen Eighty-four (1949), a novel he wrote as a warning after years of brooding on the twin menaces of Nazism and Stalinism. The novel is set in an imaginary future in which the world is dominated by three perpetually warring totalitarian police states. The book’s hero, the Englishman Winston Smith, is a minor party functionary in one of those states. His longing for truth and decency leads him to secretly rebel against the government, which perpetuates its rule by systematically distorting the truth and continuously rewriting history to suit its own purposes. Smith has a love affair with a like-minded woman, but then they are both arrested by the Thought Police. The ensuing imprisonment, torture, and reeducation of Smith are intended not merely to break him physically or make him submit but to root out his independent mental existence and his spiritual dignity until he can love only the figure he previously most hated: the apparent leader of the party, Big Brother.

Smith’s surrender to the monstrous brainwashing techniques of his jailers is tragic enough, but the novel gains much of its power from the comprehensive rigor with which it extends the premises of totalitarianism to their logical end: the love of power and domination over others has acquired its perfected expression in the perpetual surveillance and omnipresent dishonesty of an unassailable and irresistible police state under whose rule every human virtue is slowly being suborned and extinguished. Orwell’s warning of the potential dangers of totalitarianism made a deep impression on his contemporaries and upon subsequent readers, and the book’s title and many of its coined words and phrases (“Big Brother is watching you,” “newspeak,” “doublethink”) became bywords for modern political abuses.

Orwell wrote the last pages of Nineteen Eighty-four in a remote house on the Hebridean island of Jura, which he had bought from the proceeds of Animal Farm. He worked between bouts of hospitalization for tuberculosis, of which he died in a London hospital in January 1950.

Animal Farm, anti-utopian satire by George Orwell, published in 1945. One of Orwell’s finest works, it is a political fable based on the events of Russia’s Bolshevik revolution and the betrayal of the cause by Joseph Stalin. The book concerns a group of barnyard animals who overthrow and chase off their exploitative human masters and set up an egalitarian society of their own. Eventually the animals’ intelligent and power-loving leaders, the pigs, subvert the revolution. Concluding that “all animals are equal, but some animals are more equal than others” (with its addendum to the animals’ seventh commandment: “All animals are equal”), the pigs form a dictatorship even more oppressive and heartless than that of their former human masters.

  

219- ] English Literature - D. H. Lawrence

219- ] English Literature

D. H. Lawrence 

Legacy

D.H. Lawrence was first recognized as a working-class novelist showing the reality of English provincial family life and—in the first days of psychoanalysis—as the author-subject of a classic case history of the Oedipus complex. In subsequent works, Lawrence’s frank handling of sexuality cast him as a pioneer of a “liberation” he would not himself have approved. From the beginning, readers have been won over by the poetic vividness of his writing and his efforts to describe subjective states of emotion, sensation, and intuition. This spontaneity and immediacy of feeling coexists with a continual, slightly modified repetition of themes, characters, and symbols that express Lawrence’s own evolving artistic vision and thought. His great novels remain difficult because their realism is underlain by obsessive personal metaphors, by elements of mythology, and above all by his attempt to express in words what is normally wordless because it exists below consciousness. Lawrence tried to go beyond the “old, stable ego” of the characters familiar to readers of more conventional fiction. His characters are continually experiencing transformations driven by unconscious processes rather than by conscious Since the 1960s, Lawrence’s critical reputation has declined, largely as a result of feminist criticism of his representations of women. Although it lacks the inventiveness of his more radical Modernist contemporaries, his work—with its depictions of the preoccupations that led a generation of writers and readers to break away from Victorian social, sexual, and cultural norms—provides crucial insight into the social and cultural history of Anglo-American Modernism.

Lawrence was ultimately a religious writer who did not so much reject Christianity as try to create a new religious and moral basis for modern life by continual resurrections and transformations of the self. These changes are never limited to the social self, nor are they ever fully under the eye of consciousness. Lawrence called for a new openness to what he called the “dark gods” of nature, feeling, instinct, and sexuality; a renewed contact with these forces was, for him, the beginning of wisdom.

Posthumous reputation

The obituaries shortly after Lawrence's death were, with the exception of the one by E. M. Forster, unsympathetic or hostile. However, there were those who articulated a more favourable recognition of the significance of this author's life and works. For example, his long-time friend Catherine Carswell summed up his life in a letter to the periodical Time and Tide published on 16 March 1930. In response to his critics, she wrote:

In the face of formidable initial disadvantages and lifelong delicacy, poverty that lasted for three quarters of his life and hostility that survives his death, he did nothing that he did not really want to do, and all that he most wanted to do he did. He went all over the world, he owned a ranch, he lived in the most beautiful corners of Europe, and met whom he wanted to meet and told them that they were wrong and he was right. He painted and made things, and sang, and rode. He wrote something like three dozen books, of which even the worst page dances with life that could be mistaken for no other man's, while the best are admitted, even by those who hate him, to be unsurpassed. Without vices, with most human virtues, the husband of one wife, scrupulously honest, this estimable citizen yet managed to keep free from the shackles of civilisation and the cant of literary cliques. He would have laughed lightly and cursed venomously in passing at the solemn owls—each one secretly chained by the leg—who now conduct his inquest. To do his work and lead his life in spite of them took some doing, but he did it, and long after they are forgotten, sensitive and innocent people—if any are left—will turn Lawrence's pages and will know from them what sort of a rare man Lawrence was.

Aldous Huxley also defended Lawrence in his introduction to a collection of letters published in 1932. However, the most influential advocate of Lawrence's literary reputation was Cambridge literary critic F. R. Leavis, who asserted that the author had made an important contribution to the tradition of English fiction. Leavis stressed that The Rainbow, Women in Love, and the short stories and tales were major works of art. Later, the obscenity trials over the unexpurgated edition of Lady Chatterley's Lover in America in 1959, and in Britain in 1960, and subsequent publication of the full text, ensured Lawrence's popularity (and notoriety) with a wider public.

Since 2008, an annual D. H. Lawrence Festival has been organised in Eastwood to celebrate Lawrence's life and works; in September 2016, events were held in Cornwall to celebrate the centenary of Lawrence's connection with Zennor.

Selected depictions of Lawrence's life

Priest of Love: a 1981 film based on the non-fiction biography of Lawrence with the same title. It stars Ian McKellen as Lawrence. The film is mostly focused on Lawrence's time in Taos, New Mexico, and Italy, although the source biography covers most of his life.

Coming Through: a 1985 film about Lawrence and Weekley, portrayed by Kenneth Branagh and Helen Mirren respectively.

Zennor in Darkness: a 1993 novel by Helen Dunmore in which Lawrence and his wife feature prominently.

On the Rocks: a 2008 stage play by Amy Rosenthal showing Lawrence, his wife Frieda Lawrence, short-story writer Katherine Mansfield and critic and editor John Middleton Murry in Cornwall in 1916–17.

LAWRENCE – Scandalous! Censored! Banned!: A musical based on the life of Lawrence. Winner of the 2009 Marquee Theatre Award for Best Original Musical. Received its London premiere in October 2013 at the Bridewell Theatre.

Husbands and Sons: A stage play adapted by Ben Power from three of Lawrence's plays, The Daughter-in-Law, A Collier's Friday Night, and The Widowing of Mrs Holroyd, which were each based on Lawrence's formative years in the mining community of Eastwood, Nottinghamshire. Husbands and Sons was co-produced by the National Theater and the Royal Exchange Theater and directed by Marianne Elliott in London in 2015.[67][68]

Frieda: The Original Lady Chatterley (Hodder & Stoughton, 2019): a novel by Annabel Abbs.

Works

Novels

The White Peacock (1911) The Trespasser (1912) Sons and Lovers (1913)The Rainbow (1915)Women in Love (1920)The Lost Girl (1920)Aaron's Rod (1922)Kangaroo (1923)The Boy in the Bush (1924), coauthored with M.L. (Mollie or Molly) SkinnerThe Plumed Serpent (1926)Lady Chatterley's Lover (1928)The Escaped Cock (1929), republished as The Man Who Died

Short-story collections

The Prussian Officer and Other Stories (1914)England, My England and Other Stories (1922)The Complete Short Stories (1922) Three volumes, reissued in 1961 by The Viking Press, Inc.The Fox, The Captain's Doll, The Ladybird (1923)St Mawr and Other Stories (1925)The Woman who Rode Away and Other Stories (1928)The Rocking-Horse Winner (1926)The Virgin and the Gipsy and Other Stories (1930)Love Among the Haystacks and Other Pieces (1930)The Lovely Lady and Other Tales (1932)The Tales of D.H. Lawrence (1934) – HeinemannCollected Stories (1994) – Everyman's Library

Collected letters

The Letters of D. H. Lawrence, Volume I, September 1901 – May 1913, ed. James T. Boulton, Cambridge University Press, 1979, ISBN 0-521-22147-1

The Letters of D. H. Lawrence, Volume II, June 1913 – October 1916, ed. George J. Zytaruk and James T. Boulton, Cambridge University Press, 1981, ISBN 0-521-23111-6

The Letters of D. H. Lawrence, Volume III, October 1916 – June 1921, ed. James T. Boulton and Andrew Robertson, Cambridge University Press, 1984, ISBN 0-521-23112-4

The Letters of D. H. Lawrence, Volume IV, June 1921 – March 1924 , ed. Warren Roberts, James T. Boulton and Elizabeth Mansfield, Cambridge University Press, 1987, ISBN 0-521-00695-3

The Letters of D. H. Lawrence, Volume V, March 1924 – March 1927, ed. James T. Boulton and Lindeth Vasey, Cambridge University Press, 1989, ISBN 0-521-00696-1

The Letters of D. H. Lawrence, Volume VI, March 1927 – November 1928 , ed. James T. Boulton and Margaret Boulton with Gerald M. Lacy, Cambridge University Press, 1991, ISBN 0-521-00698-8

The Letters of D. H. Lawrence, Volume VII, November 1928 – February 1930, ed. Keith Sagar and James T. Boulton, Cambridge University Press, 1993, ISBN 0-521-00699-6

The Letters of D. H. Lawrence, with index, Volume VIII, ed. James T. Boulton, Cambridge University Press, 2001, ISBN 0-521-23117-5

The Selected Letters of D. H. Lawrence, Compiled and edited by James T. Boulton, Cambridge University Press, 1997, ISBN 0-521-40115-1

D. H. Lawrence's Letters to Bertrand Russell, edited by Harry T. Moore, New York: Gotham Book Mart, 1948.

Poetry collections

Love Poems and others (1913) Amores (1916) Look! We have come through! (1917)New Poems (1918) Bay: a book of poems (1919) Tortoises (1921) Birds, Beasts and Flowers (1923) The Collected Poems of D H Lawrence (1928) Pansies (1929) Nettles (1930) The Triumph of the Machine (1930; one of Faber and Faber's Ariel Poems series, illustrated by Althea Willoughby) Last Poems (1932) Fire and other poems (1940) The Complete Poems of D.H. Lawrence (1964), ed. Vivian de Sola Pinto and F. Warren Roberts The White Horse (1964) D.H. Lawrence: Selected Poems (1972), ed. Keith Sagar. Snake and Other Poems

Plays

The Daughter-in-Law (1913) The Widowing of Mrs. Holroyd (1914)Touch and Go (1920)David (1926)The Fight for Barbara (1933)A Collier's Friday Night (1934)The Married Man (1940)The Merry-Go-Round (1941)The Complete Plays of D.H. Lawrence (1965)The Plays, edited by Hans-Wilhelm Schwarze and John Worthen, Cambridge University Press, 1999, ISBN 0-521-24277-0

Non-fiction books and pamphlets

Study of Thomas Hardy and Other Essays (1914), edited by Bruce Steele, Cambridge University Press, 1985, ISBN 0-521-25252-0, Literary criticism and metaphysics

Movements in European History (1921), edited by Philip Crumpton, Cambridge University Press, 1989, ISBN 0-521-26201-1, Originally published under the name of Lawrence H. Davison

Psychoanalysis and the Unconscious and Fantasia of the Unconscious (1921/1922), edited by Bruce Steele, Cambridge University Press, 2004 ISBN 0-521-32791-1

Studies in Classic American Literature (1923), edited by Ezra Greenspan, Lindeth Vasey and John Worthen, Cambridge University Press, 2003, ISBN 0-521-55016-5

Reflections on the Death of a Porcupine and Other Essays (1925), edited by Michael Herbert, Cambridge University Press, 1988, ISBN 0-521-26622-X

A Propos of Lady Chatterley's Lover (1929) – Lawrence wrote this pamphlet to explain his novel.

My Skirmish With Jolly Roger (1929), Random House – expanded into A Propos of Lady Chatterley's Lover

Apocalypse and the Writings on Revelation (1931), edited by Mara Kalnins, Cambridge University Press, 1980, ISBN 0-521-22407-1

Phoenix: The Posthumous Papers of D. H. Lawrence (1936)

Phoenix II: Uncollected, Unpublished, and Other Prose Works by D. H. Lawrence (1968)

Introductions and Reviews, edited by N. H. Reeve and John Worthen, Cambridge University Press, 2004, ISBN 0-521-83584-4

Late Essays and Articles, edited by James T. Boulton, Cambridge University Press, 2004, ISBN 0-521-58431-0

Selected Letters, Oneworld Classics, 2008. Edited by James T. Boulton. ISBN 978-1-84749-049-0

The New Adelphi, June–August 1930 issue, edited by John Middleton Murry. Includes, by Lawrence, ″Nottingham and the Mining Countryside,″ Nine Letters (1918–1919) to Katherine Mansfield, and Selected Passages from non-fiction works. Also includes essays on Lawrence by John Middleton Murry, Rebecca West, Max Plowman, Waldo Frank, and others.

Memoir of Maurice Magnus, Keith Cushman, ed. 1 December 1987, Black Sparrow Press. ISBN 978-0-87685-716-8, 0-87685-716-0 This book includes the unexpurgated version of Lawrence's introduction to Magnus's Memoirs of the Foreign Legion and related material.

Travel books

Twilight in Italy and Other Essays (1916), edited by Paul Eggert, Cambridge University Press, 1994, ISBN 0-521-26888-5. Twilight in Italy paperback reissue, I.B. Tauris, 2015, ISBN 978-1-78076-965-3

Sea and Sardinia (1921), edited by Mara Kalnins, Cambridge University Press, 1997, ISBN 0-521-24275-4

Mornings in Mexico and Other Essays (1927), edited by Virginia Crosswhite Hyde, Cambridge University Press, 2009, ISBN 978-0-521-65292-6.

Sketches of Etruscan Places and Other Italian Essays (1932), edited by Simonetta de Filippis, Cambridge University Press, 1992, ISBN 0-521-25253-9; Etruscan Places, New York: The Viking Press (1932).

Works translated by Lawrence

Lev Isaakovich Shestov All Things are Possible (1920)

Ivan Alekseyevich Bunin The Gentleman from San Francisco (1922), tr. with S. S. Koteliansky

Giovanni Verga Mastro-Don Gesualdo (1923)

Giovanni Verga Little Novels of Sicily (1925)

Giovanni Verga Cavalleria Rusticana and other stories (1928)

Antonio Francesco Grazzini (Lasca) The Story of Doctor Manente (1929)

Manuscripts and early drafts of works

Paul Morel (1911–12), edited by Helen Baron, Cambridge University Press, 2003 (first publication), ISBN 0-521-56009-8, an early manuscript version of Sons and Lovers

The First Women in Love (1916–17) edited by John Worthen and Lindeth Vasey, Cambridge University Press, 1998, ISBN 0-521-37326-3

Mr Noon (unfinished novel) Parts I and II, edited by Lindeth Vasey, Cambridge University Press, 1984, ISBN 0-521-25251-2

The Symbolic Meaning: The Uncollected Versions of Studies in Classic American Literature, edited by Armin Arnold, Centaur Press, 1962

Quetzalcoatl (1925), edited by Louis L Martz, W W Norton Edition, 1998, ISBN 0-8112-1385-4, Early draft of The Plumed Serpent

The First and Second Lady Chatterley Novels, edited by Dieter Mehl and Christa Jansohn, Cambridge University Press, 1999, ISBN 0-521-47116-8.

Paintings

The Paintings of D. H. Lawrence, London: Mandrake Press, 1929.

D. H. Lawrence's Paintings, ed. Keith Sagar, London: Chaucer Press, 2003.

The Collected Art Works of D. H. Lawrence, ed. Tetsuji Kohno, Tokyo: Sogensha, 2004.

  

218- ] English Literature

218- ] English Literature

D, H, Lawrence

Literary criticism

Lawrence's criticism of other authors often provides insight into his own thinking and writing. Of particular note is his Study of Thomas Hardy and Other Essays.In Studies in Classic American Literature Lawrence's responses to writers like Walt Whitman, Herman Melville and Edgar Allan Poe also shed light on his craft.

Plays

Lawrence wrote A Collier's Friday Night about 1906–1909, though it was not published until 1939 and not performed until 1965. He wrote The Daughter-in-Law in 1913, though it was not staged until 1967, when it was well received. In 1911 he wrote The Widowing of Mrs. Holroyd, which he revised in 1914; it was staged in the US in 1916 and in the UK in 1920, in an amateur production. It was filmed in 1976; an adaptation was shown on television (BBC 2) in 1995. He also wrote Touch and Go towards the end of World War I, and his last play, David, in 1925.

Painting

D. H. Lawrence had a lifelong interest in painting, which became one of his main forms of expression in his last years. His paintings were exhibited at the Warren Gallery in London's Mayfair in 1929. The exhibition was extremely controversial, with many of the 13,000 people visiting mainly to gawk. The Daily Express claimed, "Fight with an Amazon represents a hideous, bearded man holding a fair-haired woman in his lascivious grip while wolves with dripping jaws look on expectantly, [this] is frankly indecent".[45] However, several artists and art experts praised the paintings. Gwen John, reviewing the exhibition in Everyman, spoke of Lawrence's "stupendous gift of self-expression" and singled out The Finding of Moses, Red Willow Trees and Boccaccio Story as "pictures of real beauty and great vitality". Others singled out Contadini for special praise. After a complaint, the police seized thirteen of the twenty-five paintings, including Boccaccio Story and Contadini. Despite declarations of support from many writers, artists, and members of Parliament, Lawrence was able to recover his paintings only by agreeing never to exhibit them in England again. Years after his death, his widow Frieda asked artist and friend Joseph Glasco to arrange an exhibition of Lawrence's paintings, which he discussed with his gallerist Catherine Viviano. The largest collection of the paintings is now at La Fonda de Taos hotel in Taos, New Mexico. Several others, including Boccaccio Story and Resurrection, are at the Humanities Research Centre of the University of Texas at Austin.

Lady Chatterley trial

A heavily censored abridgement of Lady Chatterley's Lover was published in the United States by Alfred A. Knopf in 1928. This edition was posthumously reissued in paperback in the United States by both Signet Books and Penguin Books in 1946. The first unexpurgated edition of Lady Chatterley's Lover was printed in July 1928 in Florence by a small publisher, Giuseppe Orioli: 1000 copies in a very good print, according D. H. Lawrence, who wrote a thank-you poem to Orioli. When the unexpurgated edition of Lady Chatterley's Lover was published by Penguin Books in Britain in 1960, the trial of Penguin under the Obscene Publications Act of 1959 became a major public event and a test of the new obscenity law. The 1959 act (introduced by Roy Jenkins) had made it possible for publishers to escape conviction if they could show that a work was of literary merit. One of the objections was to the frequent use of the word "fuck" and its derivatives and the word "cunt".

Various academic critics and experts of diverse kinds, including E. M. Forster, Helen Gardner, Richard Hoggart, Raymond Williams and Norman St John-Stevas, were called as witnesses, and the verdict, delivered on 2 November 1960, was "not guilty". This resulted in a far greater degree of freedom for publishing explicit material in the UK. The prosecution was ridiculed for being out of touch with changing social norms when the chief prosecutor, Mervyn Griffith-Jones, asked if it were the kind of book "you would wish your wife or servants to read".

The Penguin second edition, published in 1961, contains a publisher's dedication, which reads: "For having published this book, Penguin Books were prosecuted under the Obscene Publications Act, 1959 at the Old Bailey in London from 20 October to 2 November 1960. This edition is therefore dedicated to the twelve jurors, three women and nine men, who returned a verdict of 'Not Guilty' and thus made D. H. Lawrence's last novel available for the first time to the public in the United Kingdom."

Philosophy and politics

Despite often writing about political, spiritual and philosophical matters, Lawrence was essentially contrary by nature and hated to be pigeonholed. Critics such as Terry Eagleton have argued that Lawrence was right-wing due to his lukewarm attitude to democracy, which he intimated would tend towards the leveling down of society and the subordination of the individual to the sensibilities of the "average" man. In his letters to Bertrand Russell around 1915, Lawrence voiced his opposition to enfranchising the working class and his hostility to the burgeoning labour movements, and disparaged the French Revolution, referring to "Liberty, Equality, and Fraternity" as the "three-fanged serpent." Rather than a republic, Lawrence called for an absolute dictator and equivalent dictatrix to lord over the lower peoples.[51] In 1953, recalling his relationship with Lawrence in the First World War, Russell characterised Lawrence as a "proto-German Fascist," saying "I was a firm believer in democracy, whereas he had developed the whole philosophy of Fascism before the politicians had thought of it." Russell felt Lawrence to be a positive force for evil. However, in 1924 Lawrence wrote an epilogue to Movements in European History (a textbook he wrote, originally published in 1921) in which he denounced fascism and Soviet-style socialism as bullying and "a mere worship of Force". Further, he declared "I believe a good form of socialism, if it could be brought about, would be the best form of government." In the late 1920s, he told his sister he would vote Labour if he was living back in England. In general, though, Lawrence disliked any organized groupings, and in his essay Democracy, written in the late twenties, he argued for a new kind of democracy in which

each man shall be spontaneously himself – each man himself, each woman herself, without any question of equality or inequality entering in at all; and that no man shall try to determine the being of any other man, or of any other woman.

Lawrence held seemingly contradictory views on feminism. The evidence of his written works, particularly his earlier novels, indicates a commitment to representing women as strong, independent, and complex; he produced major works in which young, self-directing female characters were central. In his youth he supported extending the vote to women, and he once wrote, "All women in their natures are like giantesses. They will break through everything and go on with their own lives." However, some feminist critics, notably Kate Millett, have criticised, indeed ridiculed, Lawrence's sexual politics, Millett claiming that he uses his female characters as mouthpieces to promote his creed of male supremacy and that his story The Woman Who Rode Away showed Lawrence as a pornographic sadist with its portrayal of "human sacrifice performed upon the woman to the greater glory and potency of the male." Brenda Maddox further highlights this story and two others written around the same time, St. Mawr and The Princess, as "masterworks of misogyny."

Despite the inconsistency and at times inscrutability of his philosophical writings, Lawrence continues to find an audience, and the publication of a new scholarly edition of his letters and writings has demonstrated the range of his achievement. Philosophers like Gilles Deleuze and Félix Guattari found in Lawrence's critique of Sigmund Freud an important precursor of anti-Oedipal accounts of the unconscious that has been much influential.